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just K

@keyjamm / keyjamm.tumblr.com

Brazilian · F · 32 · Taurus Still problematic. Now looking for a creative outlet.
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End OTW Racism: A Call To Action

A fan protest against the lack of action from the OTW on addressing issues of harassment and racism on AO3 and within the organization

This is a Call To Action for Fans of Color and Allies

AO3 has acknowledged that they have a harassment & racism problem that its parent organization, the Organization for Transformative Works (OTW), needs to address. Currently, people can use AO3 to harass others through fanworks, comments, and tags. Just a few examples include: racist Untamed “spitefic” that used anti-Indigenous slurs and was written specifically to lash out at fans of color; a Transformer fic that used its Black-coded character to reenact George Floyd’s murder in July 2020; someone naming a fandom scholar who criticized their Nazi omegaverse fic in the tags of the fic specifically to incite harassment to the scholar; writers using racial slurs against commenters who pointed out racism in their hockey fic; and so much more.

In June 2020, after the murder of George Floyd, the OTW committed to addressing these issues. It has been nearly three years and they have not yet implemented any of the changes they promised, other than a blocking/muting tool that was already in development before 2020. We need to hold the OTW accountable to their own promises. (See the section further down on “Why Are We Doing This” for even more detail.)

As fans, together, we are powerful. We are organizing to protest the lack of action on promises made by the Organization for Transformative works to deal with issues of racism and harassment on their platform, Archive of Our Own.

We call on fans to do any or all of the following actions any time between May 17 to 31, 2023 to send a message to AO3 and OTW that we will hold them to their promises.

On AO3

  • Change the title of ten (or more!) of your most recent or most popular fanworks to include ‘End Racism in the OTW’ in the beginning, and provide a link to this post in your summary or first/top creator’s note
  • Post a new fanwork any time between May 17th to 31st with “End Racism in the OTW” either as the title or at the beginning of the title. The fanwork does not have to be long - it can be a 100-word fic, a quick sketch, a podfic of a ficlet, a 20-second vid/edit, a short piece of meta, etc. In the summary or first/top creator’s note, provide a link to this post
  • If updating any WIPs with a new chapter, add ‘End Racism in the OTW’ to the title and provide a link back to this post in your summary or first/top author’s note
  • Update your AO3 icon using the profile pic graphic in our Social Media Toolkit
  • Plan to maintain these changes until May 31, 2023, or longer if you wish
  • Send a message to the OTW asking for an update on their 2020 commitments!
  • For Readers: leave encouraging comments on fanworks with the "End Racism in the OTW" title to show your support of this initiative.

On tumblr

  • Reblog this Call to Action with the tag #End OTW Racism
  • Update your profile pics and banners using the graphics in our Social Media Toolkit
  • Follow this account for updates and signal boost our posts

On Twitter

  • Follow @/EndOTWRacism (remove the backslash) and signal boost our pinned tweet
  • Update your profile pics and banners using our graphics, and change your display name to include #EndOTWRacism
  • Use sample tweets and graphics from our Social Media Toolkit to tweet about your fanworks, and use the hashtag #EndOTWRacism

What Do We Want?

Since their June 2020 statement, OTW has been working on updating their Terms of Service (TOS) to address racist and bigoted harassment, but with little transparency and only the vaguest of updates. It has been three years since their commitment to this update - we want to see the results of their work implemented in the next 6-12 months. Their TOS updates and complementary policies should include:

  • Harassment policies that can be regularly updated to address both on-site harassment and off-site coordinated harassment of AO3 users, with updated protocols for the Policy & Abuse Team to ensure consistent and informed resolutions of abuse claims
  • A content policy on abusive (extremely racist and extremely bigoted) content; by abusive, we are talking about fanworks that are intentionally used to spread hate and harassment, not those that accidentally invoke racist or other bigoted stereotypes

These points are not particularly new and are not our own innovation; please refer to Stitch's article written over two years ago, asking for several of these very things.

OTW has also already committed to various process-based actions for longer-term works towards centering antiracism, including hiring a Diversity Consultant. The last update that OTW published said that the consultant would be hired within the next five years (after already having had three years to work on it since their original commitment). That is not soon enough. We want to see the following process-based actions implemented:

  • Hiring a Diversity Consultant within the next 3-6 months
  • Committing to a policy of transparency on this topic, with quarterly updates on the progress of these projects including challenges and their plan for overcoming those challenges. These quarterly updates should be published on OTW News page and newsletters, not solely discussed in Board meetings

Why Are We Doing This?

16 years ago, Astolat famously published her manifesto calling for a fandom Archive of One’s Own. In that time, AO3 has grown to be a central pillar of fandom, likely far outstripping its founders’ original vision. It is more than just an archive now; it is a central hub of the modern fannish experience. AO3 and the OTW must continue to grow and evolve with fandom over time to remain a healthy and functioning pillar of fandom. To that end, there are several areas in which the organization, as it admits itself, is lacking.

In June 2020, in the wake of the George Floyd protests and the uprising of the Black Lives Matter Movement, The OTW published a “This Week in Fandom” referencing the works of Dr. Rukmini Pande and Stitch, among others in which they discussed ‘making change for a better society’ through ‘conversations about race and racism’. In response, Dr. Pande and Stitch submitted a letter to the OTW calling for a more formal public statement than an offhand reference in a News Roundup that only served to call for thoughts and discussion without any indication the organization intended to do anything, policy wise, to address the issues being raised.

Eventually, the organization did remove the references to the works of Dr. Pande and Stitch and then made an official statement on the issue of racism within the organization and AO3. In it, they identified several things they would be prioritizing to combat harassment and benefit users. Some of those have been implemented (notably those that were already under development). However as of this writing, little else has been done especially in regards to:

  • Improving admin tools for the Policy & Abuse team
  • Reassessing the current mandatory archive warnings with the possibility of implementing others
  • And, most importantly, reviewing the Terms of Service (TOS) to allow the Policy & Abuse team to address harassment that is currently not covered by the existing TOS

By their own admission, the current tools and policies of the OTW are not sufficient to deal with issues of harassment and racism.

Several people who were involved in the founding of the OTW, including previous OTW Board members and staff on the original OTW Content Policy Committee, acknowledge that the founding of the OTW in 2008 and early board iterations failed us as a fandom by not doing enough, and by not even considering the way racism is perpetuated in fannish spaces, despite a long history of racism in fandom.

It has been nearly three years since the original commitment by the organization with little visible, measurable progress on these three crucial issues and a complete lack of transparency on where they are in regards to even beginning to deal with these issues. In fact, in Q&As, it was heavily implied by a member of the board that those calling for OTW to deal with issues of racism (which OTW had already acknowledged as a problem!) were not really fans but outside agitators.

This has cast significant doubt on the organization's sincerity and commitment to their stated goals, and on their position as leaders of a central fan tent-pole. Fans of color are not outsiders. They are right here, members of our community, and they are being harassed and targeted and driven out while space and platforms are being given to racists.

We, as fans of color and our allies, find the current state of fandom and current actions (and lack thereof) unacceptable. Fandom is our space, all of ours. We, as a fandom, have a right to a racism-free space and have a duty to our fellow fans to create that space. Unlike so much of the world, this is a space we can control and make better. It is a space we must make better. To read even more about this movement, visit our FAQs.

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keyjamm

There's no reason not to join #EndOTWRacism Seriously, here's a list of cohesive actions every fannish writer/artist can take in the next couple of weeks to grab AO3/OTW's attention

Please be aware this is *not* about censorship. Taking action against individuals that purposefully spread hate and harassment isn't censorship.

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schistcity

i come from the 8tracks generation where you weren't allowed to just dump three and a half twee indie folk/tswift records into a fanmix and call it done. on 8tracks you had 8+ handpicked songs in rigid chronological order and an accompanying mission statement and thesis defence detailing exactly why each one applied to your derek x stiles coffee shop au AND cover/track-list art hodgepodged from stolen pinterest/tumblr aesthetic photography, and all of this was done under constant threat of death because it was the DMCA wild west and the site was in a constant state of gradual collapse.

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sorry I can’t hang out I have to consume the same media I have seen 86 times to feel sane because I have abandonment issues. yeah sorry it’s gonna take all day

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Whumpuary 2023.4 (Torture)

He doesn't mind the accommodations.

For two years, he was drunk beyond his wits, sleeping in any gutter that wasn't already occupied by another hobo. Afterwards, he had taken to boarding together with whores. So. Of course he doesn't mind the cell. It's got a bed (no mattress, though), it's got a bucket to piss in, it's got absolutely no rats, and that's far better than where he's lived at. There's even food and water. Occasionally.

So no, he doesn't mind that he's chained up sometimes, or beat up, or threatened with vague promises of more pain to come. Last time a secure guard punched him in the stomach, he spat on the man. Hit him straight up in the eye, too. The sheer high of it carried him for an entire day. He passed out bruised and broken and still smiling through splintered teeth.

"Don't you know when to fucking stop?" the guards kept asking.

"Never did."

It's just another one of their rhetorical questions. They ask a myriad of shit he doesn't have any answer for. So unfair. When he actually knows the answer to something, he gets decked in the face for being fucking hilarious. His own teeth tear through his gums and his mouth fills with blood. Hurts like a bitch. Once, however, they'd dragged him naked through the courtyard and washed him down like a mutt, middle of winter. He'd lost one toe to that.

So no, he doesn't mind.

It's not the harsh stone beneath his body, whenever he gets some rest. It's not the stale food nor the rancid water, nor knowing when he'll have the opportunity to take his fill. It's not even the beatings. The men are so unskilled, it's like child's play. He's faced worthier opponents in kindergarten.

It's just that – sometimes he gets lonely, that's all. Most of the guards don't reply to him, egging them on, except with a fist. The contact is… He doesn't wanna say it's good, because he never got used to hurting, so there's that. But it's warm and it's human and it's something, so he'll take the bruising and the broken bones and losing every inch of his body, slowly, because what's going to be the death of him isn't a man tying him down and stripping the layers off of his skin.

They will, inevitably, realize he knows nothing.

One day, they'll lock his cell, like they often do. And he's gonna wait a bit for his rations, like he often does. And he's gonna wait for someone to come. He's just gonna have to keep waiting, but this time — a future time, a time he doesn't know when, doesn't know if it's this or another, here or in years, sooner or later — that time, precisely? Nobody will.

So forget the cell, forget getting kicked the shit out of him. (Forget him, eventually.) He's gonna be locked up and forgotten. And that's the true torture.

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me reading a fic's tag on ao3 that says "oh don't worry the torture is only vaguely alluded to— nothing graphic!!! ^-^": b-but it could be graphic

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Whumpuary 2023.3 (Stay with me)

It's a lovely evening when they leave her.

The weather has been foul lately, but a huge cloud just passed over the previous weekend, taking the storm with it in its wake, and the mornings had become unusually bright. Not a single droplet of water, too. Seagulls sing in the port and the city is bustling with the pent up energy of every tradesman who had been forced to keep inside.

"Watch it," a man's shoulder hits her squarely in the chest as he pushes past her. She has to disentangle herself from the crowd; when it's sunny, the port crawls with fishermen, orphans, and whores. There's no place for a woman to stand watching ships that have gone away.

It's okay. I didn't even want it anyway.

The thought flares in her mind with the same insistence it once did before. She remembers thinking it for the first time she arrived the town. Back then, she'd seen a gown – a beautiful green, deep and velvety and more expensive than anything she had ever owned. She saved and saved for it, and she'd stopped by the store everyday, watching her reflection on the glass and imagining herself on it until the day the dress was entirely gone.

It's okay. I didn't even want it anyway.

She didn't have the money to spare on it, anyways. All she'd saved and she purchased a pair of gloves. They weren't quite as pretty, but they had, indeed, been expensive. She kept the pair in the bottom of her drawer like a precious treasure, but in truth, she couldn't bear to look at them. Which is a wonder why she can stare at the ocean for so long – her boys were gone, off to some distant shore – and unlike the gloves, she can't keep anything of them as a reminder of the thing she didn't, doesn't, definitely want.

Can't even put a name to it.

It had been… nice. Not as beautiful as the green dress, that's for sure. She'd been smarter now, and knew better than to let her imagination get the better of her. So she definitely didn't imagine letting them keep her company at home, nor entwining fingers, nor smiling and laughing more than she did. When they had been there, she kept to herself, smiled little, and tensed whenever one of them sought comfort. She never invited them in.

But it's okay. It's not like I wanted it.

(She had said it out loud, though, just once. Hoping no one would hear. I'll help you and you'll help me; that means staying here by my side. But she'd spat it out too fast and too painfully, and maybe they had paid just as much attention to it as she willed them too. Better than to believe they heard it and were now gone.)

The sky is so clear the twilight paints the water a bright orange. Children cackle nearby. Beneath her boots, she feels the pebbles of the port square, same as she did, when the three of them had first met by the shore.

There's not a single ship in the horizon.

They're gone, she thinks, and this is not a startling realization. They're truly and well gone, and I'm never going to have them again.

Just like the dress, she never had them in the first place. It's okay. She can't miss what she didn't have.

I don't want it. I never wanted it. I don't need them. I'm better on my own. There will be others. It doesn't matter, it never did, and I knew better.

The startling thing is – she's crying. Even if it's okay. Even if she didn't want it in the first place.

(Oh, but she wanted it, and she wanted them, and she kept it all hidden and locked up and willed it away so badly because she knew it wouldn't be forever. She wanted it and the worst part is that they're gone and she still does.)

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Whumpuary 2023.2 (Infection)

Oh, gods. There's something buried beneath his skin.

A whimper escapes his throat unbidden. His breath has been shaky ever since his capture, a raspy and troubled thing, but he's never actually made any sound before. It doesn't matter how lightly —his ears stand up in alert. It does nothing, nothing to dissuade him from the anxiety that threatens to burst his heart from the rib cage.

Calm down, he thinks, rubbing his arms. It does very little to soothe his nervousness. He feels the itch there. He claws the itch. Scratches. For one second, it's so good he moans, rocking ever so gently back and forth. Just. Don't think. Breathe. In. Out. Don't think about what's causing the itch. Scratch.

Red welts all over his arms, and the skin is bloated and warm there, when he's done. At least it's stopped moving. When he pinches the skin he cut open, a thick, viscous black liquid emerges. It smells sewage foul. He squeezes until it's gone, and blood finally, gladly seeps outs. He could cry from relief.

When he does, the streaks running down his cheek feel unmistakably slimy. It takes so much from him, to finally get the courage to wipe them with the back of his hand. Like he won't be able to come out from it again. He's almost afraid to breathe this time.

Pressing his palm against the skin of his cheek, his hand comes back tinted black.

He's gotta find some self control now. Please. He begs. Bites the inside of his mouth (just enough that it smarts and he stops crying, just enough, not too much, please, don't let him draw blood). His stomach is twisting and turning, and he can not, will not fucking vomit, because what is inside of him? With his left hand pressed against his moving belly, he knows he can't bring himself to face it.

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rotating my blorbo in my mind like the cough drop in my mouth, slowly stripping away layer after layer as I let it soothe me, until I reach its very core where it is soft, and I can crush it.

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Whumpuary 2023.1 (Nightmares)

There's a reason why he doesn't sleep anymore.

He sighs and pushes himself a little further. Just another word on a page. The candlelight trembles close to him, and that's when the man knows he's exhaling too sharply, keeping himself awake only out of the force of his sheer will. The ink on the pages in front of him has lost all meaning.

"...and if it's something I have done, all I need is to understand why…"

His handwritten looks sloppy. He forces himself to look at her name again, focusing on it with his eyes open until they ache, until it's reduced to nothing more than loops in the L and Es.

Ink on paper.

The tremor overtakes his writing hand. He looks at it with the detachment of a madman – or at least, of someone who has not had enough shut eye in three days.

Eyes back to paper, he tells himself. Write. Do it neatly. Apologize. Beg, if you need to. Best to lay your feelings down than to fall asleep.

So he puts pen to paper. It doesn't matter his smarts have dulled and his eyes are red and there's a headache building in the back of his nape. It doesn't matter that the coffee had long past cooled in his cup, turning his stomach whenever he pauses long enough for a sip. It doesn't matter that he's been reduced to an unsteady, trembling mess, and that by the first light of the morning sun, he's still going to be a mess, but he will have to bullshit it and smile.

He writes.

(A letter he will never send, of course. He's raving mad for her, but not entirely crazy, not yet, not until he falls asleep and has no control over himself anymore…)

Writes what he wants to say, but never will. That he misses when there was no space between their bodies. The feel of her hair, tangled between his fingers. How comfortable she became in his arms.

It's better when he's dreaming awake. If he closes his eyes, however. If he closes his eyes, he remembers things that never happened. Words unsaid. Time never spent. Futures unknown. All the could've beens that simply…

were not.

So he stays awake, in his dark room, with only pen and paper for company, least the nightmares come.

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