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Sister's Fan Blog

@sister-dear / sister-dear.tumblr.com

Aro genderflux millennial who loves fantasy and video games. This is a multi-fandom blog (mostly Zelda right now) with equal opportunity shipping preferences. I will occasionally post more mature content. She/her and/or em/em/eyr/eyrs/emself.
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Sister's LU Fic Master Post

Common themes in my writing include found family, illness, recovery, and queer characters. These stories tend to run heavy on the happy endings and finding hope.

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sister-dear

I made a sideblog for stashing all my art and story links. Still gonna reblog them here, but they tend to get buried under everything else. Starting off the blog with a fic master post! My Links Meet AU Master Post is Here!

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reblogged
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melonsap

Okay but the sheer amount of unique worldbuilding and lore in Cadence of Hyrule.

Link as a fully realized, fully recognized hero, despite never getting the Master Sword. He knows what he's doing without destiny yanking him around by the collar.

Zelda able to operate singlehandedly, with as much dungeon-crawling ability as Link's often given.

Shadow Link also having a Shadow Zel counterpart, implying that it's a sort of magic mimic rather than a specter haunting the Hero specifically. Not just that, but a mimic with AGENCY that can choose to help you.

A canonical reason for Link being able to respawn after death, without breaking immersion.

The oracles? Possibly? Their colors suggest so, but who are these ladies? Where do they come from? How do they know the future?

Gerudo with designs that make sense for the desert!

And a knack for technology! Which is really sick!

Image ID: Young Prince Ganondorf, playing what looks to be a homemade pipe organ. End ID
ALT

Prince Ganondorf! Meaning that not only was he raised in Gerudo Town with his fellow Gerudo, but Link got his hero status WITHOUT taking him down!

Branching timelines? That are referenced in-game? And can be averted depending on which side of the game you want to play?

In fact, it's complete mix of the three canon timelines' placement. River Zora (called "evil Zora") exist. The overworld theme takes from Wind Waker's great sea. Deku scrubs and the Great Deku Tree are around. Sea Zora (aka the "friendly Zora" of OoT onward) are sharks. Zelda, Link, and Ganon have Downfall timeline designs. Octavo references Vaati in his design. There are BotW Bokoblins and Keese, Wind Waker kargaroks, Iron Knuckles and Darknuts both, Taluses and Lynels and Hinoxes... Where is it in the timeline? Who knows? Wherever your heart thinks it belongs.

Then there's how the Triforce calls to Cadence, like it did to Link in the Oracles games. How they have the power to isekai whomever they want, Link just happens to be the nearest fit 99% of the time. How Cadence has as much a claim to Power as Ganondorf is usually given.

And the ITEMS. The SWORDS. Where did Caladbolg come from? Where did Fragarach? Why does the Jeweled Dagger look Sheikah-made? Why can I put Link in glass slippers?

Also Yves my beloved. My little hero sprout. I love you.

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I regret to inform you that Discord's new Terms of Service includes an arbitration clause. You can find it here https://discord.com/terms/#16. This clause includes an opt-out, which I have transcribed here:

You can decline this agreement to arbitrate by emailing an opt-out notice to arbitration-opt-out@discord.com within 30 days of April 15, 2024 or when you first register your Discord account, whichever is later; otherwise, you shall be bound to arbitrate disputes in accordance with the terms of these paragraphs. If you opt out of these arbitration provisions, Discord also will not be bound by them.

These clauses are underhanded ways that corporations seek to deprive you of your right to participate in class-action lawsuits and your right to a jury trial. (This does only apply to us users ,other people still spread the word though )

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ganurath

Bad news, @noodelzmop. Arbitration basically means that if you want to sue Discord for whatever reason, the dispute needs to be handled in house. Specifically, in their house. If you don't get this email out, you're basically signing away your right to legal recourse if they do criminally shitty stuff to you, like with the McDonalds app.

I have been told that emailing "I am confirming that as of the date of this email, I am choosing to opt out of binding arbitration to settle disputes with Discord." With the Email you used for your discord account is enough for the notice but take this with a grain of salt as this was not said by a lawyer

reiterating that this only applies to US users

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tmmyhug

THIRTY DAY LIMIT BTW. I suggest taking sixty seconds to fire off a quick email with op’s recommended text. I have no plans to sue discord but better safe than sorry

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Idk man it’s so easy to get bogged down in all the bullshit online but when my then-6 year old cousin found out I was trans he said “ok” then corrected my grandma when she misgendered me. I was once the third between a gay man and a lesbian. Two lesbians once invited me back to their place when I presented as a man. I met an AMAB nb butch who looked strikingly to outsiders like a cis man and it was one of the more sapphic experiences I’ve had. I nervously wore a boydyke shirt to pride and got 3 different cis-looking femme folks tell me they loved my shirt. I once told a trans group at a protest that any pronouns were fine for me and one person said “wow, I’m impressed and intimidated by people like that. I don’t know that I could be that chill with pronouns.” I once told a GNC friend I wished I could wear a type of “opposite” gender clothing after I had already transitioned and so it would be associated with my AGAB and he said “You could just do it.” I’ve had cishet men fight cops for me before. The first time I had a doctor ask me if my name was different than what was on my forms I had to try not to cry. Last week, a phone call with a doctor’s office where I am generally cis passing asked unprompted if my name listed is what I want to be called. It touched me then too. I told a lesbian friend once I felt like my attraction to men AND women both felt gay. She said “makes sense.” And we moved on. I go by different pronouns in different circles. I’ve had gay women love my facial hair. I’ve had gay men like my tits. It’s all out there, I promise. It can be hard to find it but I promise there is community like you and community who likes you. And it’s more messy and beautiful than tumblr discourse makes it out to be.

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sometimes the moral of the story really is just "you cannot go back and what happened to you is going to be with you for the rest of your life. but it's still going to be okay" huh

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desertfangs

My favorite thing about Eliot Spencer is how invested he gets in whatever job/role he’s doing for the con. He has to play a caterer? He will give you a gourmet menu and poach some pears for dessert. He has to play a minor league baseball player? He will hit a home run and he will be excited when the local deli names a sandwich after him. He has to play a police officer? He will make Hardison respond to a call that’s nearby because there might be kids in that house. Eliot commits.

that’s so interesting because he is ALWAYS freaking out at how deeply Hardison commits to his characters.

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onyxbird

I think there are key differences in how Eliot and Hardison over-invest in their roles, which is why Eliot fusses at Hardison about it without equating it to what he does himself. (Note: I’m focusing on original series only here.)

Eliot gets over-absorbed because he gets really into what his character does (chef, baseball player, etc.) and loses focus on what the con is trying to accomplish, which isn’t helpful but tends to add authenticity to his individual role. Eliot’s main risk is getting so immersed that he forgets it’s just a con and tries to be that persona rather than doing just enough to fool the mark. He may have some broad-strokes backstory in his head in case someone asks, but his main way to sell his character is just to play the role to the hilt in the current moment. (Prior to the team, he didn’t have a hacker or do long cons, so his main grifting option was to keep things simple, play the role, improv as needed, and hope no one asked too many questions before he finished the job. And be prepared to punch his way out if they did.)

Hardison doesn’t forget he’s playing a role. The part he overdoes is building an “interesting” (often meaning complicated) role and tending to over-act, which tends reduce the authenticity of his performance. The obvious example is “The Ice Man Job,” but it’s the same thing with the overall con in “The Gold Job”–he’s thought out every backstory detail and how to deliver it to the mark, but he lays on the perfectly constructed backstory too hard without reading when to dial back the complexity or exposition. (Prior to the team, it’s implied that he did most of his criminal activity on-line rather than in-person, so the exhaustive planning and documentation was his practical grifting approach.)

If you assign Eliot to be a chef, he’s gonna be a chef. He’ll get distracted from the con by the fact that they’re running out of onions and he just can’t get the flavor of this sauce quite right, but everyone around him will believe he’s a chef. If you ask him where he went to culinary school, he’ll glare at you and maybe throw out some sparse details (trusting Hardison to back it up if anyone tries to check it)–dig too far, and he’s probably gonna be relying on dodging questions or having Hardison in his ear feeding him backstory details.

If you assign Hardison to be a chef, he’s going to have thought out and documented every detail of his backstory, researched his character’s favorite recipes so he can discuss them in detail, etc. You ask him something–anything–about his character and he’ll answer in such detail that your head will spin. But if you tell him the kitchen’s down to its last onion and ask what he wants you to do about that, he’ll be caught completely by surprise and flummoxed about what to do (unless Eliot is in his ear telling him who to send on a supply run to and what menu items to scratch in the meantime).

@onyxbird, I love this distinction, thank you!! What I’m hearing from your lovely meta is that Eliot gets so stressed about Hardison overcompensating. if you want to lie, stick as close to the truth as possible, don’t give out too many explanations, and act casual. BE casual. But Hardison has to constantly prove how smart he is, how prepared he is, how well he fits in–so he automatically stands out. Online you need receipts all the time, but in real life you can trust non verbal cues.

Can I point out?

  • Hardison’s grifting in the style of a dedicated D&D player.
  • Eliot is grifting in the style of a man with a past he’s ashamed over.

Oh no

The difference is Hardison is just making up characters. It’s fiction to him, here’s what a millionaire diamond smuggler would be like, here’s a fun adventure story to tell.

But Eliot is discovering different people he could have been. In another life he could have been the minor league baseball star, the country singer, the chef, the gym teacher. And just for a little whole he gets to be that other person, maybe a better person, maybe a happier person. Of course he gets wrapped up in it, and of course it’s hard for him to have to stop being that version of himself. What if things had been different. What if he hadn’t done what he’d done. What if he could just be this instead.

@gnar-slabdash how very fucking dare you be so so correct and break my heart like this 😭😭😭

I want to point out also that when Hardison has No Time To Prepare– like mile high job, or bank shot job, he does great! he goes with the flow, a little nervously, but he grifts solidly. A little awkward, but normal-human-levels of awkwardness, people go “oh yeah, Teme the violinist is just Like That” he gets the mark’s company to throw him a birthday party! he wins a court case! It’s only when he has time to plan ahead of time that things get a little iffy– the difference between a stilted, scripted skit and solid improv. you assign Hardison to be a chef, and you get a mess. but If Someone needs to be a chef and Eliot’s not there and you shove Hardison in the kitchen, I believe he could make it…at least long enough to channel Eliot, shout ‘who put raw onions in this?’ and run while everyone’s distracted.

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Humans have finally managed to land on Mars, only to find a locked safe buried in the Martian soil. The key is apparently on Earth, but no one knows where.

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aurora31127

The galactic council watched on to see how humanity would handle the task, much as they had with several species before. What the test was supposed to show was whether or not a species of violent nature could ever be brought to work together. They finally picked something up, another ship already headed to Mars? Was it possible humans were that clever to have found the key, maybe it was more specialists and equipment to analyze the locked crate to ensure it was safe to open. A few minutes after landing, they got another broadcast from the red planet.

“This is the LockPickingLawyer and today I’ve got something quite special, this locked alien chest. First of all I have to thank everyone who recommended me for the job, I’m honored that you all thought of me. Now let’s get to work”

The council representatives were confused as they started analyzing the translation, before even getting through the name he spoke something haunting

“Normally I don’t say things like this but this lock is quite unique, however with no security pins it will still be quite quick.”

“There we go, a click on 3… “

All the species of the galactic council sat dumbfounded, they spent many galactic cycles refining and perfecting their study and in all their time not a singular race had tried this method. Click after click, even in such an intricate lock the human had only spent around five minutes tampering with it.

“There we go, now while I can’t open this as part of my video I can say that I at least have a clue what the key should look like in case it ever gets locked again. I admire the design choices and the fact that at least it was harder to get open than anything Master Lock has made”

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dawen

we are the “oh, I know a guy” teamwork species

[Image description: a screenshot of tumblr tags reading

#tumblr fiction # THAT’S THE THING THO #humans are a team effort species #but we’re a team effort species THROUGH individual specialized roles! #you don’t all try to go hunt the elephant! #you have a handful of dudes who are experts in hunting elephant! #and they do it!]

We are the “oh I know a guy!” teamwork species!

That’s what I’ve been trying to figure out how to say about adulting. Adulting isn’t about knowing how to handle every situation. Adulting is about knowing who knows how to handle any given situation, and how to contact them. No one knows all the things; the adultiest of adults still has places where they don’t have a damn clue — they just call another person who’s adultier in that area than they are.

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