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my writings & art

@gracekwritings

I enjoy writing and drawing. My Art My Writing
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avelera

Useful if this is how you think, though often I don’t see the outline until after the draft is written, because after awhile one just internalize this kind of stuff from all the media one ingests. Point is, use if helpful, ignore if not.

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sharpestrose

Another suggestion for anyone interested: because one of my weaknesses as a writer is sustaining narrative momentum, I’ve recently started using this mystery novel breakdown as a template, even though mystery/detective isn’t the genre I write in. It’s really useful as a way to keep track of what the story needs at a given moment in terms of balance and character.

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So I’ve noticed a bunch of medical errors in fics I read, so I decided to post this handy guide to some of the most common errors and some background on basic medical things.

ps- they are not medical treatment or first aid advice. I’m not actually a doctor. yet. but I am certified in first aid. this is just so your writing can be more realistic.

other parts can be found here

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studyquill

Word Counter - Not only does it count the number of words you’ve written, it tells you which words are used most often and how many times they appear.

Tip Of My Tongue - Have you ever had a word on the tip of your tongue, but you just can’t figure out what it is? This site searches words by letters, length, definition, and more to alleviate that.

Readability Score - This calculates a multitude of text statistics, including character, syllable, word, and sentence count, characters and syllables per word, words per sentence, and average grade level.

Writer’s Block (Desktop Application) - This free application for your computer will block out everything on your computer until you meet a certain word count or spend a certain amount of time writing.

Cliche Finder - It does what the name says.

Write Rhymes - It’ll find rhymes for words as you write.

Verbix - This site conjugates verbs, because English is a weird language.

Graviax - This grammar checker is much more comprehensive than Microsoft Word, again, because English is a weird language.

Sorry for how short this is! I wanted to only include things I genuinely find useful.

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Things you should know about each of your characters

These are what I would consider to be the most basic, bare-bones questions of character creation.

  • What would completely break your character?
  • What was the best thing in your character’s life?
  • What was the worst thing in your character’s life?
  • What seemingly insignificant memories stuck with your character?
  • Does your character work so that they can support their hobbies or use their hobbies as a way of filling up the time they aren’t working?
  • What is your character reluctant to tell people?
  • How does your character feel about sex?
  • How many friends does your character have?
  • How many friends does your character want?
  • What would your character make a scene in public about?
  • What would your character give their life for?
  • What are your character’s major flaws?
  • What does your character pretend or try to care about?
  • How does the image your character tries to project differ from the image they actually project?
  • What is your character afraid of?
  • What is something most people in your setting do that your character things is dumb?
  • Where would your character fall on a politeness/rudeness scale?
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reblogged

Specific Setting Ideas

  • Deserted gas station at 2AM
  • Church tucked away on the edge of town with only a glowing cross to light it up
  • Liquor store with a few high school kids buying stuff for a house party
  • At the drive-thru late at night trying to figure out your order/everyone in the car’s order
  • Hospital waiting room in the early hours of the morning
  • Birthday party with a bad clown and kids covered in cake and snot
  • Basketball court on a block with a bunch of ratty apartment buildings
  • Dark alleyway with only a lone street lamp light at the mouth of the alley
  • Bench/hill in the middle of the park as the sun starts to come up
  • Cluttered basement with a beat-up couch and an old TV
  • Sunny, warm enclosed porch on the back of someone’s house
  • Quiet field of flowers in the middle of a wooded area
  • Snowy mountain trail with black ice no one notices
  • Dark stretch of road without street lamps at 3 AM
  • Rooftop in the middle of the day
  • Driving through heavy fog early in the morning where you feel like you’re the only one awake
  • On top of a giant dune in the middle of the desert with a hot breeze that never cools anyone down
  • Teenagers playing Marco Polo in a store
  • Covered bridge at the edge of town
  • Abandoned building that other teenagers explore
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quillwritten

I'd like to hear a short story from the word "reckless" if you don't mind :)

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IT’S FINALLY HERE

I had an idea for this, connected to Silverstorm, but I’ve really struggled with it. The turning point was today at my uni Creative Writing Society when all of a sudden I had a eureka moment and finally, finally managed to tie it all together and I’m actually really happy with it. So, here you go. A short story prologue-type-thing for Silverstorm based on the word ‘Reckless’

On a lesser level, it was the first Thursday of the summer holidays after Avery’s first year at Sagedell Turris Academy. The pertinent aspect of the day, however, was that Avery was marching through London with her father, mother, brother, and at least a hundred other casters.

There were hundreds of people milling about in the square outside the Assembly Building. Avery was small for a twelve year old, and she kept one hand on her mother’s bag at all times to make sure they didn’t get separated in the bristling crowd. If she lost her family here, it would be a nightmare to try and find them again when she couldn’t see over most people’s shoulders, let alone their heads. Her other hand clutched a badge which she hadn’t yet had time to stop and attach to her top, or her hat, or wherever the most people would be able to see it. She was too small to carry one of the picket signs that were scattered around, but the badge had the same font emblazoned on it to match some of the boards: Casters want to cast their vote. Avery wasn’t particularly impressed by the phrase, but she agreed with the principal and that was why they were all here in the first place.

The march was loud and rowdy but eventually someone, or several someones, managed to establish at least some semblance of order and organisation. An already-tall man had found some sort of step or box to stand on so he could address the entirety of the crowd, and Avery could see him despite her small stature.

“We have bowed for too long under a government that doesn’t care! We have struggled for too long without voices! Did we casters invent democracy only to be conned by a sham of it, tricked and bound under an authoritarian Assembly?” His voice boomed across heads as the crowd quieted to listen, then roared in agreement. “What do we say to the Assembly?” The man hollered again.

Siva swore along with the rest of the throng, and it was testimony to the strangeness of the day that neither their mother or their father reprimanded him. Avery didn’t swear out loud. In her head, she ran through a few of her favourite words and thought them aggressively at the Assembly. She heard some of the curses echoed by people around her before the cries died down. Once they had, the group hovered, still and expectant, watching the man. Avery took the moment to tug her hat off and fix the badge to the band of red ribbon around the base of it.

Nearly before she could replace it on her head, chanting had started up again.

The protest remained peaceful for a good few hours, despite the seething horde of protesters, and Avery remembered one of Siva’s friends accusing him of enjoying battling bureaucratic injustice. She thought the wild flame in her stomach might feel similarly.

It wasn’t until after lunch that it got ugly.

They almost missed the first fire to start. Avery had been complaining about being cold, and she felt the warmth from the car at her back before she saw anything. She frowned and turned, grimacing at the car until she saw the flickering orange glow and her eyes went wide.

“Mum, there’s a fire in the car.”

Gracie Rao swivelled around, took in the fire at a glance, and spun back to her husband.

“Kish, we need to leave.”

Gracie snatched Avery’s hand but then someone grabbed Avery’s arm and yanked, and her parents disappeared into the crowd.

She gritted her teeth and snatched her arm back from whoever it was pulling her deeper into the crowd and was suddenly stranded on her own in the middle of the crowd. Someone screamed just above her ear. Avery elbowed them in the stomach.

The day got worse from there. Bluecoats appeared out of nowhere, the crowd whipped itself up into a frenzy, and the protest was a riot. At the back of her head, Avery thought she should have been scared, but she was angry now, too, and she had always been reckless.

More and more car fires were sparking up in the square and the surrounding roads and the air turned an evil orange as the heat started to build. Someone shoved Avery towards one of the flaming vehicles and she stumbled, just as the windows exploded from the heat and shattered glass flew out, lacerating Avery’s arms when she through them off to protect her face. One large shard of glass sliced her right forearm and she cried out, crumpling to the ground on top of the smaller pieces.

Avery lay there for a moment to steady her breathing but grit her teeth and determined to fight on. She bound her arm roughly with fabric torn from the bottom of her cardigan and jumped straight back up again. The car next to her was still on fire and someone shouted duck. She couldn’t tell who it was but she ducked anyway because she’d already figured out that every word meant life or death here. Something whistled angrily over her head and smashed into the brick wall of the post office behind her. When she looked up, there was no sign of the thrower.

Avery snarled and snatched up a shard of glass the side of her hand from the shattered remains of the car window on the ground and grit her teeth against the heat of it. She couldn’t see her parents anywhere, so she launched at the first bluecoat she saw beating someone and slashed at the, with her makeshift weapon. He cried out and turned his attention on her but she was a wildcat, kicking, biting, punching, scratching and slashing. The woman on the ground staggered to her feet and goes to help but Avery screamed at her to go, get away, run. As soon as the woman was gone, Avery lashed out one last time and then she was off and running herself, towards anyone that looked even vaguely familiar.

The man who had been leading the protest earlier was stood in front of the government building, so she sprinted at him because there was no one else. He swore when he saw her.

“Why are there kids here?”

Avery swore back, tasted the word like metal in her mouth, and shouted that she was going to fight. The man said his name was Jasper, call me Jazz, and they slapped hands in a rushed handshake. Avery’s hand was small in his, and his eyes were still disbelieving, but Avery spun around and stabbed at another bluecoat and he shook his head.

“Alright Avery, but you’re only fighting here until we see your parents. After that I’ve got plans for you.”

Avery saluted like she’d seen in a film once, settled the vicious glow of rebellion somewhere behind her heart, and fought her first battle.

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I love it!

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reblogged

How to Finish

I drew this poster for Jon Acuff and his FINISH book tour. Big thanks to Jon for this collaboration, his book has some great ideas about how to complete creative and life goals.

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a writing advice post: don’t describe characters’ eye colors, people don’t usually notice that in real life

me: anyway this character has pale blue eyes and this one has brownish-black and this one has sea green and you’re not my mother, you can’t make me stop

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Writing 101

  • Okay, where does the chapter start
  • Shit, no he wouldn’t say that…
  • Am I foreshadowing too hard
  • I’ve used the word ‘chair’ seventeen times in the paragraph. This is supposed to be exposition about snakes
  • WHAT DO YOU MEAN I’VE BEEN WRITING IN THE WRONG TENSE FOR THE LAST PAGE AND A HALF
  • I need a break from this story
  • Wait, where was I? Did I just kill her, or did she just make out with someone? 
  • She did both??????
  • Have I been misspelling his name this entire time or
  • If I have to resort to describing her hair as ‘golden princess curls’ one more time I think I’m just gonna have to kill her
  • IS THIS SYMBOLISM SUBTLE ENOUGH YET
  • Did I actually just write that
  • Have I referenced his necklace yet this chapter? Only four times? One more time, then I’m done, I swear
  • Shit, that’s not how that works
  • Can I call something a French braid in a world where France doesn’t exist?
  • What the shit do you mean I just spent four hours writing 500 words?
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How to Give Your Villain an Emotional Backstory That Isn’t Tragic

In crafting a villain’s backstory, we often want the origin to be as powerful as the character themselves. As Chris Colfe says, “A villain is just a victim whose story hasn’t been told.”

Unfortunately, however, tragic backstories become tedious. Oh, of course their parents were eaten alive in front of them, their home was foreclosed on by a corrupt institution, the love of their life betrayed them, their favorite TV show was canceled, and they couldn’t get the last scrap of mayonnaise out of the jar. Someone get the fainting couch, quick.

At a certain point, it’s no longer a backstory – it’s a sob story, which quickly transforms our empathy into pity, and finally into boredom. We roll our eyes and wish the villain had kept the melodrama to themselves.

On the other side of that coin, having a character who stomps on bunnies for no reason isn’t exactly relatable, and a well-rounded character can’t just burst into existence one day fully formed. Everyone has a history. 

So how can you give your villain a backstory that tugs on readers’ heartstrings, without making it a sob story?

For this, we’re going to use Epic of Lilith as an example once again (How to Make Your Villain Domestic but Still Evil), as well as Megamind briefly. Some of these tips can also be applied to heroes, but we’ll stay villain-centric for now.  

This is good advice!

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sunnydwrites

Writing Characters Who Don’t Know How to Relationship

Hey everyone, Abby here with another writing post! Today we’re talking about those classic characters, the ones who have crushes and no idea how to act on them.

Everyone knows that one person who can’t relationship. They can’t romance and at the moment it seems hopeless, but it’s also kind of entertaining to see how things work out for them. Today I’m giving advice on how to write that character, things to do and not to do, as well as some ideas to get the inspiration flowing.

  1. So, your character doesn’t know anything about relationships. How do we know? These things usually start off with two things: a crush and a character who has no idea what to do with it. Do they act on it? Do they not? Do they stay friends? Do they just keep staring until their crush gets the message and asks them out? (That was weirdly specific but we’re rolling with it.) Who knows? Not them.
  2. We’re also going to remember that anyone can have no idea how to relationship. It’s not always the quiet kid in the back with the high grades and big glasses, please remember this. It can be the star of the basketball team or the girl who’s friends with everyone. It can be anyone.
  3. Also, there’s a difference between being “good in bed” and knowing how to maintain a proper relationship. There is a huge difference. Characters like this who get into serious relationships can end up being abusive or (more likely) only in it for the sex. If the other person wants a legitimate relationship, things aren’t going to work out.
  4. If you’re character has no idea what they’re doing, they probably fall into one of two categories. They’ve either never been in a relationship or they’ve been in multiple that didn’t make it very far. So, you could probably consider them naive when it comes to relationships. So when they get into a real, lasting one, they’re going to be in love with the idea of being involved with someone. This can often be a misunderstanding or misinterpretation; they might project that love of being in a relationship onto the person they’re with, which could lead to some major issues.
  5. Another problem is the media. It only portrays the extremes. You never see anything in the media about people in regular relationships, they’re either madly in love or falling apart. There’s no in between, and because your character has no experience to tell them otherwise they could fall into the trap of believing that’s the way real life goes. (Hint: it’s not.) This could end up creating a lot of unnecessary drama when things are going fine, because there’s nothing you would see in the news about that and your character expects action.

I just realized I’ve made this more of a list of the negatives of writing these characters. Why not some positives?

  1. This is a relationship, and it’s important to them. If your character cares, they’re going to do everything they can to keep this relationship in a healthy state. This could include things like random little surprises, trips to random places for some time away, things like that. These things are all considered endearing and will definitely earn them some Romance Points™. 
  2. If this character hasn’t been involved with anyone in a while (or ever) and they’re happy in their relationship, you bet they’re going to talk about it. This might include proclamations about how happy they are, how great their partner is, etc.
  3. If your story is set in today’s world, the Internet is a thing. They’ll probably be turning to all sorts of articles to help them out, and the fact that they’re doing this is definitely a good thing. Even if they do something wrong, they cared enough to try.

So, there are some tips to follow. Just to get the ball rolling (because this topic isn’t a stranger to anyone, I’m sure) I’m going to throw in a few examples/ideas for your clueless characters.

  • Being afraid to talk to their crush.
  • Thinking about simple exchanges (saying hello in the hallways) for ten million years.
  • Finally working up the nerve to ask their crush out.
  • The intense joy that comes after they say yes.
  • Or the bout of sadness that comes from rejection.
  • Brainstorming little things to do, like making breakfast in bed or arriving to their house with a bouquet of flowers.
  • Intense confusion about first kisses, when they should happen, how they should go.
  • Long phone calls or texting late at night, being exhausted in the morning but it’s okay because at least they got to talk.

Things like this. I would probably die of a cute overload if book characters did anything like that; maybe I’m reading the wrong genre, but I don’t think I see enough of it.

Anyway, that’s all I’ve got for today. Like a lot of the topics I write about, there are plenty more pointers to give, but I think this would be enough to get you going. If there’s anything you’d like to see me write about in my next post, please don’t hesitate to leave a message in my ask. Until next time, stay lovely <333

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