i have loved the stars too fondly

The Particle of God that Permeates All Existence

• “[Gerard Way] was the most- he was the one that I was interfacing with most to come up with this design. Although the rest of the band did have their own say in one way or another. And he in his other life is a comic book author who wrote the Umbrella Academy. So I did a deep dive into comic books to sort of, understand his world a bit more. And I thought I'd throw a little nod to the comic book world with this sort of cartoonish call-out box [in the design book].”
• “This picture from a Nine Inch Nails show is something that Gerard sent me. And he was, when he was asking me to make the color palette look washed out and not necessarily all bold colors, he wanted it to sort of have a sense of, of, of being weathered.”

• “We took an approach where each song had its own kind of color and it wasn't just one color across all of the lights. We'd take groups of lights, randomize the selection set over the whole rig, and then sort of stretch that make the colors in a neighborhood.”
• “That drape is actually black. That's lit with just four or five Mac ultras to give it this lovely red color.”
• “Thank you to Gerard Way for working so directly with me on the creative for this project. And then the rest of the band, Ray, Mikey, and Frank, they all had their own say and their own take on this project. And it was a very collaborative effort with me and the band.”
• “One cool thing about this band is they play, they're analog. They just play. The drummer listens to a metronome that's just coming off his iPad. So there's no time code. There's no reference. All I know is that more or less they're going to be playing at the same tempos. Although sometimes he would shut off mid song because he would push and pull the tempo bottom style.”
• “I will say that for this band the drummer that plays with them didn't chart on most of the records... And he likes to try to really recreate what each drummer that tracked the records was doing.”
• "We didn't have any video content to play. Other than there there were a few things that our video director, Robbie came up with to mix in with the iMac. So we did carry iMac screens and he did mix in a little bit of content, but for the most part, it was basically iMac and a set on stage.”
• “The reason that this set worked without like, a bunch of video screens on stage really well for this band was they never played the same set list twice. And I don't mean that they just had a set list that they had a couple of songs they'd swap out. I had to plead with them to keep the first song to be the same so that we could drop the Kabuki in the same place every day.”
• “So once that first song was out of the way, they literally crumpled up the set list from the night before, threw it out... And that's why this sort of set design approach worked. The band would tell their own story because they know their music. I never had a set list feel like it was dragging or wasn't telling the story in some way of what's within their music. They know how to rearrange things and we just programmed each song so that it would stand on its own and work no matter where it ended up in the set list.”

Dec 9, 2022 vs. Jan 31, 2024