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@reconditarmonia / reconditarmonia.tumblr.com

Now that things are back to normal I can get some real work done
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Reading a book about slavery in the middle-ages, and as the author sorts through different source materials from different eras, I am starting to understand why so many completely fantastical accounts of "faraway lands" went without as much as a shrug. The world is such a weird place that you can either refuse to believe any of it or just go "yeah that might as well happen" and carry on with your day.

There was this 10th century arab traveller who wrote into an account that the fine trade furs come from a land where the night only lasts one hour in the summer and the sun doesn't rise at all in the winter, people use dogs to travel, and where children have white hair. I don't think I'd believe something like that either if I didn't live here.

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scamoosh

on my hands and knees begging ppl to recognize platonic content. sometimes 2 guys r just friends . i dont mean this in the 'stop making everything romantic way' i mean this in the 'stop calling 2 friends who bicker siblings and stop treating any remotely caring remotely older character like a parental figure' ohhhh my god . they are not siblings they r buddies . u are all underestimating the power of having a buddy

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10 Lavishly Illustrated Medieval Haggadah Pages That Continue to Reveal Their Secrets  

“How does this book on Jewish manuscript illumination differ from all other such books?”  

Marc Michael Epstein could not resist posing the question in “Skies of Parchment, Seas of Ink: Jewish Illuminated Manuscripts,”a sweeping, lavishly illustrated—and yes, illuminating—survey out this week from Princeton University Press.  

Nine scholars join Epstein in this innovative anthology of essays chronicling the history of these manuscripts—the Bible, the Haggadah, the prayer book, marriage documents, and other Jewish texts—from the middle ages to the present. 

The goal was to push beyond tradition and examine the manuscripts from a broader perspective, considering artistic style, iconography, narrative, cross-cultural borrowings and references.

One example is the enigmatic (so-called) Birds’ Head Haggadah, probably illuminated in Mainz around 1300—the earliest surviving example of the phenomenon of the obfuscation of the human face in such a manuscript.  

What are these strange beaked creatures? Tracing the imagery back to the cherubs on the Ark and the curtain of the Holy of Holies, Epstein explains why volume would be more accurately known as the Griffins’ Head Haggadah.

In the spirit of the season, here are 10 Haggadah pages discussed in this fascinating new book. 

1. “We were slaves to Pharaoh in Egypt.” The lower margin and central illustration depicts the slaving Israelites, while at top, a hare is served a drink by a dog, perhaps articulating the wish that “one day the Egyptian dogs will serve us.” The Barcelona Haggadah, Spain, ca. 1340. British Library, London.

2. Moses and Aaron before Pharaoh, rendered in a“primitive” style in the Hispano-Moresque Haggadah from Castile, Spain, ca.1300. British Library, London.

3. The Wise Child in a Haggadah illuminated by Nathan ben Abraham Speyer of Breslau. Silesia, Germany (now Wrocław, Poland), 1768. National Library of Israel, Jerusalem. 

4. Armed Israelites crossing the Red Sea in the Rylands Haggadah, Catalonia,  Spain, mid and late 14th century. John Rylands University Library, Manchester.  

5. Israelites crossing the Red Sea in a Haggadah written and illustrated by Joseph Bar David of Leipnick, Moravia. Darmstadt, Germany, 1733. Library of the Jewish Theological Seminary, New York.

6. The Ten Plagues in a Haggadah with the commentary of Abravanel, written and illustrated by Judah Pinḥas, Germany, 1747. Friedrich-Alexander Universistätsbibliothek, Erlangen-Nuremberg.

7. Maror, the bitter herbs (in the Brother Haggadah), Catalonia, Spain, third quarter of 14th century. British Library, London.

8. Disputing and frustrated figures populate a scene where women learn together and with men. First Darmstadt Haggadah. Middle Rhine, second quarter of the 15th century. Hessische Landes und Hochschulbibliothek, Darmstadt.

9. Israelites building store-cities for Pharaoh. Haggadah illustrated by Joseph Bar David of Leipnick, Moravia. Altona, Germany, 1740. British Library, London.

10. The Binding of Isaac in the manuscript traditionally known as the Birds’ Head Haggadah, Upper Rhine, Germany, ca. 1310. The Israel Museum, Jerusalem. Epstein argues that the volume should be called the Griffins’ Head Haggadah. 

YES yes yes yes. I was so thrilled to see a copy of this book visiting MME last month and I can confirm that it is a MUST-HAVE for anyone interested in Jewish history, illuminated manuscripts, the history of the book, or pretty shiny things.

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"On the night of April 19 I entered the house at 4 Kurza Street to get flashlights for our men. Wandering about there, I unexpectedly came upon Rabbi Maisel. When I entered the room, I suddenly realized that this was the night of the first Seder. The room looked as if it had been hit by a hurricane. Bedding was everywhere, chairs lay overturned, the floor was strewn with household objects, the window panes were all gone. It had all happened during the day, before the inhabitants of the room returned from the bunker. Amidst this destruction, the table in the centre of the room looked incongruous with glasses filled with wine, with the family seated around, the rabbi reading the Haggadah. His reading was punctuated by explosions and the rattling of machine-guns; the faces of the family around the table were lit by the red light from the burning buildings nearby. I could not stay long. As I was leaving, the Rabbi cordially bid me farewell and wished me success. He was old and broken, he told me, but we, the young people, must not give up, and God would help us. He also gave me several packages of matzos for my comrades. Should we all survive until morning, he said, I should come again and bring with me Zivia. I fulfilled his wish, and next evening I paid the rabbi another visit, this time in the company of Zivia."

Tuvia Borzykowski, Between Tumbling Walls, 57-18; regarding the night of April 19, 1943: the first full night of the Warsaw Ghetto Uprising, and the first night of Passover.

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Rabindranath Tagore (1861-1941), poem 85 from “The Gardener”, 1914 Translated by the author from the original Bengali. New York: The Macmillan Company.

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typodescript

[text ID: Who are you, reader, reading my poems an hundred years hence!

I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds.

Open your doors and look abroad.

From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years beffore.

In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across an hundred years. end ID]

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