genericspacemarine reblogged
TÖDLEIN
Representations of memento mori motifs – reminders of the fleetingness of life – gained currency in the Renaissance, particularly in Reformation-led Germany. Acting as moral guardians with connotations of sin, decay, and the afterlife, such objects were valued equally as curiosities, satisfying the Renaissance obsession with human anatomy and the grotesque. The early 16th century saw the rise of skeletons personifying death – so-called Tödlein (‘little deaths’) – as an independent genre in Southern German small-scale sculpture.
