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@alstee / alstee.tumblr.com

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teaboot

Do you think Clark Kent's first few major articles were about the continued presence of lead pipes in parts of Metropolis' water system

(Average Metropolis reader after investigative reporter C. Kent's 452nd article on yet another case of landlords/business owners/factories' continued use of lead pipes/paint/gas/glass knowingly exposing the public to dangerously toxic lead levels) what the fuck happened to this guy

One day Bruce Wayne mentions in an interview that heroes like Superman are overrated, as the most effective way to reduce crime is to provide public resources and improve local infrastructure, then cites how neighboring city Metropolis has effectively lowered their violent crime by 13% after addressing their outdated water system and investing low income housing. the reporter conducting the interview suddenly starts looking a little uncomfortable

To be clear, Clark is still a fantastic investigative reporter. He still has to track down the sources to prove all this shit

"Who, Clark Kent? Yeah, we're pretty sure he's a Meta. Is he a superhero? Like what, "Lead-detector guy"? "Captain pipes?" Don't get me wrong, he's a great guy and it's a handy trick, but it's lead detection, not laser vision. He's not about to go running around in tights any time soon."

"Sure, he's done a lot of good for the city, we love the guy don't get us wrong, but it's not like he's fuckin SUPERMAN or anything."

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For decades, reading instruction in American schools has been rooted in a flawed theory about how reading works, a theory that was debunked decades ago by cognitive scientists, yet remains deeply embedded in teaching practices and curriculum materials. As a result, the strategies that struggling readers use to get by — memorizing words, using context to guess words, skipping words they don't know — are the strategies that many beginning readers are taught in school. This makes it harder for many kids to learn how to read, and children who don't get off to a good start in reading find it difficult to ever master the process.
[...]
Phonics is challenging for many kids. The cueing strategies seem quicker and easier at first. And by using context and memorizing a bunch of words, many children can look like good readers — until they get to about third grade, when their books begin to have more words, longer words, and fewer pictures. Then they're stuck. They haven't developed their sounding-out skills. Their bank of known words is limited. Reading is slow and laborious and they don't like it, so they don't do it if they don't have to. While their peers who mastered decoding early are reading and teaching themselves new words every day, the kids who clung to the cueing approach are falling further and further behind.
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beesmygod

today is webcomics day. i am bea and i make "A Ghost Story" - part 1: pre-gaming

webcomic day is a yearly celebration of the art form concocted by the screentones podcast team as a way for people to see how the sausage gets made. my webcomic "a ghost story" has been running for over 10 years, and yet i still don't think i can say i am good at making a webcomic. regardless, the comic is getting made because otherwise i become very, very sick in the head. today i would like to share with you the process of making a page of "A Ghost Story" from start to finish. either this demystifies the process or will make you think im so cool and strong for doing this 2x a week. instead of reblogging this one post until it gets very long, i will be posting individual updates that i will then compile and post on my personal website. block the tags now if you HATE comics and want them to EXPLODE.

if you have any questions, even things like "what the fuck are you even talking about" feel free to ask. i want to feel confident in what i make again and i think sometimes interrogation from an outside source is really

---

that said, let's get started. wait just kidding i want a cup of coffee first, hold on.

ok now im ready. i have a big glass of water. i have coffee. i have a headset for the parts of work that don't involve typing words. i can't type words and listen to some streamer babble in my ear at the same time, so it has to be instrumental music or nothing. i just took my meds so they should kick in after about 30 mins. i woke up late today, which is weird and annoying. but maybe i can work late instead.

first off, i need to know where i'm going beyond this one page. if i dont know where im going with something, then i usually create something that sucks that i have to deal with later. hold on my internet died, i have to reset the router. ok, anyway.

what's rattling around in my brain is that not only do i have to deal with maxine's current predicament, i am also dealing with multiple plot elements i need to wrap back around to from the previous chapter. luckily, im about to put maxine down for a nap, which means i can get back to those other elements:

  1. i need to finish the exposition from the three ankou characters for this story arc establishing their motivations as the oppositional force in the story. the "villain" is not these three specifically, but their boss. they need to have a loose understanding of what's going on in order to communicate this to the audience. god this started turning into a huge ass paragraph so i'll just keep it short there.
  2. we've jumped back to before jack's horrible day from the first chapter of this storyline so we have to make our way back toward that and then lapping it, which means wrapping up his various open threads like:
  3. feeding victoria and learning something new about her
  4. finding out alice is a very exceptional employee who is getting many awards
  5. watching valdo call lily while interrupting her during something personal to ask her for help with maxine's situation.
  6. jack meeting with valdo and lily the day after they first met so jack can just tell them straight up that lily has 4 sisters she doesnt know about.
  7. help that girl with her poltergeist problem. remember that. i've had jokes for this rattling in my head for like 4 years. im going insane.
  8. and also the fucking tilberi!!! that has a point its going somewhere!!! there's a larger menace here!!!
  9. other things to set up the climax of this storyline. sexual tensions, hints at larger emotional problems not immediately evident to the reader

lots of moving parts. and i feel like im moving in slow motion to get to them. i can see them all weaving together in my head, its the process of putting that onto paper that's proving difficult.

ok that took an hour starting and stopping. -_- let me write the next part as i keep brainstorming on how to approach this page. taking a "rubber duck" approach to this might help. heres an image from the last page i worked on (i have a 5 page buffer rn so the site does not match the finished pages) to get us semi-situated.

also because images will help people understand what skill level we're working with here. i need to be able to communicate an idea to the audience; if the art also looks good on top of that, then that's just an added bonus. but the ability to communicate my ideas is sometimes hampered by my lack of artistic skill or comics language ineptitude. like those speech bubbles kind of fucking suck but at a certain point you have to just hit print on what you're working on in order to keep your already glacial pace.

webcomics is a tightrope act where you're also spinning 4 plates at once. the trick is to keep the audience from realizing how many actually fall or how wobbly they all are. the act sucks but technically its not a failure.

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It's Webcomic Day! You are invited to read Doomsday, My Dear, a webcomic about plague, politics, and people that has been running since 2010 and will finish eventually. I had a baby leave me alone (and this is also why I'm not giving you a process post, who has the time)

Never heard of it?  That’s okay, you can start from the beginning here! Please note that it contains a LOT of violence, rough language, difficult topics, and flawed (sometimes worse) people.

If you're a new or longtime reader and want to see page previews--sometimes weeks before they're published-- I also encourage you to become a Patron.

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kayzig

Happy Webcomic Day, everybody! I am reminding you, with one of my favorite pages, that I have 40 pages of a silly comic about an evil king attempting to start dating in a Fantasy 80's Saturday Morning-Type Realm!

You can click through and start hitting random pages, or start from the beginning over here!

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Bilbo barely passed Old Took's record lifespan after having a supernaturally-life-extending ring for 60 years. which begs a question. what the hell did Old Took do

I have a theory that somewhere back up the line gandalf fucked a took. This sounds like complete crack but hear me out. The tooks are rumored to have “fairy blood” which in LOTR terms means either elves or maia. There is an ancestor who’s unusually tall and many of them are noted to live unusually long lives unless they meet with illness or injury, same as the numenorians did. They don’t hve extra pointy ears and elves don’t have a special interest in the line. But who DOES have a special interest in looking after tooks (and bilbo who is a took on his mother’s side/his adopted son frodo)? Gandalf. That dude is ALWAYS fussing over some silly little guy. He regularly brought the old took birthday presents.

Back in the day some bold hobbitess decided to climb that old man and ever since then gandalf has been looking after his line of tiny crazy bastards and no one will convince me otherwise.

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Jellyfish really doesn't pull any punches, does it? Every new episode, it tugs at my heartstrings in a way I wasn't really expecting.

By now, it's clear that Yorukura is much more than people were expecting at first glance, but I find myself being pleasantly surprised every week.

Jellyfish refuses to let you get cozy with your preconceived notions of one of their characters, which was expected with the main girls, and an episode focused on Miiko? I confess I was less than excited about it. But they don't relent, they say "silly, there's always more to a person's story."

I confess that I went "oh, what the fuck" when she revealed her age because, well, I already think the whole idol thing is kinda embarrassing, and to have a whole ass adult doing it? Oof, right?

And maybe a different anime would gladly relegate her to a comedic role, a self-proclaimed rival that never really stood a chance, a character aiming for laughs that strikes pity more often than not, but here they give her an entire life and make you confront her as a full blown character.

She is 31, she is divorced, she has a daughter. She is a single mom working who knows how many jobs, and trying to be an idol in the meantime. She manages to give her daughter a good and comfortable life. She makes high quality clothes for herself and her daughter. She isn't withdrawn, or absent, and she clearly loves her daughter very much. She puts her daughter first.

When the episode comes to a close, instead of the second-hand embarrassment I was expecting to feel, I'm left with my heart warmed.

What this show offers is beautiful.

What an incredible episode to have watched today.

Happy Mother's Day

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gotouhitori

This really truly is a great series. I always thought so from the start, but this episode in particular really underlines it.

Miiko is initially presented in the first episode as some weird, selfish, uncaring, unsuccessful minor idol who is in the wrong for unthinkingly getting in the way of the main characters. And at the start of this episode, I was thinking "some guts she has, asking them for help", and that of course they'd just tell her to bugger off, and she'd just be pathetic in a comical way.

Well, the show sure got me good, didn't it? She turns out to be a whole person with a whole life and situation of her own. I really should have seen that coming, given what we've seen of the main characters, but the whole 31-year-old divorced mother thing would still take me by surprise. Absolutely respect them for going there, though.

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