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wittethings or whatever

@ribaiore

they/them (istg if anybody calls me a belos defender)
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a-magpie-in-gravesfield

Updated Philip font !

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PhilipWittebane-Regular.ttf
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You can re use for your own projects as you wish ! Credit would be appreciated but you don't have to, I'm just happy to share resources with the fandom :) As long as you don't claim you made it it's cool ! Font is based on that little snippet from the show lol. After over a thousand letters I wrote in that handwriting for my Etsy shop, I've had a ton of practice so figured I would update the font XD I added a ton of ligatures so hopefully it'll flow a lot nicer now !

#for five
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zorejar

офелія смертельна ілюзія

розсипала лілії там де молюся я

#zoreyar
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xxlemon-chanxx
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let-us-cultivate-our-garden
Anonymous asked:

So I don’t know if you know of Doug Walker, but recently released his Disneycember review of The Owl House.

While he praised a majority of the show, he criticized the main villain, Belos, of how he was written.

Many of the comments tried to defend the writing of the villain.

let-us-cultivate-our-garden answered:

Doug Walker..

Now that's a name I haven't heard in a long time.

Yes, I am very familiar with Doug Walker; I loved his stuff along with Channel Awesome years ago and then the allegations came out and fortunately, the other contributors on that channel moved onto bigger and better things. Meanwhile, Doug just stayed the same, so I don't watch his stuff anymore.

Any way, I think it's funny people are scrambling to defend Belos' writing because, despite my own personal opinions on Doug as a critic, I actually agree with him.

For a show that is ostensibly about subverting tropes and not judging a book by its cover, by showing how people can choose to change or not, etc. Belos is a throwback to an earlier era where the Big Bad had basic motivations and characterizations. And for a show like toh, that actually ends up hurting the narrative.

I have categorized the comments I found defending the writing and here are my responses to them:

  1. Belos does have a deeper layer, you just have to look for it.

While a show can certainly foreshadow and provide little hints about a major character, eventually all of that setup will have to pay off somehow. There has to be a reveal both to reward the viewers that have been paying attention and to inform more casual viewers who may not have. Fans analyzing every little frame to extrapolate a major character's backstory only for that backstory to really not matter in the end despite it being set up for a season is just bad writing. full stop. [A viewer should also not have to look on social media for crucial information on a major character.]

It's also not clever that the show left so much room for interpretation on Belos; it just means that they didn't make a commitment to what was being set up and reduced his character to glib one-liners whenever we learn something interesting about him (Masha's "little bro was jealous of big bro" line and Papa Titan's whole spiel).

2. Belos would have been written better if the show had more time.

The Toh crew knew about the cancellation during production of Eda's Requiem and wrote all of 2B with it in mind. So they knew they were working on a time crunch but still introduced elements like the Collector when they should have spent the time wrapping up their story. The cancellation is not an excuse for sloppy writing.

3. Belos as a villain works more on a meta level.

So the argument here is that Belos is the antithesis to the BI; it's accepting and diverse while he is hateful and only accepts things that conform to his worldview. The characters in the story change and grow, while Belos does not. The problem here is that a villain can't only work on a meta level, it has to work on a narrative one as well.

If the BI is place that accepts weirdos then how did someone like Belos come to power? Oh, he lied his way to the top and created problems that never existed? That just makes your populace look dumb and easily manipulated. The BI being so accepting also undermines the threat credibility of the Emperor's Coven because why should we worry about them if they have no real influence over how the BI residents think or behave aside from when the plot needs them to?

Also, I strongly disagree with anyone who says that toh has a "people are complicated and choose to do good and bad" theme when all of the good characters can blame their bad actions on being manipulated or on circumstances outside of their control OR the narrative ignores/downplays anything bad they did (cough cough Amity and Lilith). Meanwhile, the villains are just shallow with basic motives and this is supposed to be a deep message about how Some People Are Just Bad.

If you're going to contrast why your good characters are capable of growth then you need to show why your villain does not. What is stopping them? How do they react if given a legitimate reason to change (that isn't a cheap jab at Steven Universe)? What is their justification for their actions?

Whatever the answer is, the narrative has to support it and not undermine it with a stupid joke.

4. Belos is so refreshing when every villain character is redeemed.

Watch more shows. If you think that every cartoon villain post-Steven Universe is being redeemed then you're incorrect. Redemption of a show or movie's Big Bad is still in the minority while the redemption of the main villain's lackey is a dime-a-dozen.

Ultimately, I think the problem with toh is that so many of its fans take its thematic statements at face value without ever really stopping to think about the execution of those themes and if they really work or not.

Belos just happens to embody this little trick that toh does: it claims to have bold and timely statements and important themes, but the structure and execution of the plot, character development, and world-building undermines any attempt at a consistent or coherent message.

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ribaiore

I'm glad to hear it because people kept on praising the writing for WAD in terms of Belos and as his fan i wasn't happy at allz considering that it seemed as if his character has been retcon'd for no reason, despite the previous hints on depth. As if the writers HAD a good character idea but couldn't manage it and it ended up sloppy

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anona1-mous
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vyvilha

on the one hand, sometimes i wish that belos wasn't a character in a children's cartoon, so his story could've been explored deeper without getting censored or toned down. on the other hand, I think perhaps part of the fun that I get from his character comes EXACTLY from the fact that THIS absolute horror of a man is somehow a character in a cartoon for KIDS.

like. you have this pretty basic fantasy show formula. girl gets stuck in the magical world, gets powers, a found family, a girlfriend, there's school shenanigans and sports episodes, and all of these you know typical disney cartoon stuff. and then they're like. so there's THIS GUY. he murdered his brother in cold blood over the fact that he dared to have a life beyond their relationships, desecrated his grave, stole his body and then proceeded to, for 300 years straight, casually dissect and dismember him to create children out of his bones, the children that he delusionally believes to be the same person as his brother, but not like the real brother — this one he doesn't want — but the idealized version of his brother that won't have any life beyond him, the version that only ever existed in his head, and so when these children grow up and develop a life of their own, he, again, sees it as a betrayal, and so he murders them and tries again and again and again in hope that someday he will succeed and his ideal nonexistent brother will return and they will go home together and everything will be exactly how it was and how it's supposed to be, all the while the numbers of dead children in his basement grows. and it's like. girl what the FUCK

#I LOVE THIS POST#this is so fucking real#i feel like if i was 7 and watched toh on tv my mom would take my tv privileges#cuz wtf#i look at his monster design and wonder how they allowed it in a tv-7 cartoon#smash#he is my wife
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anona1-mous

made char sheets for my toh swap au! (finally made a design for iron maiden luz)

this is his "controlled curse" form or whatever eda pulled in the show

au rambles

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ribaiore

Lord have mercy...what does he have that small waist for......

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em-ira

From The Human Realm Spiderweb thing, the Internet.

Welcome to Historic Gravesfield

We invite you to come to Gravesfield and visit one of Connecticut’s oldest established townships.

Gravesfield is deeply devoted to preserving our authentic New England heritage, now over 375 years in the making. Heritage tourism is an important component of the community’s identity.

We think you’ll find that the Historic Gravesfield district has many things to offer visitors from an extended weekend getaway to a pleasant day trip. Visitors to Gravesfield can rediscover our nation’s heritage in an authentic, living New England village whose artifact-rich museums, historic homes, shops and places of interest offer experiences for all ages.

Walking along these quiet streets, with brick-paver sidewalks shaded by mature trees, you’d never know you were just a stone’s throw from busy I-91. The historic district of Old Gravesfield is a little world unto itself.

One early building is the old Wittebane House on Main Street. Believed to be built in the 1650s, it’s the setting for the historic mystery of the Wittebane Brothers, who both mysteriously disappeared during the 1662 Hartford witchcraft hysteria, the first widespread witch panic in New England history. There is a statue, reputed to be of the Wittebane Brothers, in the town square.

Two separate but equally disturbing incidents triggered the panic: the “diabolical possession” of Hartford resident Ann Cole and the fatal illness suffered by eight-year-old Elizabeth Kelly.  Young Kelly’s damning last words “Goody Ayers chokes me!” were enough to set witch accusations flying.  In all, eight people were formally charged; three, and possibly a fourth, were executed. 

The disappearance of the Wittebane Brothers occured at a high point of the witchcraft hysteria.

The legend that is most often cited these days recounts that one brother had got involved with a witch, and had been spirited away by them. In this story, the other brother is reputed to have followed after the witch and his brother, in an attempt to save him.

Whatever the truth of the mysterious disappearance of the brothers, the story has continued to excite interest in the centuries since. The statue being erected by public subscription in 1866, to commemorate the township's involvement in the witch trials.

The fund also opened a new subscription lending library in a building near the church.

#such a splendid city! me and my family will be visiting for christmas!#the owl house
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