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But at that moment I found out how lonely I was...

@tkaczka / tkaczka.tumblr.com

Joanna | 26 | Poland | Mostly anime: Kuroko no Basket, Utapri, D-Gray-man, No.6 etc. Everything tagged!
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reblogged
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shiningliive

Quartet Night Solo Best CD Album Art

Including all released Quartet Night solo songs from 2012-2024, plus two additional solo songs for each member. Official Site.

Kotobuki Reiji - Drown In (June 5) Kurosaki Ranmaru - Music For Life (July 3) Mikaze Ai - Ambivalent (August 7) Camus - Frost Dream (September 4)

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What has been your favorite part of Lackadaisy? (I must say I ADORE the animation with the visible sketch lines. It gives such a welcoming homemade feel to the show!)

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I think my favorite part was getting that dang pencil to finally look right. Idk if most people here know this, but I built from scratch the brush used to line the characters as well as the early pipeline for how the look of the characters would be handled in cleanup.

My goal was to create a line texture for Toon Boom that looked like the Xerox Era of Disney animation. This was where the animators would take their rough pencil drawings and use basically an old school printer to copy and darken those lines so they looked like finalized cleaned lineart. This was done to cut costs so they wouldn't have to draw AND line every single frame because Disney wasn't doing so well financially back then (crazy to imagine now I know), but the end result was a really unique aesthetic!

Obviously we went a touch more clean than these. I just wanted to show some really nice and crunchy examples. Even so, funnily some people thought that was a mistake instead of a throwback to a long gone era of animation haha I don't blame them tho. People are much too used to hyper clean/crisp lines and we wanted to bring that dirt, grime, and TEXTURE back in for a nostalgic vibe. I'm still proud of how these early tests came out and the further refining the rest of the team did to get that final look is incredible.

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