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Beloved 2016 albums

#1 ~ David Bowie - Blackstar

#2 ~ Danny Brown - Atrocity Exhibition

#3 ~ Lust For Youth – Compassion

#4 ~ Mitski - Puberty 2

#5 ~ Xylouris White - Black Peak

#6 ~ Radiohead - A Moon Shaped Pool

#7 ~ Parquet Courts - Human Performance

#8 ~ Car Seat Headrest - Teens of Denial

#9 ~ The Body - No One Deserves Happiness

#10 ~ Chris Abrahams - Fluid To The Influence

#11 ~ Puce Mary - The Spiral

#12 ~ Shackleton - Devotional Songs

#13 ~ Preoccupations – Preoccupations

#14 ~ Half Japanese - Perfect

#15 ~ Skepta – Konnichiwa

#16 ~ Brian Eno - The Ship  

#17 ~ Death Grips - Bottomless Pit

#18 ~ Nick Cave & The Bad Seeds - Skeleton Tree

#19 ~ Health & Safety - Health & Safety

#20 ~ The Caretaker - Everywhere At The End Of Time

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reblogged

Building the environment: in a film where the industrial defines and affects its characters through their story lines, but also through its physical manifestation (fumes, burnt waste etc.) establishing it with a variety of wide shots and middle ones is critical. The only healthy expression of nature in the film is the embroidered forest on the couch of the worker Giuliana and Corrado visit, trying to persuade him to work with the company. A made up forest, the only one that can exist in the Red Desert universe. The colours stand out in each shot, highlighting a different emotion of (mainly) Vitti’s character, with red having the most graspable meaning of all.

The film: Red Desert (1964)

Director: Michelangelo Antonioni Costume Designer: Gitt Magrini Art Director: Piero Poletto Cinematographer: Carlo Di Palma

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