[“[“So Great Straight White Male Writer 2 said to Great Straight White Male Writer 1: Who is your ideal audience?
And Great Straight White Male Writer 1 said: Everyone in my ideal audience is dead.
And, just when I thought that Great Straight White Male Writer 1 might elaborate, and say something predictable like “my grandmother” or “that elementary school English teacher who taught me everything,” it got worse. Because then he added, “You know, Virgil, Homer, Shakespeare”—I’m serious, that’s what he said! Here he was onstage in a gorgeous turn-of-the-century theater with hundreds of people in the audience who had each paid $20 to see him, but no, none of us mattered, it was only about all those long-dead men of the canon.
It’s hard to imagine anything more damaging to literature than questions about audience. Then again, it’s hard to imagine anything more damaging to literature than literature.
When we write on our own terms, with all the specificity, nuance, complication, messiness, contradiction, emotion, confusion, weirdness, devastation, wildness and intimacy, when we write against the demand for closure or explication, we write against the canonical imperative, and instead write toward the people who might actually appreciate our work on its own terms. I mean we write toward our selves. We also write toward change. A canon is a cannon is a canon. Wait, don’t shoot me, I’m already dead.
Over and over again we are told that in order to make our work accessible, we have to speak to an imagined center where the terms are still basically straight, white, male, and Christian. When we write on our own terms, and by this I mean when we reject the gatekeepers who tell us we must diminish our work in order for it to matter, we may be kept out of the centers of power and attention, this is for sure. And yet, if writing is what keeps us alive—and I mean this literally—if writing is what allows us to dream, to engage with the world, to say everything that it feels like we cannot say, everything that makes us feel like we might die if we say it, and yet we say it, so we can go on living—if this is what writing means, then we need to write on our own terms, don’t we?”]