winplaceshow reblogged
And that’s how I want you to think of her! That was Carrie!
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saucefactory-deactivated2019103
Me when a show finally throws me some crumbs of queer representation:
I’m pathetic.
Anonymous asked:
gabe!!! I'm happy to see you on the web I hope you're doing well!
Thanks! I graduated, and started transitioning. [confetti emoji] One day I will update my fanfictions, even. Wow.
winplaceshow reblogged
I was part of an awesome Spideypool Big Bang at @spideypoolfanfic! I illustrated a little something each chapter of the story, so please give it a read! IT’S SUPER GOOD!
Here is the link to the amazing author’s post, and here is the link to read it on Ao3.
winplaceshow reblogged
“where did you get these”
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deadpool’s greatest test of restraint
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this was fun! first time “boarding” smth super short for myself
winplaceshow reblogged
Easy Wade, it’s Halloween! No one will know I’m the real one.
winplaceshow reblogged
darkslayer092
New set photos of Deadpool 2.
winplaceshow reblogged
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d-e-l-ete-d-deactivated20181014
winplaceshow reblogged
thorffour-deactivated20190920
winplaceshow reblogged
my favorite type of bethesda npcs are the ones that live in cities that will just walk straight up to you, stop and go “You better have a good reason for bothering me”
This is just all of New York in real life
winplaceshow reblogged
….a sleeveless hoodie. Knee-high socks.
winplaceshow reblogged
Favourite narrative tropes:
- “That was ONE time!”
- “Due to an administrative error”, or any major plot point which is caused almost entirely by bureaucratic fuckups
- “Contrary to popular belief” appended to something that’s either really obvious or completely subjective
- A character makes an assertion, then cut to the narrator contradicting it (‘“Everything’s fine!” Everything was not fine.’)
- First-person narrators who call a specific character by a series of increasingly convoluted nicknames
- Unusual narrative euphemisms. I still hold that describing around a curse word is almost always funnier than just using the word.
- Establishing character moments which subvert your expectations right from the get-go. The best example is in the Brooklyn Nine Nine pilot, where Jake’s fooling around at the crime scene before revealing that he’s already solved the case.
- Montages. Just montages of any kind, for any reason, anytime. I actually think they work better in text form because you can do so many creative things with them.
- Side characters with a level of fourth-wall awareness / quasi-supernatural ability which is never quite certain, like the janitor in Scrubs.
- Double meanings in narration that take a while to make themselves clear.
- Really, really specific similes.