THE DUKE OF NAUGHT | GOUACHE ON HARDBOARD | PERSONAL WORK | OZZIE SNEDDON One of the bigger pieces that I’ve done, at 18 inches by 24 inches. This is actually the largest size that I can reasonably work on due to the size of my workdesk.
PEAR FARM | GOUACHE ON HARDBOARD | PERSONAL WORK | OZZIE SNEDDON It’s me, a pear.
THE ONE WE WERE ALL ALONG | GOUACHE ON HARDBOARD | GIFT ART | OZZIE SNEDDON
FROGSONG | GOUACHE ON HARDBOARD | PERSONAL WORK | OZZIE SNEDDON
TEARS OF THE SHOREWATCHER | GOUACHE ON HARDBOARD | PERSONAL WORK | OZZIE SNEDDON Hope you don’t mind more art spam. And if you do, oh well.
THE GLASS CEILING | GOUACHE ON HARDBOARD | PERSONAL WORK | OZZIE SNEDDON I’ll be real, I left this place when the tits died. But the tits are back, and not a moment too soon. Christ, what a garbage fire it would have been if we all had to go to Mastodon or some shit. I can’t make heads or tails of that site.
by the by, I used to go by “Librarian Oz” I’m going by “Oz-Pearsall” now. Hope that clears things up. I will provide no further elaboration
PHANTASM OF BLOSSOMS | GOUACHE ON HARDBOARD | PERSONAL WORK | OZZIE SNEDDON So what the fuck have I been up to? Well despite the universe doing its best to make me depressed, I’ve carved out a little bit of happiness. I’ve done a lot of client-work for people in VRChat, as well as organizing an art gallery venue on that same platform. It’s kept me busy, and it’s made me way more money than I ever had trying to play the popularity game on social media. If you had told me I’d be making a living off of clients in VRChat a year ago, I would have kicked you in the genitals. Life’s wild.
APOTHEOSIS OF THE GLASSWALKER | GOUACHE ON HARDBOARD | PERSONAL WORK | OZZIE SNEDDON You know, I’ve never particularly gave a damn about social media. Or rather, getting popular on it. It’s a place where opinions are like farts on the wind and everyone wants to make you mad. Fuck that shit, I’m just here to make art. But of all of the places I’ve been, this one is special because it gives me a certain sense of peace. I’ve waited for this place to surge once more, and I really hope this is the time where it does.
So we’re back for real, huh?
“Gloria” | (aka “The Femboy Last Supper”) | Gouache on Hardboard | Client Work | Ozzie Sneddon
“There is Always Hope” | Gouache on Hardboard | Personal Piece | Ozzie Sneddon
Six Lords of the Soulwell (client work, 2022)
The Flower of War
Not even death can chain the flower of the battlefield from her bloodlust. The campaign of “Petals for Amor” is eternal, and throughout history rises to partake in the bloodshed of every battlefield, to bathe in the adrenaline of conquest and gore. Her eternal life is due, in part, to the souls gathered in the Soul Well, many of which are sent there directly by her. As such, honor dictates she partakes in the rituals performed there, bringing awe and fear to all that bear witness. Medium: Acryla Gouache on Hardboard Commission.
Blood Lord Demon “Born the progeny of an ancient succubus and a great vampire lord, Nephtanicia enjoys the supernatural strengths of both of these grand nightmares. Her brutality and beauty have gained her quite the devoted following, and with her seemingly unlimited dark powers, she has constructed the sinister realm of the Soul Well, wherein she sits upon the throne of her Blood Pit. Those who have joined her help in luring in more unsuspecting souls - that are housed conveniently in sloshing fleshy bags of blood - into the Soul Well so that she may continue to grow her power.” Medium - Acryla Gouache on 9in x 12in Hardboard Commission.