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Good Queen Bess

@mygoodqueenbess / mygoodqueenbess.tumblr.com

A spirit full on incantation... A blog about Elizabeth Tudor. Questions are always welcome. Enjoy!
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Lady Margaret Bryan supervised the household of the new royal infant as she had previously headed the nursery of the infant Mary—and was to do again for Prince Edward; clearly Henry had great confidence in her. If the regulations Henry had set out in Mary's infancy were followed again, as they most likely were, Elizabeth's early life was shaped by strict etiquette: every man approaching the infant princess was required to doff his cap, every woman to curtsey to her. None but the greater nobility were permitted to approach so close they could kneel and kiss her hand. Only her social equals—effectively members of her most immediate family—were permitted to kiss her on the cheek. Her formal dress reflected the same highest social standing, and the need to set her apart. Even Elizabeth's caps distinguished her; they included two purple ones—purple always being the colour of royalty—of taffeta and satin, and each with a net of damask gold to catch her hair.

Elizabeth I (Routledge Historical Biographies), by Judith M. Richards

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reblogged
Cultural historians disagree over when Britain’s upper lip stiffened and reserve set in. We were a nation of unrepentant blubberers under the Tudors and Stuarts — when Elizabeth I recovered from smallpox, her counsellors were so relieved that they fell sobbing to their knees. Even Anne Boleyn’s hatchet-faced uncle, the Duke of Norfolk, wept proudly and often in public. Some think it was the arrival of the Stuarts’ heirs — the Germanic House of Hanover in 1714 — that popularised reserve in Britain. Others suggest that it was a reaction against the French Revolution and the perceived dangers of public emotion.

Secrecy & Deception, Gareth Russell

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archivetel2

There’s a branch of the Medicis that moved to Ireland and now are running a successful chain of fried chicken restaurants which is a very different vinbe from when they were like buying popes and stuff

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memecucker

The current heir to the main branch of the Hapsburg family is an endurance race car driver

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sraithpics

Correction: it's not the Medicis who run the Dublin fried chicken shops, but the direct decendants of the enemies of the Medici; the Borgias. The chain is called Borza and is better known for fish and chips. They moved to Ireland in the early 20th century. They are also said to have introduced the deep fried Mars bar from Scotland to Ireland.

The Borgias, among the most feared and reviled families in European history, running a fish 'n chips shop with deep fried Mars bars is one of the funniest things I've ever heard. It's like something from a D&D campaign where they decided to completely change genres.

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The stereotype of Mary for centuries has been that of an unskilled political novice, hesitant and timid until religious mania and her devotion to a heartless, Spanish husband turned her almost overnight into a bloody tyrant. In recent years, that myth has been examined and the negative accounts of her reign shown to be influenced by centuries of propaganda. Unfortunately, Bloody Mary is now becoming Tragic Mary. The trauma of her youth and the suffering she and her mother experienced at her father’s hands are seen as a reason to pity a queen many perceive as a failure. But there is more to the story of Mary than tragedy – and more to her than the devoted daughter of an abandoned mother because Mary, although she is usually associated with her mother Katharine of Aragon, was very much her father’s daughter. He too, was a risk-taker.

Melita Thomas, The King's Pearl

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“there is the famous chequers ring, a beautiful mother-of-pearl band set with gold and rubies, and the monogram ‘ER’ in diamonds and enamel. the ring features a locket containing two exquisitely painted tiny miniatures. one of these was elizabeth, while the other is a woman who seems likely to have been anne. elizabeth owned this ring during her queenship, although how and when it came into her possession is unknown. it could have been a gift from one of her courtiers; susan doran has suggested it may have been given to her by edward seymour, later duke of somerset.” (nicola tallis, young elizabeth)

Tallis makes a small mistake here though - Susan Doran was not referring to Edward Seymour, Duke of Somerset, but Edward Seymour, Earl of Hertford - Somerset’s son. There was no duke in England during Elizabeth’s reign other than the Duke of Norfolk.

Hertford may have been trying to get back into Elizabeth’s good books after falling out of favour for marrying Katherine Grey, but there is scant evidence to support this because the ring has pretty much no providence before James’ reign. The only potential connection to the Seymours is the depiction of the phoenix which was part of their family emblem. But even this is not a surefire connection because Elizabeth herself also used the phoenix in her own, personal symbolism.

Mary Hill Cole in her essay “Maternal Memory: Elizabeth Tudor’s Anne Boleyn” posits that it might have been Robert Dudley who commissioned the ring since it has been tentatively dated to the mid 1570s which corresponds nicely with Kenilworth 1575. He was also no stranger to gifting her items of jewellery that required profound skill in minor details. I’ve included Cole’s extensive footnote on the matter below;

But ultimately this theory relies just as much on speculation as the Hertford theory because there just isn’t any extant information on the ring prior to James’ reign. I’m willing to call out my own bias here and say that I lean towards the Leicester theory for obvious reasons lol but the bottom line is that it 100% could not have been given to her by Somerset. The depiction of Elizabeth in the ring is quite clearly her in mature age, not the teenager/young adult Somerset would have known her as.

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alison weir is a menace and her books have had a deleterious effect on the general public's understanding of tudor history (quoting a friend there), part 12323526:

ok, so, if you're like me, when you come across a quote from a biography that you don't recognise, you will often search the quote to see if it comes up in any others, or what is available of the bho archives by general search. as such, i found this:

"[Elizabeth] told Mrs Ashley that she [had] 'loved the Admiral too well' [...]"

except...what was in quotes showed up in nothing except weir's books, author's notes, and websites.

so. apparently. as per @theladyelizabeth ...this was, as is common with weir, a complete misquote/misattribution.

the primary source in question was thomas parry, and the quote is not that elizabeth loved thomas seymour 'too well' (or...at all), but this:

"[he] loved her but too well, and had so done a good while."
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Elizabeth’s rank was reinforced at New Year 1552, when she paid the goldsmith John Crocke for gilt plate, which she distributed widely among the nobility, receiving a flurry of gifts from the cream of them in return. Among them were her friend, Mary Cheke, the Countess of Oxford, the Marquess of Winchester, and the King. It was thus obvious that Elizabeth was not only highly esteemed by the monarch, but those at court were aware of it and seeking her favour too. It would not be long before the siblings were reunited, for in March Elizabeth once more journeyed to court. Durham Place had been readied for her arrival, but Elizabeth was not there long before she ‘rode through London unto St James’s in the field, the King’s place’. Once again, she travelled in style, accompanied by ‘a great company of lords and knights and gentlemen, and after her a great number of ladies and gentlewomen’. Elizabeth’s rank was clear for all to see, and, that the King allowed his sister the use of St James’s Palace was an indication of the high regard in which she was held.

Young Elizabeth: Elizabeth I and Her Perilous Path to the Crown, Nicola Tallis

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glorianas

Edward and Elizabeth observed the festivities separately, much to Edward’s dismay. Writing to his sister from the manor of Tittenhanger near St Albans on 18 December [1546], he lamented, ‘Change of place, in fact, did not vex me so much, dearest sister, as your going from me. Nothing can happen more agreeable to me than a letter from you […] I hope to visit you shortly […] as my chamberlain has reported to me. Farewell, dearest sister!

Many of Elizabeth’s earliest thoughts were of the brother she adored, who had ‘four teeth, three full out and the fourth appearing’ by the summer of 1538.  She liked giving Edward gifts, such as a ‘shirt of cambric of her own working’, which she presented to him at New Year 1539 – an extremely personal gift that not only showcased Elizabeth’s skill with a needle but also displayed her thoughtfulness. 

Young Elizabeth: Elizabeth I and Her Perilous Path to the Crown, Nicola Tallis

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The salient point from Elizabeth's perspective, however, was that Northumberland's attitude towards her was significantly different from that of Somerset. Under the Protector, the allowance allotted to Elizabeth by her father had often been paid irregularly and, frequently, not in full; there was no such delay from Northumberland. By the same token, the King's uncle had never particularly encouraged Elizabeth to visit her brother, whereas Northumberland had no problem with her doing so and always paid reverence to her.

Young Elizabeth: Elizabeth I and Her Perilous Path to the Crown, Nicola Tallis

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reblogged

Do you know something about these two little paintings? I keep seing them but I don't know when and why they were made and for whom.

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Hi! So sorry for the delay in answering this, I opened the inbox, got distracted and then the notification went away so it slipped my mind for a bit.

These are a pair of miniatures commissioned by the Earl of Leicester and painted by Nicholas Hilliard. They might have been originally in a locket, perhaps intended to be worn on the body by either Leicester or the Queen herself. Even if they weren't in a locket, it's very likely they were meant to be displayed together as a quasi-pair (using the term "quasi" as Elizabeth Goldring does because a true pair would have them facing each other - but that was restricted to married couples. Even Leicester wouldn't go that far). They were made around 1575, so likely to correspond with Elizabeth's grand visit to Kenilworth Castle in the same year. Robert was keen to portray himself as a suitable match for Elizabeth, a model consort, and this was just one of many quasi-pairs that he commissioned of the two of them. This iteration definitely feels more intimate than the full scale paintings and companion busts which would have been for public display. These, by contrast, appear to be for private viewing. There's actually a really lovely short video on this pair here:

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Hi @itzmaki! I hope you don’t mind me responding to your ask like this, I just wanted to cover OPs username because I don’t want to put them on blast just for having a difference of opinion.

Because that’s all this is really - yeah, they’re clearly not aware that there is an actual source for Elizabeth running her fingers through Robert’s hair which tells me they’re not very familiar with Elizabeth’s reign and personality as a whole but that’s my only real gripe. If they’re not fond of the acting style, no about of “well actually-” arguments is going to change their mind. I personally think Tom Hardy did a great job - not a perfect one mind you, there were moments I think could have been improved but overall really well done - and they don’t. Not much more to say about that really.

I personally severely dislike Reign and I despise their characterisation of Elizabeth and literally nothing anyone says is going to change my mind about that so I’m pretty much on the opposite end of the matter from them … it is what it is!

I've been in this fandom for years and it's always like that, there's room for all opinions ✨

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