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I'm this kind of girl

@im-this-kind-of-girl / im-this-kind-of-girl.tumblr.com

I'm this kind of girl.If you like it, it's fine, if you don't like it it's fine, too. Art, video editing, animation and writing.
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On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):

Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?

Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?

Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.

But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.

So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).

I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.

Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?

Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?

THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.

It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.

So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭

This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).

As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).

I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")

"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)

Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.

Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.

Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words

"Crowley found his purpose again. What he'd been missing the whole season"

Oh, my, yes! I also believe Crowley's found out Aziraphale was the point all this time, but I never realized the music aspect. Holy, this was beautifully written

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joycrispy

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

Nono, hold on, hOLD UP

We're saying that Good Omens took the crime and the punishment and turned them into knowledge and compassion.

Of course we queers will love it. Good Omens is a story about rejecting your supposed fate and become your happy real self.

The Antichrist created to destroy the Earth choses his human nature.

The descendant created to follow omens choses to destroy them.

The angel created to be a soldier gives away his sword.

The demon created to be a tempter falls in love.

We live in a world in which we are so constantly punished for doing things in the wrong way -as if there is a right way anyways- that we forget that making mistakes is part of learning. The world usually never protects us after the mistake is made, they aren't compassionate or empathetic if you do it "all wrong". So, of course, having a demon and an angel be like "oh, to hell with it, you're fine, I get you, try not to catch a cold" it's so comforting.

It's a story about hope. We need to remind ourselves that the world doesn't actually end if you choose a weirder path than usual, at the end of it all, it'll be a new beginning, and there's a rainbow waiting.

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Aziraphale and Crowley's unhinged character analyzis (pt2. Crowley)

Controversial opinion:

Aziraphale and Crowley at the end of Season2 managed to accomplish the main goal they each had since the beginning of time. Only to realize that what they wanted no longer made them happy.

Disclaimer: I have no idea about what is going to happen in Good Omens. This analysis could clearly be considered a theory since I'm not Neil Gaiman, but as someone who knows about narrative and character structure, I'm going to elaborate. Also, English is not my first language, so sorry in advance.

I've already talked about Aziraphale's possible transformation arc in the Good Omens story. In here I've also written important definitions such as what's a transformation arc. I highly recommend it to read it first.

Now it's time to talk about Crowley.

Crowley, the co-protagonist and love interest.

In our role as audience, Crowley is the character with whom one tends to empathize the quickest. By the end of the second season, most would be tempted to think Crowley was right. However, this is a lie. Not only is Crowley not right, but he rejected Aziraphale just the same, choosing his principles over love.

Now, why in the first instance do we not see it that way? Well, because we have Aziraphale's point of view. We always get the angel's reaction first, we always see the way Crowley shows up again and again and again to rescue him unconditionally.

Very rarely do we have a moment where Crowley is alone in crisis because his beliefs are challenged. No, everything he does is in function of Aziraphale and we see the story from his perspective, that is, from the perspective of someone who is in love with Crowley. Because of this, Crowley is equally liked and attractive to everyone equally: we are inside Aziraphale's in love POV.

By the time Crowley proposes Aziraphale to run away together, we as the audience are seeing a proposal that is incredibly tempting to us: we want Aziraphale to accept it because it's what Aziraphale really wants. That's why the fight hurts so much, because we know internally that the two of them had the chance to be together but didn't because they're not ready yet.

Crowley's Objective

Crowley, unlike Aziraphale, was happy in Season 2 with his current situation. Having cut ties with both Heaven and Hell pleased him, because Crowley always sought only one goal throughout his entire life: freedom.

The one thing Crowley has always desired is to be himself with no excuses and no strings attached.

Since before the beginning of time, Crowley came to the conclusion that he didn't fit in Heaven. He thought he would fit in Hell, but soon realized that it was like a deteriorated version of Heaven, so he didn't fit in there either. On Earth he doesn't quite fit in either. Sure, he likes humans, has a certain admiration and curiosity for them, but he still considers them a species far different from his own. He is not human and never will be, so he can't really identify with them at all. He enjoys the advantages of humanity, but he is not one of them.

The Job episode is an indicator of this, he himself says so "I am a demon who goes along with Hell as far as I can".

In this same episode, however, the major problem he has with this is also expressed. Azira tells him "that sounds lonely". The counterpart of freedom is loneliness. To be truly free, you need to have nothing and nothing to bind you. That's why Crowley is someone who is unsympathetic and even disinterested in dealing with third parties. He does not remember faces or names, he does not get significantly close to anyone because that would compromise his desire for genuine independence.

This characteristic is the only one that is present in absolutely all versions of Crowley: the book, radio drama and even in the cursed script of the movie that never was. That's why whenever he sees danger, his first reaction is to run away.

Being free he has nothing to lose… or does he?

Crowley's dilemma

Well, Crowley never fit in by being different and so he always felt somewhat an outcast. However, it wasn't long before he noticed that Aziraphale was also different.

Clearly the angel was not like the other angels in Heaven: he enjoyed Earth, he fell into temptations, he lied to other angels. Also, it is obvious that he would not fit in Hell, and while he is more empathetic to humans, he is still innocently aloof. Aziraphale has a pure goodness that Crowley admires, the goodness that made him be kind to the demon in the first place.

Moreover, no matter the time, no matter how little they knew each other, Aziraphale could always see through Crowley's evil masquerade. The demon could burn goats and murder people, and yet Aziraphale has always held a blind faith towards him. Crowley, the Serpent of Eden, who had been his entire existence told that he's doomed to be a crawling tempter, finds in the angel an unexpected possible friend who's never been afraid or bothered by him.

Crowley eventually feels they are both the same: two supernatural entities left on Earth who learned to enjoy life on their own terms. Crowley sees in Aziraphale the companionship he never thought he'd find, the friend he thought at the moment he fell he'd never have. And that feeling of companionship and admiration slowly morphed into something more until it became love.

The season finale isn't the first time Crowley has considered leaving Earth. Probably not even his fight in Season 1 was the first time he considered it. Yet he never did. He never could because, without Aziraphale, running away would doom him to a life of solitude. Free, sure, but completely alone since no one except his angelic friend could understand him.

However, I think Crowley is not aware of what he feels. Or at least, he hasn't been for a long time. I'm sure his moment of introspection about his feelings was when Nina confronted him about it. Up to this point, Crowley considered Aziraphale his best and only friend, obviously. Crowley is loyal to a fault and always thought his relationship with Aziraphale was perfect just the way it was, but suddenly someone put it into words and he realized that yes, that's what he really wants with Aziraphale.

Crowley's decision

Crowley wants his freedom. That's why he never asked Aziraphale for explanations (because at the end of the day they were just friends), that's why he never told him that he was living in his car (because he would end up depending on him), that's why he never talked about his fall (because that would be opening up too much).

The most ironic thing about the whole ending, is that just like Crowley did with Aziraphale… Aziraphale proposed to Crowley the one thing he wants more than anything: to be together, for good, but sacrificing his freedom.

Crowley is capable of doing anything for his angel, even without acknowledging that what they had was love. He's capable of driving on fire, capable of killing Gabriel, capable of walking inside a church. Of everything except one thing.

It's the one step Crowley didn't dare take. He is not a martyr like the angel, no, he is not willing to sacrifice himself to be together. So, the obvious happened: Crowley chose his freedom over Aziraphale just as Aziraphale chose Heaven over Crowley.

The end of his arc and Aziraphale.

As I said before, I don't think Crowley will have a significant change comparable to Aziraphale's. His personality and beliefs will not be changed in a momentous way, as Crowley no longer has ties to Heaven or Hell by pulling the tab on both sides.

His side is already picked: Humanity.

His biggest change is likely to be one of purpose. Crowley is no longer going to be satisfied with his freedom. And the latter is a fact: Crowley is officially free. Without Aziraphale in the equation, he no longer has anything or anyone tying him to do anything or be any other than who he truly is. Crowley can go to Alpha Centauri and never come back; he can sleep for 3,000 years; he can go around the world in the Bentley. He can do whatever he wants. This might seem ideal to the Crowley of 300 years ago, but today's Crowley is completely consumed by loneliness.

Crowley never cared about building a home or having material things because he never wanted to be tied to anything earthly for the sake of doubt. He was always aware of the destruction of the Earth.

Love is not something that can be prevented though, and in the absence of having a home, he found it in Aziraphale.

Aziraphale: trustworthy, sweet, warm, funny, a bit of bastard but always irrevocably good. Everything Crowley lost when he fell he almost automatically found back.

To this day I wonder what Crowley is going to do now that his angel is gone and the possibility of him fleeing to the stars is becoming more and more possible. It's going to depend a lot on how much time passes between seasons, but I don't think it will be much. For not only he was his anchor, no, without Aziraphale, he doesn't have someone to cause him to want to do better, he doesn't have someone to be vulnerable with, he doesn't have a goal anymore, nobody else to impress.

He isn't evil. He isn't good. And now, he is alone.

First Crowley lost the love of God and now the love of Aziraphale. And it is then that Crowley will realize that what he really wants is not to be free, but to be loved. And this desire can only be fulfilled by the love of his life, Aziraphale.

The thing is... Crowley has always wondered why.

Why falling? Why becoming the cursed Serpent? Why could he never be truly free?

At the end of his arc, he must come to the conclusion that the answer was always in front of him:

Love is the only answer he needs.

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Aziraphale and Crowley's unhinged character analyzis (pt1)

Controversial opinion:

Aziraphale and Crowley at the end of Season2 managed to accomplish the main goal they each had since the beginning of time. Only to realize that what they wanted no longer made them happy.

It sounds crazy, but to explain myself I have to do an in-depth analysis of their personalities and the possible transformation arc that both characters are probably going to have at the end of the Good Omens story.

Disclaimer: I have no idea about what is going to happen in Good Omens. This analysis could clearly be considered a theory since I'm not Neil Gaiman, but as someone who knows about narrative and character structure, I'm going to elaborate. Also, English is not my first language, so sorry in advance.

Aziraphale

First let's talk about Aziraphale. For two reasons, firstly because he is the one who seems to deserve the most defense right now; and second because Aziraphale, in my opinion, is the main character of Good Omens. This is because Aziraphale, out of the two, is the one who is likely to have the biggest change in his personality once his arc ends.

In a story, especially one like Good Omens with many characters, it is common for there to be many arcs, as every character has something to learn. Crowley, as a co-protagonist and love interest, is clearly going to have a change at the end of the plot, but his change won't be as big as our angel's.

First things first, what is a transformation arc?

It is the transformation that a character undergoes from the beginning to the end of the story. Basically, at the beginning of a story, a character is in a certain state of equilibrium, he lives and thinks in a certain way until he is exposed to a situation that forces him to act outside of his comfort zone. During this, he will undergo different changes that will be reflected in actions that take him away from his natural state until the climax, where the character will make a decision that will change his normality forever. This is important. In every story, the climax marks a before and after in the protagonist's life: whatever he decides at this moment has no turning back and will mark his life forever, so that after the climax, the character may again have a state of equilibrium but different from the initial one.

What is the climax of Good Omens? Well, in the 1st season we have the bodie swap and in the second season the separation of Crowley and Aziraphale. But of the story itself? It's still a mystery.

Neil Gaiman has already confirmed that Good Omens is a three-act story, so its climax will be located at the end of season 3. We still don't know what definitive change there will be in our characters… although throughout the series we have enough clues to at least know what they probably have to work on changing.

Aziraphale's Role

In order to analyze Aziraphale we must begin by understanding his role within the angelic hierarchy. Aziraphale was created as a Cherub and then, after Eden, became a Principality. Both ranks have one thing in common: they are guardian roles.

Cherubs are second in the highest circle of heaven, below Seraphims. They are described as "guardians of the universe from a divine plane and without direct contact with humans, although they positively influence them". On the other hand, Principalities are seventh within the last circle of the angelic hierarchy, and the highest rank within it. They are the guardians of nations and countries, overseeing global events within politics and commerce.

So, Aziraphale was created with the main purpose of being only one thing: a soldier. His function is to obey and protect objects, places and beings. That is why he was the angel who received the sword of fire, his task was to protect Eden. But he also has a very strong sense of intrinsic goodness that has led him to make erratic decisions throughout history that question just how much he is willing to obey orders.

If Aziraphale feels that something is wrong, he won't do it. It doesn't matter if he has to go against Heaven or sin. It doesn't matter if killing a child saves the rest of the world, he won't do it. It doesn't matter if God will grant Job new children, he can't stand idly by. These actions make him stand out from the rest. A simple soldier just obeys while Aziraphale has a critical mind, he has too strong of an opinion about right and wrong. If an event happens that he considers evil, Aziraphale will go to great lengths to prevent it.

It is remarkable that the first thing he did having free will was to give his sword to Adam and Eve. Of course he did it with the function of protecting them but, by giving them his only weapon, Aziraphale was left in a serious state of vulnerability. He did it because he is good and kind, but it could also be considered an act of sacrifice. Here enters another important issue when talking about Aziraphale that relates to religion itself.

The Martyr Hero

One of the most basic conceptions about the Christianity is that without sacrifice a person cannot really be good. Jesus was crucified to free us from our sins; Job sacrificed his whole life to prove that his faith was genuine. Even centuries later, the ecclesiastical institution maintains that the more you suffer, the poorer you are, the more chances you have of ending up in Heaven.

All the sacrifices made in life will eventually be rewarded in the Kingdom of God. It is the eternal figure of the martyr that is worshipped in Church, the idea that to really love, to really do good, sacrifices must be made.

Aziraphale believes this blindly. Now, he is an angel, not a human. He will not have an eventual reward of any kind, and that does not matter to him, because he considers himself lucky to be able to be a being of light who brings happiness to others no matter the price he has to pay. He was willing to fall only to save the lives of Job's children just because it was the right thing to do.

Performing actions for your own happiness without thinking of the consequences is frowned upon throughout the Bible. It is considered selfish and is a great source of guilt for all its faithful.

There is a line from the Good Omens Musical that has always stayed with me. When they argue, Crowley tries to talk some sense into Aziraphale by claiming all the reasons why he should help him avoid Armageddon, to which Aziraphale replies "you and I are not important."

Why didn't Aziraphale quickly give in to the proposal to stop the end of the world? Why didn't he tell Crowley where the Antichrist was without hesitation? Why did he help Gabriel in spite of everything? Why didn't he kiss Crowley back although he wanted to?

Truth be told, Aziraphale does not prioritize his own happiness because he does not consider himself important.

At the center of it all is God, good and ineffable who would never let anything happen unless it is not amenable to the greater good, then there is all the rest. Aziraphale believes he is just a soldier with a mission: to protect the Earth and everything he considers worth saving. He is not on this list: his welfare does not matter to him because, in the grand order of things, Aziraphale does not believe he is important.

There is no afterlife reward for him, though that doesn't stop him from feeling guilty about wanting it.

Aziraphale's dilemma

Aziraphale's great dilemma ould be summed up as:

Do I do what I want or do I do what I must?

Should he obey the rules or get what his heart yearns for now that it is within his grasp?

Throughout Good Omens, we learn Aziraphale has given into various temptations such as food. But these sins are small in comparison to what he really wants. For how does he explain to God that what his heart desires the most is to be able to love the Serpent of Eden?

He is madly in love with Crowley. He could lose everything: his bookstore, restaurants, music, art, but the feelings he has for him will never go away. It were years of repression, believing that if he loved him in silence, everything would be okay.

Now, in the season finale, Crowley expresses it, confesses and kisses him, offering him what he has always secretly wanted on a silver platter.

But Aziraphale was also offered a place in Heaven, finally being accepted by the family he misses. Aziraphale spent the entire 2nd season getting involved in trying to save Gabriel, in bringing Maggie and Nina together, getting perhaps a little too invested because he clearly missed having a purpose.

He was not well emotionally. He missed feeling that he does good because, despite everything, he believes in the potential that Heaven has. Aziraphale knows that if he is in charge, if he gives up everything that makes him happy, if he stops being selfish as he was all these years, he can make the necessary change to prevent the End of the World.

Aziraphale is a soldier whose main goal has always been to protect. Becoming the supreme Archangel he is able to protect everyone he loves. Because of this, he decides to sacrifice his earthly happiness and make the most difficult decision but the one he feels is right: to leave Earth, reject Crowley and become Head of Heaven.

The end of his arc and Crowley

Like any arc, Aziraphale's is clearly at the end of the story. He's already changed a lot, and he's done mostly so because of Crowley. Not just because of love, no, Crowley manages to awake something in him. Crowley is the driving force that encourages change in him, that reaffirms or questions his beliefs whenever he is in doubt about whether something is right or wrong. He inspires something that Aziraphale, an obedient soldier of the Lord never had: freedom.

Obviously, our angel always had that spark of freedom, though repressed, hidden in the darkest part of his being because he knows it is something that makes him different from the rest and he doesn't like to admit that he doesn't fit in Heaven.

Because this means that he doesn't fit in Hell either, nor on Earth completely. Ergo, admitting to being different means confirming his suspicion that he doesn't fit in anywhere. But he never had to pretend this with Crowley.

Knowing all this, how will Aziraphale's arc end?

Well, he's going to have to choose between heart and duty again. Aziraphale is going to want to save Earth at the Second Coming, that's obvious. He is going to be forced to disobey Heaven once again as he realizes that he cannot change them. In this way, he will confirm something tragic: his sacrifice was in vain.

But it is necessary that he can assume this in order to understand that he is wrong:

It is not necessary to suffer in order to deserve love.

It is not necessary to sacrifice everything that makes you happy to prove you are good.

Eternal sacrifice is not the solution. Aziraphale has to learn that being happy and being loved is not a reward that has to be given, no, it is something he is worthy of without the need to sacrifice his life. Aziraphale must understand that he does not have to prove that he is a good person by martyrdom. He is a good person because he is empathetic, smart and sweet.

The secret is to find the balance between love and duty, between good and evil, to embrace his freedom and find happiness by accepting his mistakes that make him different from the rest. The easiest way is to learn to love in the most genuine way: the human way. Discovering that love does not necessarily have to be painful or repressed, that he can do it openly, that what he feels is not a test of faith, but the reward he has been waiting for all these years.

Aziraphale will ultimately become free through Crowley's love.

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Why There’ll Never Be Another Good Omens 2 Experience

The strangest thing happened after a few days post my watching of S2. I got a wave of real, bittersweet sadness.

Not due to the obvious – I was dealing with that too, but with more excitement than anything – but because I realized something, as a writer and consumer of media. I realized that it’s unlikely I’ll ever get a media experience close to what I experienced at the end of Good Omens 2. Because really, its setup was absolutely unparalleled – in general, and for myself personally.

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My complete and unhinged Metatron analysis

Hello, I have seen that many people are theorizing about Metatron, so I'm here presenting an analysis of who Metatron is, rather his biblical role and how he may be more connected to the Aziraphale and Crowley than we might believe.

-Also, English is not my first language, so please be patient with me-

ANALYSIS OF METATRON AS A FIGURE WITHIN CHRISTIANITY:

  • Metatron, has always been a controversial figure in Christianity, full of dualisms.
  • Let's start with its etymologically. The term Metatron has two completely different translations: one comes from the Greek metradromos meaning "he who pursues with vengeance"; or it is also possible that its origin is from the term meta ton thronon which means "closer to the throne". There are many doubts about his true origin, since it is mentioned in non-canonical versions of the Bible, during Genesis*. However, in the most current and official versions of the Bible, it never appears.
  • While there is nothing official, the most accepted version is that he is actually the prophet Enoch, Noah's grandfather. Enoch -who used to have his own book of the Bible in earlier versions- was a prophet who had the God-given gift of visiting Heaven through different visions. In his 1st vision, Enoch has the mission to intercede with God on behalf of the fallen angels. In another vision, he sees the Cherubim in Heaven, whom he describes as beings of fire. Later, he is taken by the archangel Michael to the highest heaven. Enoch also travels in his visions or dreams to the tree of knowledge. He is supposed to have lived 365 years and, at the end of his visions, Enoch is chosen by God to become the archangel Metatron, a powerful archangel who is also called the little Yahweh.
  • There is another explanation for his origin: he is the first being of creation, seated at the left hand of the father, which in tradition is associated with Satan.
  • The Zohar also describes Metatron as "the king of angels" who reigns over the tree of the knowledge of good and evil.
  • When Enoch was on Earth, he devoted himself to writing a book containing the secrets of wisdom until he was taken to Heaven to become an angel. God allowed Enoch to continue this same ministry in Heaven** .

FUN FACTS:

  • Metatron was the one who led the Israelites to the Promised Land (Moses).
  • Metatron is the patron angel of children.
  • Metatron transmits God's daily orders to the angels Gabriel and Raphael.
  • Not being an angel from his origin, Metatron is associated with the angels in charge of Death, he supervises them when they help the souls to make their transition from the physical to the spiritual plane.
  • He is canonically the most powerful archangel in the entire celestial realm, second only to God. His role is similar to Lucifer's original rol, the right hand of God.
  • The archangel Metatron is in charge of directing the ascension and activation of the human being's light body. Having been human, he knows the path of enlightenment. He represents the potential for transformation and purification of the soul when it sets out to transcend matter to unite with the pure spirit of the Divine. Metatron is in charge of guiding the souls towards the light, towards purity (insert the fact that he asks for coffee with almonds, which in Christianity is related to purification).

METATRON IN THE LORE OF GOOD OMENS

It is worth mentioning that in the original Good Omens book, Metatron is the only angel that appears besides Aziraphale. While other angels are mentioned, Metatron is the only one who appears, firstly when Zira wants to talk to God, and secondly when Beelzebub and Metatron make presence at the Tadfield airbase to try to convince Adam to restart the end of the world (it is not Gabriel who appears in the book).

And, considering that the 3rd season is based on the sequel to the book that never came out, it makes sense that Metatron would have had a bigger role because he was always a present character.

HIS RELATIONSHIP WITH CROWLEY AND ZIRA:

So, from all this information, I would like to point out that Metatron not only used to be human and knows the "true path of purification," but he is also in charge of caring the tree of knowledge.

You know, that tree?

Aziraphale and Crowley represent the two things that oppose his very existence: an angel that is becoming more and more human with each passing day and the Serpent of Temptation that keeps doubting and questioning the edges and the difference between good and evil. These two not only were they not punished, but together they are two extremely powerful entities, perhaps as powerful as he is.

They are a threat… but only together.

Metatron can see in Aziraphale the very opposite of what he represents, someone who needs to return to the path of divinity:

Aziraphale, the supposed guardian of Eden, who started out as an angel, who gradually transformed into someone with more and more human habits, falling into almost all the deadly sins, in love with the Serpent who tempted humans to eat from the forbidden fruit of the tree of knowledge. Someone who loves forbidden books and bibles, with a hedonistic and condescending personality who managed to deceive his brother angels for millennia to protect humanity and his earthly life***.

It would also explain his disdain towards Crowley, why he looked at him with that face: Metatron is the protector of the tree that Crowley managed to corrupt.

To all this we can add that Metatron/Enoch renounced his humanity to become something superior, while Crowley and Aziraphale consider humanity to be something superior worth defending and loving. They see in humans what Enoch could not see behind his judgment of false celestial purity. They are two supernatural entities who managed to love humanity more than he, a human, ever could.

These parallels are not only born out of my obsession, no. The fact that Metatron has separated them has a much more possible and deep significance.

Narratively, this can only mean one thing: Metatron is the villain, the perfect antagonist to Aziracrow.

CLARIFICATIONS *Genesis is where the Adam and Eve story is found, the Garden of Eden, the moment that changes Zira and Crowley forever…. **That "book that contained the secrets of wisdom"… is it the book of life? Is Metatron the only one who has access to it? ***I would like to clarify, that for me the real main character of Good Omens is Aziraphale, that's why I find more comparisons with him, followed by Crowley as co-protagonist, but I will continue this theory another day.

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Good omens season 2 spoilers . After watching season 2, I knew I had to make something, so here's the Edit / AMV from Aziracrow/Ineffable husbands however you wish to call these lovely idiots with the song "Exile" by Taylor swift ft Bon Iver Is this my way to cope with the season finale? Of course, it broke my heart, so here's my therapy piece . Thank you so much for watching

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I've made this small animation practice with some OCs of mine.

The singing guy is Ben (aka the nice guy) and the other guy is Jano (aka the bad boy). They're supposed rivals fighting for the same girl, if only they weren't cursed to repeat their lives until they stop a tragic ending that has haunted them... and if only Ben and Jano wouldn't get more along between them than with the girl.

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Female Genesis: an edition made for college The concept is based on the comparison between the female characters of Eve and Pandora (and a little bit of Lilith) and how these characters are usually associated with the idea of 'the first woman created condemned humanity' even though Eve granted knowledge and Pandora hope.

🍎🌙⚱

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Esta es la primera vez que posteo OCs, pero la base de @snuffysbox era demasiado tentadora y en punto para mis personajes. Ellos son Dominic (el castaño) y Draco (el morocho), dos rivales involucrados en una satira que estoy desarrollando.

This is the first time I post OCs, but @snuffysbox ‘s base was too tempting and on point for these characters. They are Dominic (the brunette) and Draco (the dark-haired), two rivals involved in a satire I’m developing.

The words in the back are: muerto (dead), condenado (doomed) and sin nadie a su lado (with no one by their side)

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I stand the headcanon they lasted two minutes before Aziraphale broke into Crowley’s flat to spend the lockdown together.

Also, I can’t believe this wonderful story is 30 years old and that we’re still receiving new content! I love everything about this wonderful fandom and story!

Art made by me! Please credit if you repost! Thanks!!

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neil-gaiman

We made a little thing, to celebrate 30 years of Good Omens, and to cheer people up. I hope you like it. Feel free to reblog...

https://www.youtube.com/watch?v=quSXoj8Kob0&feature=youtu.be

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This new animatic is what happens when you can’t get over the 90’s cursed movie script. And it’s also been an excuse for basically drawing all my takes on every Aziraphale and Crowley (Green: Book version. Grey: Radio drama version. Red: Tv series version. Purple: Movie script version).

This is probably the most indulging thing I’ve ever done yet. I’ve got no excuse, and I REGRET NOTHING.

Thanks for watching!! 

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