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argumentive, antithetical dream girl

@redheadedbrunette / redheadedbrunette.tumblr.com

* Ginger * Catholic * INTJ * Sometimes a writer * Enthusiastic about a great many things and I put them all here * Less Spy School than it used to be but I still love those nine books * Hope you don't hate Taylor Swift * Feel free to poke at me via my askbox if something interests you * AO3: RedheadedBrunette
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man sometimes i really want to get back into welding but then i remember that the guys from the first course i took won’t be there and change my mind

comprehensive list of things that happened to me in my welding course with The Guys:

- was the only one to get an A the first grading period. had to stop them from putting me on their shoulders

- became the official classroom mascot on account of i was the only girl. this meant i was an integral stop on any and all workshop tours. was referred to as “Our Lady Helena” on these occasions

- almost set myself on fire once bc my prof stood behind me watching me try a skill he’d just demonstrated and he shouted very suddenly very loudly. restarted my heart and asked WTF WAS THAT FOR JOHN and he called me a “goddamn wonder”. i almost got third degree burned over a compliment

- mentioned offhand ONE TIME that swords were cool. also mentioned my birthday offhand ONE TIME. one of The Guys remembered both instances and also happened to find a sword in a dumpster so he gave it to me for my birthday

- came in fifth in an arm wrestling competition

- french braided my hair in class bc i didn’t have time to do it beforehand. ended up with an audience of like 5+ guys trying to figure out how tf i was doing it

- told The Guys my college friends call me barbie. Mistake. suddenly had all 12 of them calling me Barbarian

- had some down time and made a silly little sculpture with some scraps. The Guys were endlessly intrigued by this and demanded to see some of my art school stuff. had a small crowd around my phone cheering loudly every time i swiped to a new picture

- accidentally mentioned the cafe i worked at. Mistake. several days later all 12 of them came in to bother me

- offered someone a haircut. Mistake. had to retract the offer bc suddenly Everyone wanted a haircut and it would Not Be Fair if i only did one

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i-say-ok

ok!

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Non-native English speakers shouldn’t worry too much about finding words that sound the same confusing (brake-break, through-threw) when learning English bc every single person with English as their first language has had the universal experience of using L’Oréal shampoo in the colorful fish bottles at some point when they were kids and believed that “tear-free” meant if it gets in your eyes you won’t cry (and learned the meaning of betrayal that day) only to discover later that “tear-free” meant your hair won’t get tangled and it will be easier to brush out and not your eyes won’t burn with the fires of hell if it gets in them soooo....

LISTEN I’M STILL REELING FROM THIS BETRAYAL. How on EARTH are you supposed to know the difference? Tear vs tear???? And there’s a smiling kid??? And you don’t think of ‘tangles’ as being ‘torn’ out you think of them being PULLED so it should’ve said TANGLE FREE or HELPS PREVENT TANGLES’ but “NO MORE TEARS” sounds like “no more CRYING” and I THINK THEY KNEW THAT. I THINK THIS WAS A DELIBERATE MARKETING PLOY MEANT TO BE CONFUSING WITH BUILT-IN PLAUSIBLE DENIABILITY OH NO WE MEANT TEARS LIKE YOU TEAR A PIECE OF PAPER NOT TEARS LIKE CRYING TEARS SURE YOU DID YOU SIT ON A THRONE OF LIES

This has to be an intentional marketing scam right

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philtstone

been trying to put words to why i find psych so unique and effortless in the world of comedy tv and i think ive cracked it. theres a truly excellent approach to storytelling that goes something like this: you pick a high stakes Setting. examples from some Classic media include ancient egypt, space pirates, and in the case of psych: homicide mysteries. all the examples im thinking of are also arguably homages or adaptations to an existing Version of the setting that has expectations or assumptions associated with it. the mummy (1999) was a reimagining of the original horror movie. guardians of the galaxy (2014-2021) borrows and subverts so much of what the audience already knows about classic movies like star wars. (psych is, of course, sherlock holmes). anyway; the setting predisposes itself to more dramatic plot bc inherent to that setting are Stakes. instead of going with the setting-appropriate tone, you commit 200% to comedy through — not the plot — but the DNA of your characters. true, a talented writer will include many deliberate jokes, but the comedy never really turns on and off because your core premise is “watch me put a group of unhinged yet endearing idiots in this major situation and go along with them for the ride”. the more unhinged and idiotic they are, the better, but they have to be setting-appropriate. they have to have the skills and tools to navigate that setting competently or it all falls apart. they’re not bad at their setting, they’re just deeply chaotic. cuckoo bananas. generally stupid (affectionate). they have SO many (complementary) issues.

now comes the most critical part. you tie the whole thing together by also committing 100% to multiple other genres in your already mishmashed genre. when you do romance you do High Romance. when you do drama it is hitting at these characters emotional CORES. and it works because your setting is high stakes and your characters are already three dimensional by being simultaneously hypercompetent and major dumbass. id argue this is a bit different than the more generic works in the indian masala genre or western superhero movie approach because often in those movies its a jack of all trades type situation where there are inserted tracks into a movie thats fundamentally genreless. what im talking about here has fully embraced all 5 of its genres with GUSTO. it’s not slipping in little quips or including one comedy track, it’s always funny. it’s not pairing off two characters for the sake of it, the romance is integral to the core plot of the story and character motivations. its emotional moments are built into the fabric of the story and never afterthoughts.

finally, in order to make the writing work effortlessly (because real life people don’t talk like that) you need a cast with chops and chemistry that makes it all feel organic. there are no breaks or looks into the camera or starts and stops to the emotional and comedic action because the actors embody the spirit of the story so dynamically and work off of each other so well.

like i said, some of my favourite examples of this kind of ensemble comedy-in-a-high-stakes-setting stories are classics like the mummy and more modern works like guardians of the galaxy. it clicked for me the other night that psychs writing reminds me of those stories a lot, but its doubly clever because psych does homage settings inside its already an homage setting and still manages the “watch these idiots in this high stakes situation” bit so well. it’s an entirely different experience from watching a sitcom because the writing never takes you by the shoulder and says “you’re in a sitcom, time to laugh”. id actually argue that psychs weakest episodes are the most sitcom like in flavour. at these stories’ best you’re just dunked into this truly chaotic situation thats made effervescently funny yet also deeply emotional and compelling and dramatic by dint of the characters being Exactly Who They Are All Together. it takes a very talented kind of writer and a special kind of cast to pull this type of storytelling off but when they do. it is so so fun and so so worth it.

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eosofspades

i didn't have "i'm broken" teenage asexual angst i had "i'm literally being the only reasonable one about this concept and the rest of you are behaving like fucking freaks" perception issues

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