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but alas! the creature grows degenerate.

@sashayed / sashayed.tumblr.com

rave, 1000 years old, dc. she, her. "truly yours is a fecund and terrible mind."  on semi-hiatus, which means i'm here but i feel bad about it.
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“One of the most begrudging avian take-offs is the heron’s fucking hell, all right, all right, I’ll go the garage for your flaming fags cranky departure, though once they’re up their flight can be extravagant. I watched one big spender climb the thermal staircase, a calorific waterspout of frogs and sticklebacks, the undercarriage down and trailing. Seen from antiquity you gain the Icarus thing; seen from my childhood that cursing man sets out for Superkings, though the heron cares for neither as it struggles into its wings then soars sunwards and throws its huge overcoat across the earth.”

— The Heron, by Paul Farley

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I can't talk right now. crab core middle-aged man is serving on tumblr

I can’t talk right now.

crab core middle-aged man is

serving on tumblr

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

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reblogged

i am shrunken down and brought to the gnome world and when i attempt to assimilate to their culture I use an acorn cap as a hat and they all laugh cheerfully at my silly mistake of wearing what they use as a bowl like a cap and though this is a transgression that would have humiliated me in my human life I am instead laughing alongside them at my humorous misunderstanding

they ask me what I would like to eat and knowing that gnomes enjoy fruit i ask for my favorite fruit, an apple, and they all laugh raucously and say that i must be very hungry indeed to desire an entire apple rather than just a small chunk, and i go along with their joke and say that while my body may have shrank my stomach has not! and they all guffaw with delight until their faces turn red and see that my request is met and we all sit around a toadstool and share many apple slices together

over my time spent with the gnomes, my antics are still regarded with much delight. though i am past the age in which i am confused by their customs and norms, i occasionally pretend to be clueless about simple and easily understood things, such as shock at how toads are as tall as I am. they all continue to laugh at my feigned surprise, and sometimes join in, asking me if I need any help distinguishing what berries are for eating and which are for painting. i laugh, too. there is a sense of grace that comes with my shortcomings amongst the gnomes. they are entertained by my misunderstandings, yes, because life is to short to not be jolly.

i wake up one morning back at my original size. the small cavern in the roots of a tree that i lived in is destroyed in my sleep. my clothes, tailored from cut-up scraps of fabric, are shredded around me. i am a human again. i am horribly embarrassed.

the gnomes of the community gather around where i sit, all looking at me and exchanging glances with each other, none of them speaking the obvious. i can no longer stay here, now that i am not their size. but i was part of their community. i became one of them, indistinguishable from these people only from my past. how am i supposed to return to the world of the humans now? there is no life left for me there. that is not a life where i may fish for minnows in a babbling brook and feast off a bounty of raspberries. i am distraught. i cry.

my community comforts me. friends, all minuscule to me now, pat me wherever they can reach, nimbly dodging the tears that fall from my face. one of them offers me water. they don't have any containers that are big enough for me, they apologize, so just this acorn cap filled with morning dew will have to suffice.

i take the acorn cap and look at it in my hands. it is so small now. with a sniff, i put it atop my head.

the gnome chuckles. then laughs. then bends at the waist, bellowing with laughter, supporting himself on my knee. then i am laughing too, face red, tears still falling, and my community of gnomes laughs with me as well, so loud that a flock of birds takes off in the distance, and i am still laughing even as i stand to my feet and lumber away, back to where i once came.

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kummatty
His love for Gaza shone through in his photographs, seen in his steadfast portrayals of joy and beauty. Whimsical compositions by the sea depict young boys jumping and playing. In a series of works focused on his grandmother, a survivor of the 1948 Nakba who was displaced from her native village of Isdud, Arandas portrays her as a symbol of strength and perseverance in Gaza, zooming in on her weathered hands harvesting olives against deep fertile earth. Traces of personal and cultural histories can be seen in the crisp light of ripe olives and the details of intricate embroidery adorning her hanging dress.
“Where can I begin talking about Gaza and Palestine, and how can I begin when I know that I am the living dead? Everyone who writes about Palestine has prepared himself to be among the dead, but despite our prior knowledge of our fate when we write and write about this land, we do not stop or for a moment hesitate to inhale her love,” he reflected.
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