Out here bein cute

They/he do not tag as monster girl please!

reblogging this again because im getting transphobic asks since i labeled this as a monster boyfriend outfit i just wanna say,

lol die mad about it

And might i say a very dashing monster boyfriend!

created from a single soul.

MLM

mage loving mage

Wlw

Witch loving witch

solidarity

Russian girl doing a traditional Cossack sword dance 

She was studying the blade while you were doing whatever the fuck you were doing

Warrior Woman

Me bustin open the Church doors during service and running towards the Baptism pool:

This is the funniest fucking tag on this post

Storm.

Prepping for an upcoming con, and it’s been a while since I’ve done some X-Men.

This Pride don’t forget your brothers and sisters fighting for their rights all over the world. 

The Beautiful Crow (Part 1) by Olafool art

Art by Meybis Ruiz Cruz

The Himba (singular: OmuHimba, plural: OvaHimba) are indigenous peoples with an estimated population of about 50,000 people living in northern Namibia, in the Kunene Region (formerly Kaokoland) and on the other side of the Kunene River in Angola. The OvaHimba are a semi-nomadic, pastoralist people, culturally distinguishable from the Herero people in northern Namibia and southern Angola, and speak OtjiHimba, a variety of Herero, which belongs to the Bantu family within Niger–Congo. The OvaHimba are considered the last (semi-) nomadic people of Namibia.

The Himba often cover themselves with otjize paste, a cosmetic mixture of butterfat and ochre pigment, to cleanse the skin over long periods due to water scarcity and protect themselves from the extremely hot and dry climate of the Kaokoland as well as against mosquito insect bites. The cosmetic mixture, often perfumed with the aromatic resin of the omuzumba shrub, gives their skin and hair plaits a distinctive orange or red-tinge characteristic, as well as texture and style. Otjize is considered foremost a highly desirable aesthetic beauty cosmetic, symbolizing earth’s rich red color and blood the essence of life, and is consistent with the OvaHimba ideal of beauty. The OvaHimba are also accustomed to use wood ash for hair cleansing due to water scarcity.

Hairstyle and jewelry play a significant role among the OvaHimba, it indicates age and social status within their community. An infant or child will generally have his head kept shaven of hair or a small crop of hair on his head crown. This soon is sculptured to one braided hair plait extended to the rear of the head for young boys and young girls have two braided hair plaits extended forward towards the face often parallel to their eyes. This style is called ozondato, the form of wear being determined by the oruzo membership (patrilineal descent group). The style remains during preadolescence until reaching puberty. Some young girls, with exception, may also have one braided hair plait extended forwards, which means they are one of a pair of twins.

OvaHimba girl

OvaHimba girl dancing

OvaHimba boy

OvaHimba girl, one of a set of twins!

OvaHimba children, both boys and girls, removing ticks from goats.

From pubescence, boys continue to have one braided hair plait.

A young man wearing a braid known as ondatu. Namibia. Photo by Nigel Pavitt

Once they reach puberty, OvaHimba girls will have many otjize textured hair plaits, some arranged to veil the girl’s face. 

This girl is going through puberty, a fact made plain by her hairstyle, which has been designed to cover her face and help her avoid male attention. The puffs at the bottom are either goat hair or synthetic.

(In daily practice, the hair plaits are often tied together and held parted back from the face.) 

This girl’s braids are arranged to reveal her face, indicating that she’s ready to be married.

Women who have been married for about a year, or have had a child, wear an ornate headpiece called the Erembe, sculptured from sheepskin, with many streams of braided hair, coloured and put in shape with otjize paste. 

Married women wearing erembe

Unmarried young men continue to wear one braided hair plait extended to the rear of the head. When Himba men marry, they start wearing turbans, which they never take off unless someone in the village dies. After a death, their heads are shaved.  Because the turbans are never removed, things can get a little itchy underneath, so men carry pointed arrow-like instruments to scratch it with.

Married OvaHimba men. #s 1 and 3 wear a scratching implement in their turbans.

Widowed men will remove their cap or head-wrap and expose un-braided hair. 

Himba widower. The habit of using a head-scratching implement is hard to break.

[Source]

Wow this is the first time I’ve seen a culture where men are required to wear a headdress after marriage.

every single person in this post is absolutely stunning

Nnedi Okorafor’s novella trilogy Binti has a Himba main character. Otijze is even a plot point.

exploring some stuff this inktober for a potential comic

Sitka artist designs slinky dress from 20,000 salmon bones

The idea for a glam salmon-bone dress swam around in Cynthia Gibson’s head for a while before she got cracking on her vision.

A dress draped with 20,000 salmon bones by Sitka artist Cynthia Gibson. (Stephanie Lambdin Productions)

(dumps more Friends at the  Table fan art here)