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I always wondered about this room. Where is it?

Whenever you notice something like that, a wizard did it.

behind the garage

And that’s the end of that mystery

why the simpsons got a bigger house than my parents

Homer is a nuclear engineer

This post made me realize that Homer is in fact a Nuclear engineer…

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“The Most Popular Girls in School” is BACK and it’s STILL FUCKING GREAT.

Warning: This video contains probably every swear word in the English Language.

“…OK well, good luck.”

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pottlock

I haven't watched MPGIS in YEARS and their stop-motion has gotten so good!!

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I̖ ̸̳ͬh̼̦̐aͬ̋́͝v̴̨͖̮ḙ̶͠ ̭̈n̩o͉̘ͫ̍ ̴̩͔̘̟͌̒̆̆ẅ̩̚͟ȉ̢ͪl̀l ̸̢̣ͭ̈́t̴͚͘o͘͡ ͇͝l̺i̶͎͓v̬͟e͓͕ͯ̏ ͕ͥ

‘I will have to live on - Anagram robot 0.6. I find anagrams for stuff. I know I don’t always make sense, but I’m getting better!

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kiwi
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Jay Pharaoh’s John Mulaney impression

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butchmachine

Holy shit

That wasn’t an impression John Mulaney possessed him

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reblogged

Most shows I’ve seen that mention fan fiction readers/writers portray them as kinda oddball super-geeks with no lives or social skills.

So I wanna take a moment to appreciate the fact that in Parks & Recreation, the character who writes fan fiction is the intelligent, successful, and good-looking primary love interest of the main character.

Also I want to read the full fic he wrote.

It’s only unrealistic because he said he finished it.

He’s obviously lying, so it’s very realistic.

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houseofglass

Here we have Terry from Brooklyn Nine Nine. He’s an Absolute Unit, father, police officer, black, intelligent, kind, a main character……and writes fanfiction from The Good Wife.

B99 - breaking stereotypes all over the place.

ETA: gifset not mine, I think it’s from @msjessicaday

Note that both shows are from the same creator. Who also writes Kant fanfiction and calls it “The Good Place.”

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botherfigure

my favorite thing about this is that john mulaney wasn’t there that night so he emailed them the changes and apparently they didn’t tell bill at all

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actually when I was in 8th grade and obsessed with twilight my master plan as a twilight vampire was to sit around in famous shipwrecks like the super deep ones where they can only send robots with cameras from their submarines and when they sent one down i’d be sitting there, pretending to drink out of an old tea cup you know for the drama of it all and the guys in the submarine would know what they saw and that it was real footage but who else would believe them? no one important.

but it didn’t stop there. at the next party they threw to celebrate one of their latest finds, some museum-y banquet idk I was 13, I was going to show up. I was going to show up and make eye contact with them one at a time from across the room and they were going to lose their goddamn minds and then before the volturi could catch wind i was gonna be back in the ocean. how could they find me?

the drama. the theatrics. i can’t believe i didn’t realize i was gay right then but that’s another story, also involving vampires,

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wuackamole

hate to burst your fantasy, but

1) vampires don’t show up in film

2) vampires can’t cross moving water much less sit at the bottom of the ocean

you’ve got me a in a difficult position here because on the one hand, this post is specifically about vampire lore in Twilight, so you’re wrong, but on the other hand, saying “you clearly didn’t read twilight” doesn’t exactly make you look like the bad guy here

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oh my god two words in that just UNIVERSAL LANGUAGE

All hope is lost so quickly I can’t stop laughing.

danish tv is the best thing ever

“Okay :(”

He went straight to Acceptance. He didn’t even go through the five stages of grief. He just started at Acceptance.

I can translate for anyone wondering what he’s saying. The dialogue roughly goes something like

“Hopefully the owner of the car behind me will next time consider if-oh shit. Okay.”

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titenoute

thanks for the context omg

Source: youtube.com
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wrex-writes

Freewriting

You’ve probably heard of “freewriting." Here’s what you do:

You sit down, you get comfortable, and you start writing. Some people set a timer for 10, 15 or 20 minutes before they start. Because the game is, you don’t stop writing during those 10, 15, 20 minutes, even if—especially if—you don’t know what to write. If that happens, you write, "I can’t think of something to write,” or whatever. You also don’t go back to correct anything, even typos. In freewriting, there is no concept of a “mistake,” because once you’re done, you just throw it away. You don’t even read it yourself, unless you feel like it.

The point of the exercise is to expend no effort except for the physical effort of writing or typing. Your goal is not to choose words so much as spew words out. Think of it as the writing equivalent of finger-painting. It’s an exercise in not giving a shit.

This is the best way I know for reducing anxiety around writing. Peter Elbow suggests scheduling it at least three times a week. Personally, I don’t schedule it; I do it at random moments during the day when it occurs to me. This addresses my sense that writing is very difficult to start. If you get into the habit of just dropping what you’re doing and spontaneously writing something, writing starts to seem like less of a big deal. 

If you want, you can relax the rule about not stopping. I found that if I told myself “I can’t stop!” I made myself anxious—“oh my god, I’ll be trapped doing this thing for ten minutes!”—which impeded my willingness to do it at all. So allow yourself to stop if you need to—but just to rest, not to think.

Freewriting can be practiced for as short a time as you have—five minutes, thirty seconds, however long you can tolerate it or spare. You can do it while you’re on hold or waiting for a file to download. Or you can put a reminder on your phone. Every day, every other day, every other other day, whatever. If you ultimately want to “make writing a habit,” you could pick a time slot and just fill that slot with freewriting for now. That will certainly build a habit, and it asks almost nothing of you except to sit in a chair and move your fingers until your timer goes off.

Well, okay: it asks slightly more of you than that. Freewriting is similar to meditation or mindfulness practice: you do have to focus, and mainly you focus on what’s in your head. For some folks, that can be uncomfortable. If it is, try to focus on the words and not on you. If you can’t stand your own thoughts, describe what you see around you instead. Or think of the words as grit that has collected inside you that you’re flushing out—like turning on a faucet to clear rust out of the pipes. The words are already there, so when you freewrite, you’re just discharging them. Those words aren’t you, they’re just words.

I offer you this rusty pipe metaphor because it has helped me a lot. Writing, for me, has always meant feeling my lack of worth in its fullest intensity—as if every word I write were declaring my mediocrity. So of course I avoided it. But if I think of the words as grit in a pipe, my self—my own abilities and my own psyche—are not at issue. Just caked, rotten, crusty words that need to be dissolved, loosened and washed out.

Freewriting has a few purposes, according to Elbow. As I said, it trains you to decouple your words from you, to write with less fear that what you write reflects on you. It accustoms you to producing “bad” writing and seeing that the world doesn’t end. It teaches you to make mistakes without fear—or rather, to write without “mistake” vs. “correct” even entering the picture. 

The real point of freewriting is just to practice spontaneously generating words. Merely generating words, it turns out, is difficult and demanding before you even ask whether they’re the right words. Many of us (though not all) can generate words with relative ease when we talk. But for reasons that are mysterious to me, writing doesn’t work like speaking. Maybe it’s because you have more time to choose your words when you’re writing—and there’s nobody sitting there, responding to what you say. The point is, the channel between your brain and your typing/writing hands can get stiff and clogged. So the first step toward writing without pain and anxiety is simply to loosen and unclog that channel. You’re not even building a skill, you’re just stretching a muscle.

I find when I freewrite that after a few minutes, my mental state shifts. I go into a sort of trance in which things are happening in my mind and I’m observing them but I don’t feel like I’m controlling them. Which, for someone who lives her life with an iron grip on her every thought and deed, is an enormous relief. Once I stop freewriting and start writing normally, some of that lightness lingers. My mind and body remember the sensation and can return to it even when I write more slowly and deliberately.

If writing is extremely difficult for you, you might need to do nothing but freewrite for a while. You might need the sustained experience of producing words that won’t be evaluated, that can’t be evaluated. Even once you start writing normally again, you could still spend the first few minutes of your writing time freewriting, just to clear the pipes.

Try it. Try freewriting for thirty seconds. Right now. Just open up a new document or grab an empty junk mail envelope and see what it’s like.

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heywriters
Anonymous asked:

What's a good way of coming up with side plots?

Oh, I know I've reblogged several posts this month on sideplots. Maybe they're still in my queue, but do look out for them.

My tips for sideplots,

  • side characters have lives too, and they can affect the main plot
  • big problems make plot, but a dozen little problems are just life
  • most people have multiple life goals and one big one, so should your characters
  • what may start out as a world-building sideplot ("disease breaks out in China") may overwhelm the main plot ("global pandemic disrupts daily life")
  • sometimes characters are dumb and ignore important details ("honey, the car's making an odd sound. I'm taking it to a mechanic") and get hit with sideplot later at a crucial moment ("i told you twice that the mechanic is still waiting for the part to come in, and also he's a better listener than you so goodbye!")
  • if the protagonist has a job, goes to school, or is even moderately involved in some social or community event/program, this is a good source of sideplot if it is not part of the main plot

Truly most aspects of storytelling can branch off into sideplots. You've just got to keep an eye out for any scenarios that might develop in your fictional world. They're always there, and as fans we usually call them "headcanons." So just think "what if?" with whatever's going on in your story, and sideplots may gradually take shape.

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inky-duchess
Fantasy Wardrobe: Popular Men's Fashion of History

Fashion is one of my favourite worldbuilding components and choosing which way I want characters to look, is one part of research that is more fun than work. The use of different styles give each culture a defined feel and could act as a symbol of all kinds of lands in your WIP. Since it is your WIP, you can play with different elements of the garments and pay fast and loose with the styles.

Shirt

The shirt is the key to every other item of clothing on this list. The shirt was always worn under everything. It was often made of linen and worn by all classes. The shirt was often embroidered with blackwork and was sometimes even able to peak out from slashings in the garment over it. Shirts were seen as an intimate item of clothing. You should hear about the chaos that occurred when Anne Boleyn found out that Katherine of Aragon was still sewing Henry VIII's shirts.

Tunic

The tunic was worn by all classes. The tunic could be sleeveless or with sleeves. Tunics usually reached the knee or mid thigh and were belted at the waist.

Doublet

The doublet was a jacket worn over a man's undershirt. The doublet was usually laced or buttoned up at the front, reaching from the neck of the wearer to the hip of the waist. The doublet was often padded in order to keep the wearer warm.

Jerkin

The jerkin is a tight fitted jacket worn again over the shirt that is buttoned or laced at the front. The jerkin could be worn with or without sleeves. Leather was a popular material for these to be made and was worn by both classes.

Breeches

Are pants. Most breeches stopped at the knee though some reached the ankle, similar to today's trousers. Breeches could be in laced at the front and were worn by every class of men.

Hose

These were a style of pants that usually ended above the knee. Hose were often worn with a codpiece, a rather bold fashion statement for men. Hose would have also been worn with stockings held up by garters. Hose might be padded at the things to add some flare to the look.

Overgown

The overgown is rather like a great loose jacket worn over the doublet or jerkin. It was usually sewn with fur for warmth and made of contrasting fabric than what lay underneath.

Justacorps

This is the classic knee-length coat worn by men 18th century. Men would wear this over a waistcoat and shirt. This was a popular fashion for highborn men. It does still look fine.

Kaftan/ Caftan/Boubou

This is a large robe that is pulled on over the head with long sleeves. It can have a v-neck or round neck. They are usually heavily embroidered.

Achkan/Sherwani

This is the long coat worn by Indian men. It is usually buttoned up at the front, reaches just below the knees and is long sleeved.

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