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i love morning time on tumblr its like we are the only ppl awake in a big house downstairs in the kitchen

(through gritted teeth) there's so much to learn (through sobs) there's so much to learn (through maniacal laughter) there's so much to learn (through sleepy eyes) there's so much to learn (through a tired smile) there's so much to learn

photo opp ✨

— Stig Dagerman, from “In Grandmother’s House”, Sleet: Selected Stories (trans. Michael Hartman)

people vaguely saying 'the horrors' as shorthand for 'life problems, don't worry about it' in conversations where the problems are not going to be delved into has got to be one of my favorite new Ways Of Speaking that has emerged. like it's polite and vague and succinct enough for impersonal conversation but also extremely honest. it's very funny. The Horrors. we all know of them.

I am a mosaic of everyone I have ever known and loved and touched and I find fragments of them in my playlists and how I make my tea. we may not know each other any more but we will stay connected like this. I hope a fragment of me is with you too.

dropping everything and moving to the countryside

a genre;

FOOD IN KOREAN DRAMAS AND FILMS: LITTLE WOMEN (2022) / LITTLE FOREST (2018) / DESTINED WITH YOU (2023) / EXTRAORDINARY ATTORNEY WOO (2022) / VINCENZO (2021) / PARASITE (2019)

— ✧:･ﾟHAPPIEST OF BIRTHDAYS TO SARA (@sjoongki​​):･ﾟ✧ —

cozy together

風の谷のナウシカ (Nausicaä of the Valley of the Wind), 1984

天空の城ラピュタ (Castle in the Sky), 1986

となりのトトロ (My Neighbor Totoro), 1988

千と千尋の神隠し (Spirited Away), 2001

ハウルの動く城 (Howl's Moving Castle), 2004

崖の上のポニョ (Ponyo), 2008

風立ちぬ (The Wind Rises), 2013

君たちはどう生きるか (The Boy and the Heron), 2023

I truly feel like The Boy and The Heron is Miyazaki’s apology letter to his son Goro.

Not in a “your my precious son and I love you so much, here a movie to make you for my failures” kind of way

but in a “I’ve built this incredible empire and legacy that’s given magic to millions of people, and in that time you’ve lived in that same world, and so naturally it’s expected that you’d take it over in my place, but I know that you’ll never succeed me or that you’ll be able to recreate the magic. This magical world will die with me, this company will die with me, and that’s okay. You don’t have to be me.”

sir that’s my emotional support cool Ghibli lesbian

losing my mind at this exchange between Kenshi Yonezu and Masaki Suda on working with Hayao Miyazaki in The Boy and the Heron, both of them were in shambles (this part, the whole conversation)

We need to give Ridoc his flowers. He's been carrying the comedy department on his back since the first book-

it just keeps getting funnier how tairn keeps reaching record-breaking levels of single dad energy

i'm barely on chapter 20 but his life up to this point has pretty much consisted of: