"Capitalism breeds innovation" girl there are only five websites left and they all look the same
I will be 70 years old and I still will never have gotten over the time the Mythbusters used a rocket powered steel wall to - and I use this word as literally as possible - vaporize an entire car into red mist
If you haven’t seen this episode of Mythbusters I feel so bad for you because “What car?” remains to this day as a defining moment of my adolescence and my entire life
That was a near-religious experience
I made a gif of it for those of you who cant watch the video in your country. Or if you know you just want to stare at it mesmerized like me
Oh wow they sure did vaporise that car into red mist
1994-1996 Ford Aspire
(formerly)
I’m partial to the “Can a Snowplow Split a Car in Two” one. The answer was “No”, so they naturally ramped it up. Which led to this
A rocket powered, sharpened steel wedge slicing a car (with its engine!) in two, right down the middle
@identifying-cars-in-posts what’s this one?
1988-1989 Honda Civic
(formerly)
wow…just like looneyed toons…
tradgedy enjoyers when you look into the eyes of your worst enemy and can only see yourself
self recognition through alarming pieces of media
"In Pieces but Still Holding It Together." By Bouke de Vries (2020).
The eternal question - is it worse to read the words of someone who hates a character you love but is accurate/respectful in their points/portrayal, or someone who loves them more than you do but strips them of all nuance and greyness to legit "they did nothing wrong" when they did SO MUCH WRONG?
These tags slowly escalate in their support of unnamed atrocities
Oh I can name the atrocities if you want
Oh. I forgot the url AGAIN. I'm so sorry.
the hunger games films tore out the books teeth. like it does the series such a disservice when it stands for nothing, says nothing, passes no judgement.. katniss speaks so plainly in the books about what she thinks of the capital. of what they do to her and her family and the districts. of the different worlds she witnesses as she’s straddled between 12 and the capital.. she calls it barbaric. she calls it disgusting and wrong and horrifying, over and over, and the films were like how do we market this teen romance.
like these…… are unmarketable to a production company. as they should be
☆ 「 petits coquillages 」
pirating movies by seeing them in tumblr gifs and basing my own story around them
that's how medieval peasants were supposed to use the stained glass windows to teach themselves bible stories when church was exclusively in latin
Blorbaux from my tapestries
I think the most fun part of monsters inc is boo calling sulley “kitty” and mike wazowski by full government name
quitting my job so I can focus more on lying on the floor in a dark room listening to music
thepastatable__
Shakespeare: I will create two teenage characters who are explicitly proto-postmodern examinations of the nature of character and fate within fictional narrative. I am their creator and - like their parents within the narrative - I exercise complete control over their fates, no matter how much they struggle against it. They are born like Athena from my mind and doomed to die by my pen, by my complicity in the narrative negligence of them, by my own actions and wishes-
Actor: cool, what's their names?
Shakespeare, father of twins named Judith and Hamnet: uhh…. Juliet and Hamlet.
❝Marco kisses her as though they are the only two people in the world. The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains. Every eye in the ballroom turns in their direction. And then he releases her and walks away.❞
the night circus, erin morgenstern
One scene in the film sees Emma suffer a sudden nosebleed in an emotional moment, and Taylor-Joy somehow managed to start bleeding from her nostril right on cue.
The original plan had been to cut the scene and add the fake blood under Taylor-Joy’s nose, but as she told The Guardian there was no intervention necessary.
“I didn’t know I had that talent until that scene,” said Taylor-Joy. “As soon as my nose started bleeding, [director] Autumn de Wilde and Johnny [Flynn, who played Mr Knightley] both got as excited as me. The crew were going, ‘Cut, cut!’ because they were concerned about me but us three were like: ‘What are you talking about? Keep rolling! This is unbelievable! We have to capture it on film.’”