Vievee Francis
from Margaret Atwood, Cat's Eye
the wound is the place where the light enters you
youve died a thousand times before who caaares just climb out of this grave again & again &agaian & agaian & again & again & aga
YOUR FATHER / MY FATHER by Mal Fawzy
my daily habit of continuing on
[Steinbeck] makes the point that, after Adam and Eve, everyone is the son or daughter of some human parent. From the standpoint of family romance, the dilemma faced by our first parents is profoundly unique. Yet everyone who has been a human child has felt, Steinbeck argues, a common terror: “The greatest terror a child can have is that he is not loved, and rejection is the hell he fears. I think everyone in the world to a large or small extent has felt rejection. And with “rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guilt—and there is the story of mankind.” In this model of human development the key figure is not a parent or a child but a sibling, or the idea of one. The threat to the self is having to share love, and the root of all evil, if there is one, is the impulse that leads a parent to say, as Cyrus Trask does to Adam, “I love you better.”
The Bible can be read as a book about the mystery of favorite children. It has only one set of first parents but many Cains and Abels. Ishmael and Isaac, Esau and Jacob, the elder son and the Prodigal Son, Satan and Christ—in each of these twosomes one is somehow lucky, or better, or preferred. But competition for love is finally not the issue here. Each story turns upon the arbitrariness and unpredictability of the parental response.
David Wyatt, Introduction to East of Eden
I’m often watching movies in order to see dead people. I want to see them again, I want to hear them. And so cinema is in a way a kind of shrouded post-death machine, you know. In a way cinema is a cemetery.
David Cronenberg (via The Film Stage)
Denise Levertov, from Candles in Babylon: Poems; “A Child,” published c. 1982
Franny Choi, Waste
kate bush ran up that hill so florence could ran fast for your father ran fast for your mother
sumita chakraborty, from arrow
A love spell, from a Pseudo-Aristotelean treatise (Dhakhira Iskander IO, BL Islamic 673)
hey (with the intention of draining you)
Sometimes you have to hold a person, though they'll mistake embrace for strangulation.
- Max Gladstone, This is How You Lose the Time War.