Scraps & Pieces

@chintzmann / chintzmann.tumblr.com

Illustrations, sketchbook pages & studies. You can find my portfolio here: Charlotte Hintzmann Illustration.
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Plants I encountered on the Kungsleden, part 2. I was getting in more difficult terrain identifying the different species with these pages, though still managable. There are some formidable tools for that online! Mainly https://identify.plantnet.org/, but I also stumbled across this really lovely blog: https://www.wunderbares-lappland.de/pflanzendesnordens/ Done based on reference photos from the hike and other references found online. Ordered roughly by when we encountered the plants and the terrain they grow in.

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whaledocboi

ai generated images make me increasingly sad and tired the more i see them in more and more casual contexts. i dont know how to explain, but it just fills the world with a bunch of nothing. no matter how visually stunning the pictures might be, there's nothing behind it for me. no dedication, no emotions, no feelings, no hard work or creativity, nothing i can truly think about, admire or enjoy. i dont think thats how art is supposed to be

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chintzmann

I would like to extend that to design as well. I feel the same. Deleted all my art from Deviantart today, no need to contribute to that particular ai swamp any longer.

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evelmiina
Anonymous asked:

Just so you know, tumblr is currently using art for AI training and the only way to stop them is to go into your settings and turn it off 'third party sharing' manually (on each of your blogs)

Hey thank you for messaging me. I noticed this yesterday and opted out. I am very skeptical it will have much practical effect, but it is better to opt out in any case and spread the word. I had a few thoughts, this button thing has been a move by some other sites as well. Deviantart did it but from the look of it definitely just seemed like PR move to protect the company (DA is now pretty much haven of gAI spam and they have their own model as well). The button option conveniently washes their hands from any data misuse, as in 'hey if your data was used in training we don't know how that happened, because you opted out so not our fault'. But it's what we have so definitely opt out.

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azimuthalis

Good news, fellow artists! Nightshade has finally been released by the UChicago team! If you aren't aware of what Nightshade is, it's a tool that helps poison AI datasets so that the model "sees" something different from what an image actually depicts. It's the same team that released Glaze, which helps protect art against style mimicry (aka those finetuned models that try to rip off a specific artist). As they show in their paper, even a hundred poisoned concepts make a huge difference.

(Reminder that glazing your art is more important than nighshading it, as they mention in their tweets above, so when you're uploading your art, try to glaze it at the very least.)

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sfaira

Everyone reblog! Spread the word so more and more artists learn that in addition to Glaze that coats art against ai scraping mimicry there's also an offensive tool now, able to skew and poison data pools.

Now poisoning will need many artists to nightshade their art and it's most important to get this ou to those the most at risk of being scraped. Reblog!

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Happy New Year everybody! I had actually intended my first post in 2024 to be the last part of my Kungsleden watercolours. And then I had a look at my latest posts and felt that, really, cramming more landscapes in was a bit repetitive. So, how about plants from the Kungsleden instead? Mind you, these were done at home, based on reference photos (by me and some more sourced from the internet). They are ordered roughly by when we encountered them and the terrain they grow in.

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Winter in Northern Germany :) I noticed on my last train ride that you can't easily find this sort of wintery landscape on Google, where everything is cheesy thick blankets of snow on pine trees, terribly oversatured colours and a general overdose of kitsch. So, here goes far skies, colourful greys and a feeling of melacnholic wistfulness.

Oh, and if I might recommend a good wintery soundtrack to that: Zorya by Czech artist Tomáš Dvořák, alias Floex https://open.spotify.com/intl-de/album/6Ed3AofNpF8OXD5BtgPUeR

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AI Regulation now!

Guys, AI is all over the place. Artists in Europe and the USA are rallying against it and in case you find, that some regulation really is in order, I would hereby very much like to advertise the European initative EGAIR (European Guild for Artifical Intelligence Regulation) to you: https://www.egair.eu/ They have written a proper manifesto, detailing at length why we are in dire need of AI regulation, if this is going to be an essential part of media creation and consumption in the future. The initiative has a big and growing list of established organisations backing them, like the European Illustrators' Forum, Initiative Urheberrecht, Illustratoren Organsiation, Association of Illustrators, Concept Art Association – to name but a few. If you are of the same opinion and would like to support the cause, you can sign the manifesto here: https://www.change.org/p/sign-the-manifesto-protect-our-art-and-data-from-ai-companies?recruiter=218156216&recruited_by_id=40bdf6b0-a32b-11e4-a6ff-e7e0ae340e15&utm_source=share_petition&utm_medium=copylink&utm_campaign=petition_dashboard

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One holiday, several impressions. Feels a bit unbalanced to counter the airy watercolours with the much heavier digital night paintings here, but seperating them for reasons of style just didn't feel right. From top to bottom: 1) Agropoli harbour in the wee hours of the morning

2) Agropoli harbour at night

3) View from our balcony, right down the street

4) Agropoli harbour at dusk

5) waiting for our flight in Naples. They are not all anatomically on point but I like the linework in most of them :).

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Holiday paintings from the Kungsleden, part 3:

  1. Abisko National Park offers splendid views of the surrounding hills. This painting was slightly cheated since I didn't get to paint it in situ, but instead had to paint it on the train with the help of a photo reference. I feel like it looks a little less spontaneous due to that, but there was no helping it since I really wanted that memory on paper.
  2. This bright blue lake surprised us so much after coming up the mountain at the end of Kårsavagge. Add that reddish rock and the brilliantly white patches of snow and I already had my work cut out for me as an artist.
  3. Evening light on our train ride down south. The compositon is – admittedly – crap. A really wide format would have been much more suited than DIN A6, here. But I like the colours.
  4. Singi, view towards Kebnekaise. I loved how the clouds kept catching on that one single mountain that looked like a giant cruiser.
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More Kungsleden watercolours! 1) View from the highest point of the Kungsleden: The Tjätkja pass. Seeing the expanse of this landscape, the beautiful colours, all those textures and its remoteness was very moving and it feels so special to me that I got the opportunity to paint and thus spend a little longer in this place, feasting my eyes and filling my heart. 2) Saying Goodbye to the trail by having lunch in the harbour with perfect views of Njulla. 3) Murky afternoon at Alesjaure. We walked a bit further past the hiking cabins and found a good spot for wild camping halfway down the lake. Alesjaure greeted us in the wildest shade of turquoise next morning. 4) Lunch break up at Tarfala, looking at one of the glaciers. I cooled down so much from sitting still and painting, that it took me 1,5 h walking downhill again, before my fingers weren't numb anymore. You can find Kungsleden part 1 here: https://chintzmann.tumblr.com/post/725753382562840576/i-spent-my-holidays-hiking-the-kungsleden-in

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