Getting those characters developed
It’s no secret that characters are the backbone of every story. You can have a killer plot, a setting like no other, and a plot twist to end all plot twists but if your characters fall flat so does everything else.
So how exactly do we make characters who seem to jump off the page? How do people create characters that come alive in our heads so vividly you miiiight consider you accidentally did a hallucinogenic drug?
If you ever find out let me know but I’ve got a few (100% not professional certified) tips!
1. They have to have a purpose.
What are they doing in your story? If you removed them how different would the story be? Would you have to shift around maybe one conversation or would the entire plot be disrupted?
If it’s the first, you either need to consider cutting your character or rearranging your plot so they could not be replaced by a potted plant and leave the story exactly as it is.
If it’s the second then you’re probably good to go, let’s move on to the next bit!
2. Do we really care about them?
They don’t have to be likable. They just have to be the kind of character a reader can get invested in. Now, this is not to say your horribly twisted villain should be portrayed as a cool dude (but it also isn’t to say that a villain can’t be the main character or potentially have a redemption arc).
So what does it take to create a character that readers can get invested in?
They have to be relatable. Now, we can’t all be the half-divine, genius, globe-trotting, kind of batty academic or the sixteen-year-old inexplicably chosen to lead a nationwide uprising or whoever you’re writing but they have to have something we, normal, complex, and diverse readers can relate to.
So make them self conscious, make them sympathetic, make them good at something and bad at something else. Give them someone they would die for, give them a story we’ve heard before but will never get tired of hearing, give them disadvantages, give them heartache, give them those random, desperate acts of bravery, give them chances, let them fail, make them real.
We read, in part, to see ourselves as the heroes. It’s that wonderful, indulgent part of reading. We can’t always lead armies or summon demons in real life but we can in books. That is, we can, if we have characters we can understand and relate to.
It’s a common problem. A character goes through a life-altering experience, their family dies, they discover a terrible secret or a hidden power, they rise to a position of power, etc etc etc. Aaaand when the dust settles and the smoke clears are they changed? Have their experiences and situation forced them to grow? Are they better? Are they worse? Do they even know who they are anymore?
No, they’re exactly the same.
Not only is this unrealistic, it’s boring, it’s one-note. Everything in our lives shapes us so the idea that some massive change or experience wouldn’t change us? It’s ridiculous.
Take some time to really think about what your character goes through. Consider how this could affect anyone, then, consider your character’s personality and background and ask yourself how it will affect them. Plan and write accordingly.
We get it, he’s a lone wolf. He has no friends, his family is either dead, abusive, or distant. He never lets anyone in, he’s mysterious, probably has a drug problem but in a “hot way”, he wears a beanie. Friends? His only friend is the cold hard fist of Real Life punching him in the face daily.
Relationships tie back to getting readers to really care about people. It can be romantic, sexual, platonic, familial, but characters need relationships. Granted, they may start out a story without very many or, with negative relationships, but leaving room in their stories for the creation of relationships is a really powerful tool.
Having characters who care about other people is one of the best ways to draw readers into their stories. The dynamics between your cast of characters and make or break not just the story itself, but your character’s arcs. Ask yourself how your character’s relationships can/will/should affect the story. Will the tide of the battle turn in their favor? Or will your MC give up everything to save a loved one? Will your character take a turn down a dark path? Or will their best friend pull them back to the right side of things?
Vivid is pretty broad and that’s purposeful. This section is about making them vivid in as many ways as possible.
Visually: describe them clearly, don’t beat around the bush (this is about skin color. If your character is black say they’re black, don’t call them espresso or cocoa). How can their appearance relate to who they are? What does how they present themselves say about them?
Personality: give them quirks, give them a distinct voice, give them inside jokes, and hobbies, and beliefs, and all the things real people have.
Don’t be afraid to use real life as a reference.
Voice: one of the hardest parts of character development is giving your characters unique voices. Consider their backgrounds, cultural, economic, time period. Think about who they grew up with or spend a lot of time around? Do your best friend characters have some phrases they borrow from each other? Do your sibling characters both mispronounce a word the same way? Make sure you consider their beliefs and personalities here. If something sounds out of character trust your gut, maybe that character shouldn’t be the one to say it.
6. Write them. Revise them. Repeat.
I think this one speaks for itself.
This is by no means an exhaustive list but it’s definitely a start so hopefully it will put you on the path of creating complex and original characters.
Get out there and write some killer stories with some killer characters, y’all. Happy writing :D