Disclaimer that by saying this I by no means mean to insult or exclude non-writers, but: Scum Villain really is a story for storytellers, huh
It's so incredibly meta - so much of it is about the way stories are told, the structures of plot and narrative logic, the way that plot drives character and character drives plot, examination of story devices that make sense in-world and how strange they look when divorced from narrative context, exploring the limits of the suspension of disbelief and the backlash when readers hit those limits and recoil, even without getting into the meditation on external pressures and the warping effect of deadlines and money on a storyteller's craft.
in scum villain the story tools (tropes, framing, character arcs, licensing) are the plot, and the plot is a tool in the story, and the author's problems are Airplane's problems and his problems are the author's problems and the main character is the reader and he brings the reader's eye into the story and his meta-knowledge becomes his greatest asset and also his greatest blindness, just the way that a self-aware reader can get more out of a story but can also by their very cynical meta-awareness block themselves from unabashed enjoyment of it
I think it's not a coincidence that so many people who have spent years writing get so hung up on this series.
It CANNOT be her first work. It can only be her first work published to this platform/under this pseudonym. I'm convinced of it.
I definitely think she was writing before, but I would not be surprised if SVSSS was her first actual finished work - it has this raw, kind of unfiltered energy to it that calms down progressively as she polishes her craft across writing MDZS and TGCF. Anyway, truly a galaxy brain author, and if she ever publishes that fourth book about grim reapers (or let’s be real, any book), I will leap on it like a ravenous beast