Fascinated and devastated by EPIC: The Musical flipping the moral script of Odysseus' arc, yet coming to the same conclusions.
There's Classic Odysseus, who accepts that his fate and the fate of his men are out of his control. Classic Odysseus, who knowingly sacrificed six men to Scylla and accepted the cost without second thought. Classic Odysseus, who mourns his men then blames them for their own deaths because of disobedience or cowardice or hunger, comparing them to the goats herded on Ithaca.
And there's EPIC Odysseus, who from the start chafes against the will of the gods in favor of his compassion. EPIC Odysseus, who does not accept that his fate and the fate of his men are out of his control and suffers because of it. EPIC Odysseus, who is clever as ever, yet reckless with his heart.
But they are not so different as that. Troy did make Odysseus kinder. Patroclus demonstrated to them all how compassion is more honorable than any act of glory when he lied and took up arms and fought without thought to his own prestige, but only so that the slaughter of his friends would end. Odysseus saw the horrors committed after Troy's walls fell. He--the liar, the schemer, the man of many turns--understood the dishonor more than anyone and refused to repeat it for the sake of others.
They both come to understand that the wicked, vicious, ruthless aspect of their nature is acceptable when used in defense of their own. They slaughter their enemies with honor, but they will slaughter their enemies. They draw the line in the sand. Every man will be given the chance to prove their honor--hospitality and strangers, it always returns to hospitality and strangers, Zeus is the god of both and demands their sanctity--and every man who crosses that line will prove himself an enemy. And enemies will be slaughtered and sacrificed like cattle.
Ruthlessness is mercy--mercy for Penelope and Telemachus and Laertes who have suffered by his absence, who survived twenty years unprotected and three years under siege only by Penelope's cleverness. Not even to mention Ithaca and its people left without a king. Who else could have saved them? With Laertes too old and Telemachus too young and Penelope confined to only her loom and her tongue as weapons.
Were they worth the deaths of 600 soldiers? 108 young men? 12 enslaved women?
Athena, and through her the epic itself, declares that they are worth the bloodshed, for they are on the right side of the line.
