“I call my works experiments because I don’t see them as conclusive or original. I am acutely aware that whatever I make is in constant dialogue with what has been made before, and see my practice as a continuation of variables that are in persistent rotation to produce unending results. I experiment so that I may allow myself the freedom to change my mind, to be pushed into new ways of thinking, making, and naming. I am interested in using the future as a site of experimentation, as well as a space to gain freedom and visibility around the conversations of race, gender, sexuality, and class. I see this making a kind of sympathetic magic. Not because it calls into being that which is rendered, but because it calls into question that which has already been, and dreams up that which could be.”