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jjonghugs

@moonchildupintheclouds

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SLBP Write-up Masterlist

Do you love Samurai Love Ballad Party but wish you could read more of the official content?

Did you miss a story event of your favourite character, or just want to reread their content without using your precious love passes so you can get their voice right for a fanfiction?

Well, do I have the masterlist for YOU!

Under the cut is a stupidly long post of about 2 years of my collecting story events, main stories and various special bits, all written up in Google Docs and now open to your wonderful eyeballs. Some notes are also there if you care, if not just click some links and enjoy, send this to someone who might find it useful and/or check out my fanfics (sparkletwink on AO3) if you want to support the ridiculous amount of effort I put into it. Thank you.

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kyloren
October arrived, spreading a damp chill over the grounds and into the castle. Madam Pomfrey, the nurse, was kept busy by a sudden spate of colds among the staff and students. Raindrops the size of bullets thundered on the castle windows for days on end; the lake rose, the flower beds turned into muddy streams, and Hagrid’s pumpkins swelled to the size of garden sheds.

HOGWARTS + autumn aesthetic 🥀🍂🍁

Autumn is my favourite season 😍

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“it’s just a parking lot”

exactly. there’s nothing there. not a statue. not a plaque. nothing.

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irishfino

[drives over hitler’s death site]

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nichtschwert

Bloody amazing.

And you know what’s right next to it?

That’s right, the Denkmal für die ermordeten Juden, which translates to the Memorial for the murdered jews.

So if you wanna go have a look at the monument commemorating the victims of Hitler’s regime, you can park your car right on the spot he died and walk there.

Makes ya think, doesn’t it?

Germany: *has a literal parking lot over Hitler’s death site and has the memorial for the murdered Jews right next to it*

America: *has statues and museums dedicated to people who believed slavery was so amazing and good they decided to make their own country and murder anyone who disagreed*

Women, the streets near the car park are named after:

Gertrud Kolmar - German Jewish poet murdered in Auschwitz

Hannah Arendt - famous German Jewish philosopher and author, her works on totalitarianism, authority and the nature of power, who fled Nazi Germany in 1933

Cora Berliner - German Jewish economist and social scientist murdered in Trostinets extermination camp

reblog this forever 

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garlic-slut

It’s funny too cause people argue that you “can’t erase history” and that’s true. You can, however; choose how you commemorate it.

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SLBP Fanfic Recommendations Masterpost/Masterlist 2.0

**CHANGE OF PLANS** This post is now a GoogleDoc because tumblr hates my links. This is the link:   https://docs.google.com/document/d/13BerMRu6YSRhxVhu_r2cAAbx_Ag6kVtVieImFIcXNvw/edit?usp=sharing I suspect that tumblr will destroy that too so I will reblog this post with the link. I’m very sorry for the inconvenience. If only I knew why it was happening… I’m firstly going to preface this long, long ass post with a couple of points: 1) None of the following works are mine. I have just read, loved and reblogged them and want to bring them to the attention of others in the SLBP fandom. Each fic belongs to the author. Please direct praise and adoration their way. You could make someone’s day just by saying you enjoyed their fic :) Voltage owns SLBP.

2) Most of these are NSFW fics. I have thirsted over them all. Most on more than one occasion. If that’s not your deal, cool. I have indicated the relevant NSFW fics.

3) This list will be sporadically updated with more recommendations as they inevitably come along.

4) Due to tumblr’s blatant garbageness, I have started linking directly to Ao3 where possible. Unfortunately, I have been unable to locate some people on the list on Ao3, so if you know someone tagged here that has an Ao3 (and vise versa!), please let me know! I would be very grateful :)

5) TUMBLR IS RUBBISH. It destroyed all my links and tags in the original fic rec list so I’ve had to create version 2.0. Please forgive me for the confusion/double tags and feel free to join me in cursing Tumblr.

This is going to be H U G E so I’ll put everything under the cut. **EDIT: I would be more than happy, and actively encourage, to be included in tag lists for any and all fics written by anyone in the fandom! Can’t ever have enough of the good stuff. Mad for it. ✌️✌️**

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Hilda by Duane Bryers

More Hilda!!

in this family we love and support Hilda.

Yes! Hilda!

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luidilovins

What i love about this artist’s depictions of women is even the sexualized ones the woman is always genuinely happy and enjoying herself. Frolicking or making funny faces, she’s living her life and looking sexy while doing it, not sitting in a sexual pose for the audience’s view.

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squish-this

I always forget about Hilda and am so pleased when she randomly shows up on my dash. Always makes my day

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snailfarts

I love Hilda so much and I want her to be happy

Go Hilda

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i’m starting to realize the “friendship where we bully each other” thing is a complicated subject for me, because as a survivor of bullying and my interests being mocked for basically my entire life, i don’t really find it funny or endearing when pals do it. i don’t mind gentle insults and inside jokes, but idk, there has to be a point where you go “maybe i shouldn’t cut on my friend’s new oc or special interest” and stop yourself. i think we should all try a little harder to know that boundary and not put our friends in those situations

My best friend and I used to greet each other with insults (“hey bitch!” “wassup slut?”) and generally poke fun at each other all the time. It’s how we showed affection, just constant little pokes and prods and minor nuisances. But I noticed that these exchanges were wearing her down through little behavioral ticks, like she’d go quiet or her laugh wasn’t as bubbly. So I changed how I show her affection and now scream “hi Dawn I love you :D” at the top of my lungs when I say hi. And I hear her stifle a giggle and she answers with either “love you too” or “hiiiii, love you!!!” depending on her mood at the time.

It’s fine to have a close friendship where you can pretend to be mean to each other and you both understand that none of that meanness is real. But the second it starts to feel real to either of you, that behavior should change.

This is important!

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Anonymous asked:

I’m desperate for more Mitsun after reading your fics. Any recommendations?

Oh boy, Nonny - you ready for a list? In actuality, there isn’t as much content for him as I wished there was, and I know I’m going to forget some of my faves, but here’s a list of some highlights you should probably hit

NSFW

The Art of War by @otohoe - I’m still screaming about this one, friends

Foot Massage by @frywen-babbles - That last line SO CUTE (Check out Frywen’s masterpost because she has other works for him too!)

Prompt One by @oh-my-otome - this was maybe the first Mitsunari fic I ever read and boy did it wreck me. I’m still chasing the bar Amalthea set here.

Untitled by @faeriesplaygames - I didn’t know this existed and now I do and everything is much much better.

Safe For Work but Not Your Heart

Prompt Two by @oh-my-otome - because she wasn’t finished breaking my heart with her first fic

Week Two - Monday and Kisses With Meaning - Chest by @jemchew - she will shatter you and then put you back together, lovingly, gilded like kintsugi. All the better for having been broken.

Mistakes by @sengokugenkigirl - she’s got your angst right here, but she fixes it. Thank god. Check out her masterpost too for more Mitsun goodness, including some smut

Inconvenient Moon by @pseudofaux - it’s ephemeral and gorgeous and captures modern Mitsunari so perfectly. And it has some of my favorite lines ever written. (inverted stars OHMYGOSH)

Head Over Heels by @kawa-akarin - Sweet and lovely (THANK YOU PSEUDOFAUX FOR REMINDING ME OF THIS)

…urgh I know I’m forgetting so many more, but I hope that gets you started. If any of my followers have a fave they’d like to add/bring to my attention, please please feel free to add on to this!

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Reblogging for that tsundere blueberry fix

Just need this back on top.

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Helpful things for action writers to remember

  • Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll. 
  • Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast. 
  • Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention. 
  • Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them. 
  • Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently. 
  • ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face. 
  • Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.
  • Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone. 
  • A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way. 
  • If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword. 
  • ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters.  (CLICK ME)
  • If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability. 
  • People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot. 
  • Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME
  • If you want a more in-depth medical chart, try this one. (CLICK ME)

Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here. 

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ave-aria

How to apply Writing techniques for action scenes:

- Short sentences. Choppy. One action, then another. When there’s a lull in the fight, take a moment, using longer phrases to analyze the situation–then dive back in. Snap, snap, snap. - Same thing with words - short, simple, and strong in the thick of battle. Save the longer syllables for elsewhere. - Characters do not dwell on things when they are in the heat of the moment. They will get punched in the face. Focus on actions, not thoughts. - Go back and cut out as many adverbs as possible. - No seriously, if there’s ever a time to use the strongest verbs in your vocabulary - Bellow, thrash, heave, shriek, snarl, splinter, bolt, hurtle, crumble, shatter, charge, raze - it’s now. - Don’t forget your other senses. People might not even be sure what they saw during a fight, but they always know how they felt. - Taste: Dry mouth, salt from sweat, copper tang from blood, etc - Smell: OP nailed it - Touch: Headache, sore muscles, tense muscles, exhaustion, blood pounding. Bruised knuckles/bowstring fingers. Injuries that ache and pulse, sting and flare white hot with pain. - Pain will stay with a character. Even if it’s minor. - Sound and sight might blur or sharpen depending on the character and their experience/exhaustion. Colors and quick movements will catch the eye. Loud sounds or noises from behind may serve as a fighter’s only alert before an attack. - If something unexpected happens, shifting the character’s whole attention to that thing will shift the Audience’s attention, too. - Aftermath. This is where the details resurface, the characters pick up things they cast aside during the fight, both literally and metaphorically. Fights are chaotic, fast paced, and self-centered. Characters know only their self, their goals, what’s in their way, and the quickest way around those threats. The aftermath is when people can regain their emotions, their relationships, their rationality/introspection, and anything else they couldn’t afford to think or feel while their lives were on the line.

Do everything you can to keep the fight here and now. Maximize the physical, minimize the theoretical. Keep things immediate - no theories or what ifs.

If writing a strategist, who needs to think ahead, try this: keep strategy to before-and-after fights. Lay out plans in calm periods, try to guess what enemies are thinking or what they will do. During combat, however, the character should think about his options, enemies, and terrain in immediate terms; that is, in shapes and direction. (Large enemy rushing me; dive left, circle around / Scaffolding on fire, pool below me / two foes helping each other, separate them.)

Lastly, after writing, read it aloud. Anyplace your tongue catches up on a fast moving scene, edit. Smooth action scenes rarely come on the first try.

More for martial arts or hand-to-hand in general

What a character’s wearing will affect how they fight.  The more restricting the clothes, the harder it will be.  If they’re wearing a skirt that is loose enough to fight in, modesty will be lost in a life or death situation.

Jewelry can also be very bad.  Necklaces can be grabbed onto.  Bracelets also can be grabbed onto or inhibit movement.  Rings it can depend on the person.

Shoes also matter.  Tennis shoes are good and solid, but if you’re unused to them there’s a chance of accidentally hurting your ankle.  High heels can definitely be a problem.  However, they can also make very good weapons, especially for someone used to balancing on the balls of their feet.  Side kicks and thrusting kicks in soft areas (like the solar plexus) or the feet are good ideas.  They can also (hopefully) be taken off quickly and used as a hand weapon.  Combat boots are great but if someone relies more on speed or aren’t used to them, they can weigh a person down.  Cowboy boots can be surprisingly good.  Spin kicks (if a character is quick enough to use them) are especially nasty in these shoes.

If a character is going to fight barefoot, please keep location in mind.  Concrete can mess up your feet quick.  Lawns, yards, etc often have hidden holes and other obstacles that can mess up a fighter.  Tile floors or waxed wood can be very slippery if you’re not careful or used to them.

Likewise, if it’s outside be aware of how weather will affect the fight.  The sun’s glare can really impede a fighter’s sight.  A wet location, inside or outside, can cause a fighter to slip and fall.  Sweat on the body can cause a fighter to lose a grip on an opponent too.

Pressure points for a trained fighter are great places to aim for in a fight.  The solar plexus is another great place to aim for.  It will knock the wind out of anyone and immediately weaken your opponent. 

It your character is hit in the solar plexus and isn’t trained, they’re going down.  The first time you get hit there you are out of breath and most people double over in confusion and pain.  If a fighter is more used to it, they will stand tall and expand themselves in order to get some breath.  They will likely keep fighting, but until their breath returns to normal, they will be considerably weaker.

Do not be afraid to have your character use obstacles in their environment.  Pillars, boxes, bookshelves, doors, etc.  They put distance between you and an opponent which can allow you to catch your breath. 

Do not be afraid to have your character use objects in their environment.  Someone’s coming at you with a spear, trident, etc, then pick up a chair and get it caught in the legs or use it as a shield.  Bedsheets can make a good distraction and tangle someone up.  Someone’s invading your home and you need to defend yourself?  Throw a lamp.  Anything can be turned into a weapon.

Guns often miss their targets at longer distances, even by those who have trained heavily with them.  They can also be easier to disarm as they only shoot in one direction.  However, depending on the type, grabbing onto the top is a very very bad idea.  There is a good likelihood you WILL get hurt.

Knives are nasty weapons by someone who knows what they’re doing.  Good fighters never hold a knife the way you would when cutting food.  It is best used when held against the forearm.  In defense, this makes a block more effective and in offense, slashing movement from any direction are going to be bad.  If a character is in a fight with a knife or trying to disarm one, they will get hurt. 

Soft areas hit with hard body parts.  Hard areas hit with soft body parts.  The neck, stomach, and other soft areas are best hit with punches, side kicks, elbows, and other hard body parts.  Head and other hard parts are best hit using a knife hand, palm strike, etc.  Spin kicks will be nasty regardless of what you’re aiming for it they land.

Common misconception with round house kicks is that you’re hitting with the top of the foot.  You’re hitting with the ball.  You’re likely to break your foot when hitting with the top.

When punching, the thumb is outside of the fist.  You’ll break something if you’re hitting with the thumb inside, which a lot of inexperienced fighters do. 

Also, punching the face or jaw can hurt. 

It can be hard to grab a punch if you’re not experienced with it despite how easy movies make it seem.  It’s best to dodge or redirect it.

Hitting to the head is not always the best idea.  It can take a bit of training to be able to reach for the head with a kick because of the height.  Flexibility is very much needed.  If there are problems with their hips or they just aren’t very flexible, kicks to the head aren’t happening.

Jump kicks are a good way to hit the head, but an opponent will see it coming if it’s too slow or they are fast/experienced.

A good kick can throw an opponent back or knock them to the ground.  If the person you’ve hit has experience though, they’ll immediately be getting up again.

Even if they’ve trained for years in a martial art, if they haven’t actually hit anything before or gotten hit, it will be slightly stunning for the person.  It does not feel the way you expect it too.

Those yells in martial arts are not just for show.  If done right, they tighten your core making it easier to take a hit in that area.  Also, they can be used to intimidate an opponent.  Yelling or screaming right by their ear can startle someone.  (Generally, KHR fans look at Squalo for yelling)

Biting can also be used if someone’s grabbing you.  Spitting in someone’s eyes can’t hurt.  Also, in a chokehold or if someone is trying to grab your neck in general, PUT YOU CHIN DOWN.  This cuts off access and if they’re grabbing in the front can dig into their hand and hurt.

Wrist grabs and other grabs can be good.  Especially if it’s the first move an opponent makes and the character is trained, there are simple ways to counter that will have a person on their knees in seconds..

Use what your character has to their advantage.  If they’re smaller or have less mass, then they’ll be relying on speed, intelligence, evasion, and other similar tactics.  Larger opponents will be able to take hits better, they’re hits may be slower depending on who it is but will hurt like hell if they land, and size can be intimidating.   Taller people with longer legs will want to rely on kicking and keeping their distance since they have the advantage there.  Shorter people will want to keep the distance closer where it’s easier for them but harder for a taller opponent.  Punching is a good idea.

Using a person’s momentum against them is great.  There’s martial arts that revolve around this whole concept.  They throw a punch?  Grab it and pull them forward and around.  Their momentum will keep them going and knock them off balance. 

Leverage can used in the same way.  If used right, you can flip a person, dislocate a shoulder, throw out a knee, etc.

One note on adrenaline:  All that was said above is true about it.  But, in a fight, it can also make you more aware of what’s going on.  A fight that lasts twenty seconds can feel like a minute because time seems to almost slow down while moving extremely rapidly.  You only have so much time to think about what you’re doing.  You’re taking in information constantly and trying to adjust.  Even in the slow down adrenaline gives you, everything is moving very rapidly. 

Feelings will be your downfall even more so than adrenaline.  Adrenaline can make those feelings more intense, but a good fighter has learned not to listen to those feelings.  A good fighter may feel anger at being knocked down or in some way humiliated - their pride taken down.  Yet they will not act on the anger.  Acting on it makes a fighter more instinctive and many will charge without thinking.  Losing control of anything (adrenaline rush, emotions, technique, etc) can be a terrible thing in a fight.

Just thought I’d add in here.

YES. YES.

For wars: focus on a few choice battles. Where is your protagonist, their allies? Pan the battlefield, but focus on a few choice fights to raise the tension.

Don’t be afraid to let your protagonist lose. Heroes don’t always win and sometimes it’s a critical growth point when they lose.

If you are not proficient in the type of combat you are describing, Google it/YouTube it/find movies videos of it/watch trainers and masters. Is it going to be 100% the same in movies as in real life? Nope. Are you going to have a better idea of how a combatant shifts their weight, adjusts their grip, reacts to (or deliberately provokes the enemy to) taking a blow? Probably. And that visualization van help make your writing more intense.

Oooh I’m loving this stuff! Great for writers out there who needs that extra boost or oof factor in their plot descriptions

Never thought about writing action but this is very interesting.

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