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Life in a sunny day

@sunnie91 / sunnie91.tumblr.com

Mexican, 24, spanish/english. Evansson/Romanogers Trash/Marvel trash, AoU detractor. Romanogers Support Group member. Chris Evans is the love of my life... and I regret nothing.
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crabfisher

cats don't even unstick their claws out of things anymore they will just sit there with their claw stuck in a blanket and look at you like this until you unstick it for them

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Nobody wants to work anymore

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eureicca

ZKFW Day 1: First Day High

Alam naman natin sikat ang Jollibee commercials dito sa atin. Kaya isingit na natin si Katara at Zuko dyan 🙈

Tradisyon nila Katara at Zuko gawin to tuwing first day mula junior high hanggang senior high, pero syempre mas nauna nagtapos si Zuko kaya ayun naiwan nalang si Katara mag-isa. Pagkatapos ng 2 years na hindi naguusap, biglang magkikita sila ulit sa first day of college ni Katara sa Jollibee sa malapit sa Vito Cruz station 💜

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“The low-maintenance woman, the ideal woman, has no appetite. This is not to say that she refuses food, sex, romance, emotional effort; to refuse is petulant, which is ironically more demanding. The woman without appetite politely finishes what’s on her plate, and declines seconds. She is satisfied and satisfiable.

A man’s appetite can be hearty, but a woman with an appetite is always voracious: her hunger always overreaches, because it is not supposed to exist. If she wants food, she is a glutton. If she wants sex, she is a slut. If she wants emotional care-taking, she is a high-maintenance bitch or, worse, an “attention whore”: an amalgam of sex-hunger and care-hunger, greedy not only to be fucked and paid but, most unforgivably of all, to be noticed.”

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i've written before about how fire lady katara isn't an inherently disempowering or racist trope, as have many others, but lately i've been thinking about how arguments against fire lady katara often tend to utilise a surface-level interpretation of colonial trauma.

[edit: this post will use the term "colonial trauma" because those who argue against fire lady katara usually use the same wording or are referring to that concept. but it's important to note that according to show canon, the fire nation did not colonize the southern water tribe and zuko and katara did not have a colonizer/colonized relationship.]

antis who present this argument usually posit that marrying zuko would be a form of re-traumatization for katara, while marrying aang would "protect" her. katara is supposedly more shielded from confronting the impact of colonization in the southern water tribe or on air temple island than she would be with zuko in the fire nation, which contextualizes colonial trauma purely through the lens of physical interaction with the colonial power (ie. living in the fire nation or looking after the people of the fire nation). whether intended or not, this argument inadvertently limits colonial trauma to the geographical boundaries of the colonizing country and implies that it can be reduced or averted solely by minimizing contact with said country.

even leaving aside that we have seen katara in the fire nation (and enjoying herself there), the implication here is that active engagement with a colonial power as a member of colonized peoples is an inherent form of re-traumatization... which i take issue with for multiple reasons.

firstly, katara lives in a world that has been permanently shaped and changed by imperialism, and that's going to affect her no matter where she goes. sequestering herself in the south pole her whole life and never seeing a glimpse of fire nation red again won't allow katara to escape the legacy of colonization or the trauma it has caused her, because its influence is rooted in everything from her family to her tribe to her own bending. believe me, i understand the appeal of a world where women of colour can avoid reckoning with the impact of colonization by simply never setting foot in the colonizing country again, and why people might be uncomfortable with zutara individually as a result - but i can't accept it as a valid argument against the ship, because that's just not how colonial trauma works.

secondly, the idea that this "protects" katara reeks of paternalism because katara is not a character who chooses her path simply based on how safe or comfortable it is. if that was the case, she would never have left the southern water tribe at all! she could've remained there her whole life and likely been safe, since the fire nation had no real interest in the south pole any longer. katara is fundamentally defined by how relentlessly revolutionary she is - over and over, she chooses to do what is right, what is hard, what is unexpected, even at cost to herself. she challenges injustice and discrimination and bigotry; she fights for the downtrodden and speaks for those who can't speak for themselves; she will never ever turn her back on the people who need her. does that truly sound like someone who needs to be hid away and protected from her own supposed re-traumatization?

thirdly - and i fully accept that there are those who might disagree with this - katara actively choosing to engage with her colonial trauma can be empowering just as it can be traumatizing. don't get me wrong: as a woc and a minority in my own country, i understand how tiring it is to do this. i understand the exhaustion of confronting what was done to you and your people, of facing down bigotry over and over. i understand the desire to run away from it all, and why it can be wish fulfilment for others to let katara do so. i really, really do.

but there is also wish fulfilment in letting katara fight, as a brown girl with power and resources that few brown girls in the real world hold. there is a power fantasy in seeing katara head into the belly of the beast and emerging triumphant. there is empowerment to be found in seeing katara struggle with racism and ignorance and mindless hate to enact change - and succeed. i love reading and writing about katara unpacking her trauma regarding the fire nation, about growing to love the place she once hated, about reconciling both her homes and healing from the wounds of her childhood.

and ultimately, i think that's what katara would want for herself. after throwing herself head first into the fight against the fire nation, after facing down her greatest trauma instead of letting it consume her, after helping and protecting the people of the fire nation, after refusing to let the fire nation take anything else from her - i firmly believe that the last thing katara would do is allow herself to be ruled by the fire nation instead of being the one ruling it.

personally, i find that a more hopeful and victorious narrative than one where she remains safe and sheltered away from the fire nation, but forever haunted and dictated by her trauma. would that be realistic? perhaps. but the entire point of foiling katara with characters like jet and hama is to show that she's not doomed to be mired in the pain of her past. that where their stories could only end in tragedy, hers can - and does - end in hope for something better, as she always believed it could.

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Imagine if you had a neighbour who keeps performing songs from Phantom of the Opera in his apartment every night, by himself but accompanied by a parrot, which he has taught to sing Christine's part. Admittedly it's kind of obnoxious but you are far too baffled to even be properly annoyed. And also you don't want to confront someone with that kind of power and determination. So every once in a while you just hear this guy dramatically bellow

"SING FOR ME!"

[ASTONISHINGLY HIGH-PITCHED PARROT SHRIEK]

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bob-artist

I'm so sorry I had to it was haunting me

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the hand holding at the hospital IM FUCKING DYING IT KILLS ME EVERY TIME I CANT DO THIS! THE WAY HE CARESSES HER HAND WITH HIS FINGER WHILE SHE DOES THE SAME???? They were soothing each other... I CANT and the way after his initial surprise of her holding his hand HE grips it tighter???? I CANT

(yes I made this into it's own post)

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dlanadhz

In case no one told you growing up

  • Bras last longer if you let them air dry. Don’t put them in the dryer.
  • If you have a problem with frizzy hair, don’t dry your hair with a towel. It makes the frizzies worse. (I recently read an article that said to use a t-shirt? I brush mine out and let it air dry.)
  • Whites wash best in hot water. Everything else can be in cold - save on your electricity bill.
  • You can kill 99.9% of germs in a sponge by putting it in the dishwasher for a cycle or by microwaving it for 2 min (be sure to make the sponge damp before microwaving and to put a cup half full of water in with it and please DO NOT squeeze the sponge until it has cooled off)
  • Airing out your room/house and letting sunlight in every so often can decrease the number of household pests like silverfish and ants.
  • Black underwear is best during your period as stains are less likely to be visible.
  • To save money, put aside 10% of each paycheck into a savings account. It’ll add up.
  • Unless your hair has something on/in it (like grease or mud or something), using conditioner first can actually be the better choice. The conditioner holds in the good oils that help you hair look sleek and beautiful, which shampoo would otherwise wash away.
  • Speaking of shampoo - if you have long hair, washing just the bits that touch your scalp is generally enough. The rest of your hair gets cleaned with just the run off from your scalp.
  • If you put a tampon in and it’s uncomfortable/you can feel it, you didn’t do it quite right. A properly placed tampon is virtually unnoticeable by the wearer.
  • Apply deodorant/antiperspirant a couple hours in advance of when you need it. This gives the product the chance to block your sweat glands. Using deodorant just before going somewhere where you’ll sweat (this means walking outside for people in high humidity places) results in your sweat washing the deodorant off and starkly limiting its usefulness.
  • After running the dryer, use the dryer sheet from that load to brush out the lint catch - it gets everything off in a fraction of the time it’ll take you to get it clean with your bare hands. Paper towels also work well.
  • Wash your face everyday, or as often as possible. Forget which brand of cleanser is best. Just washing your face everyday will guarantee you clearer skin. And do you best not to pop pimples, as tempting as the urge may be.
  • Fold laundry asap after taking it from the dryer to avoid wrinkles. This may seem obvious for dress shirts and silly for things like t-shirts, but you’ll notice the difference even then once your shirts stop looking like unfolded paper balls.

To all the kids whose parents couldn’t help you with this kind of stuff

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wordsnstuff
Anonymous asked:

This might sound strange... writing a romance I started to see romantic potential between my lead and a side character, rather than strictly between the two leads... I'm starting to swerve. How can I suit my writing/mindset to keep the relationship with the side character platonic?

When characters develop minds of their own...

Writing is one of those mediums where people tend to overlook the importance of experimentation. It's seen as a fairly linear process: brainstorm, map the plot, write the draft, edit the draft, publish. If any other type of creation was done this way, most would see the process as incomplete, because experimentation is imperative to creativity. Curiosity is the key to finding satisfaction, and no matter how brilliant you think an idea is at its conception, the best way to do it justice is to question it.

If you find yourself in a situation where your story begins to develop outside your control, don't strangle it back into the shape you imagined for it at first. See where it goes. Let it bleed outside the lines and see what you prefer. You can always return to the original plan. The beauty in fiction is that it has infinite possibility, and if you have the talent to write characters and worlds that determine their own trajectory, enjoy the reward.

In your case, you've designed a romance between two characters but the chemistry of a different pairing has become more compelling, so see what happens. There is a good chance you've simply written a secondary character that serves the story better in a leading role, and there's no harm in experimenting to see if that's correct. If it doesn't work and you're convinced the relationship is more suitable in the platonic category, you will find the reason along the way and that reason will speak for itself as you return to writing the original pairing. If anything, this might become an organic way for you to misdirect the reader in order to make the payoff of your original idea more substantial.

Writing should be an intuitive process. If you're swerving in another direction, satiate your curiosity and then make decisions with all of the information. Just like any other artistic medium, you will only know what's right once you've established what isn't.

Best of luck,

x Kate

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Can we talk about how Frank avoids her eyes as much as he can during their first conversation in 2x11??? HE WAS SO ASHAMED OF HIMSELF HE LITERALLY COULD NOT BARE THE THOUGHT THAT HE HAD DISAPPOINTED HER AND KNEW HE WASN'T EVEN WORTHY OF LOOKING HER IN THE EYES. And he automatically confessed EVERYTHING. He had to be honest they don't lie to each other and he needed her to know he needed her to judge him to tell him off that what he felt about himself right now was right that he wasn't worth it and she was like "I love you unconditionally". I also feel like that was just too much, he knew if he looked her in the eyes he would break down (which he literally did after he woke up and she grabbed his hand and made him feel safe)

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Daniel Brühl Smoking Hot, a collection:

Me, a non-smoker for life: dying from secondhand smoke watching these DB characters puff a cigarette up close wouldn't be the worst thing in the world...

Marek, Honolulu (2001)

Daniel, No Regrets / Nichts Bereuen (2001)

Paul Krantz, Love in Thoughts (2004)

Jan, The Edukators (2004)

Salvador Puig Antich, Salvador (2006)

Klaus Prompst, In Tranzit (2008)

Dr. Georg Rosen, John Rabe (2009)

Álex Garel, Eva (2011)

Iván Pelayo, Winning Streak / The Pelayos (2012)

Thomas Lang, The Face of an Angel (2014)

Sebastian Zöllner, Me and Kaminski (2015)

Inspector Escherich, Alone in Berlin (2016)

Lutz Heck, The Zookeeper's Wife (2017)

Wilfried Böse, Entebbe (2018)

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5 TYPES OF DANIEL BRÜHL CHARACTERS

After watching 40+ of his works, I've noticed the roles that he plays often fall into these five categories...

#1 - because he's German, obviously, a Nazi. The bottom two are a little niche as he plays 'unwanted Nazi admirer'.

#2 - guy you can take home to meet your parents. He's played way too many of these—it's a given with that beautiful baby face—but these would be my top five. Bottom layer gets extra points for being a good friend to the elderly.

#3 - opposite that is the guy your parents warned you about. It seems Daniel has a lot of fun playing these, especially the top layer, which leans on the love-to-hate category. I can't tell if it's just my distaste for The Face of an Angel, but I also considered adding Thomas Lang. Could be why Chris in Cargo made it here as well... because what even was that movie.

#4 - now we have 'man in way above his head by the situation his political ideologies have gotten him into'. You almost always need a trigger warning for the films these characters are in as they will absolutely gut you. They're often based on real people and events. So you will learn something about history while Daniel gets tortured into a pulp.

#5 - and finally, 'expert in his field, kind of an asshole, but hella breedable'. Most of my favorite characters are in this category... I don't know what that says about me.

Is it cheating to place Zemo a second time? I don't care. He feels like an entirely different character.

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