sadie

retiring to your chambers >>>>>>

Drawing in mspaint? Cool, impressive,  But whenever I see that, I think about the person who makes their art in power point  Every time I see them it boggles me

(their account)

Y'all if you like this PLEASE check out @lylahcomorbid she paints in Microsoft Word and it looks AMAZING

I can barely put an image and text into word what magic is this

Gonna have to complete this group with Tatsuo Horiuchi, the 80 year old Japanese artist who makes his paintings on Microsoft Excel:

odysseus absolutely does present a threat to penelope if he perceives her as at all unfaithful, and i feel the unfairness of this, and i think people tend to undersell how much tension at least potentially exists between odysseus and penelope. but i'm also like. his reaction, all speculation aside, his actual reaction in the odyssey to her flirting with the suitors is delight, because he immediately ascertains that she is running a con. sorry that they're so in-sync in spite of the forces that try to drive a wedge between them, including their own misgiving hearts. sorry that they invented homophrosyne ¯\_(ツ)_/¯

oh, you meant they literally did, ok

would i, tumblr user thee odysseyofhomer, lie to you?

I mean if you're being truly inspired by the classics...

Little fucking guy alert!!

cant believe i havent seen this on here yet

jesus said this

I LOVE YOU EM DASH. mwah mwah mwah mwah mwah a thousand kisses for the em dash.

watercolors by trans artist tuesday smilie

Architectural Digest Germany - Mushroom Installation

love shakespeare. did a hamlet run tonight, looked someone dead in the eye to say “am i a coward?” during a speech and the fucker shrugged and nodded

we literally ruined society when we invented the fourth wall. let’s bring back call and response. heckling, even. fuck you hamlet you dumb piece of shit kill your uncle or shut up

"When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side… there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.”

And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period."

Oskar Eustis on ArtBeat Nation

Series of interior illustrations and binding design for The Folio Society‘s edition of ‘Wuthering Heights’ by Emily Brontë.

Illustrations by Rovina Cai

NO ONE knows how to use thou/thee/thy/thine and i need to see that change if ur going to keep making “talking like a medieval peasant” jokes. /lh

They play the same roles as I/me/my/mine. In modern english, we use “you” for both the subject and the direct object/object of preposition/etc, so it’s difficult to compare “thou” to “you”.

So the trick is this: if you are trying to turn something Olde, first turn every “you” into first-person and then replace it like so:

“I” →  “thou”

“Me” →  “thee”

“My” →  “thy”

“Mine” →  “thine”

Let’s suppose we had the sentences “You have a cow. He gave it to you. It is your cow. The cow is yours”.

We could first imagine it in the first person-

“I have a cow. He gave it to me. It is my cow. The cow is mine”.

And then replace it-

“Thou hast a cow. He gave it to thee. It is thy cow. The cow is thine.”

This is perfect and the only thing missing is that when “thy” comes before a vowel it’s replaced by “thine”, i.e. “thy nose” but “thine eyes.” English used to do this with my and mine too (and still does with a and an).

The second person singular verb ending is -(e)st. In the present tense, it works more or less like the third person singular ending, -s: 

The -(e)st ending is only added to one word in a compound verb. This is where a lot of people make mistakes:

NOT

If you’re not sure, try saying it in the third person and replacing the -(e)st with -s:

In general, if there’s one auxiliary, it takes the -(e)st ending) and the main verb does not. If there are multiple auxiliaries, only one of them takes -(e)st:

You can reduce the full -est ending to -st in poetry, if you need to drop a syllable:

In some common words–mostly auxiliary verbs, or what you might have learned as “helping verbs”–the ending is always reduced:

Sometimes this reduction takes the last consonant of the stem with it:

Or reduces the -st down to -t:

However! UNLIKE the third-person singular -s, the second person -(e)st is ALSO added to PAST TENSE words, either to the past stem in strong (irregular) verbs or AFTER THE -ed in weak (regular) verbs: 

This is different from the third person!

It’s not wrong to add -(e)st to a long Latinate verb in the past tense, but it’s unusual; it’s much more common to use a helping verb instead:

And a couple last things:

1.) Third-person -(e)th is mostly equivalent to and interchangeable with third-person -s:

HOWEVER! Third-person -(e)th, unlike -s but like -(e)st, can, sometimes, go on STRONG past-tense verbs:

This never happens with weak verbs:

And even with strong verbs, from Early Modern (e.g., Shakespearean) English onward, it’s quite rare. But you will see it from time to time.

2.) In contemporary Modern English, we invert the order of subjects and auxiliary verbs in questions:

If there’s no auxiliary, we add one–do–and invert that:

In Early Modern English, this process was optional, and mostly used for emphasis; all verbs could be and were moved to the front of the sentence in questions:

Do-support was also optional for negatives:

3.) Imperative verbs never take endings:

4.) Singular ‘you’–that is, calling a singular person by a plural pronoun–arose as a politeness marker; and ‘thou’ fell out of use because it eventually came to be seen as impolite in almost all contexts. In general, once singular ‘you’ comes into use, it is used for addressing

‘Thou’ is used for

It is safer to ‘you’ someone who doesn’t necessarily warrant ‘you’ than to ‘thou’ someone who does.

5.) And finally, that ‘ye’? That’s the nominative form of you–the one that’s equivalent to ‘I’ or ‘we.’ 

Any time you’re using ‘thou’ for the singular, the second person plural– ‘y’all’– declines like this:

DERRY GIRLS (2018-2022)

when my local friendgroup hit our late 20's/early 30's we all metamorphosed into ancient romans and/or redwall characters bc now whenever we have 'get togethers' ppl are always bringing over cheeses and crusty breads and cured meats and olives and grapes and ales etc

the ancients were wrong about many things but they were absolutely right about snacking plates

Tom Gauld (Scottish, b. 1976) - The Reason I Stayed In The House All Day    Drawings  (All perfectly valid reasons)

this has aged well

We’ve all had these days.