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I came from the end of bag

@the-artful-dodger / the-artful-dodger.tumblr.com

merlin, he/him
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The best notes written in manuscripts by medieval monks

Colophon: a statement at the end of a book containing the scribe or owner’s name, date of completion, or bitching about how hard it is to write a book in the dark ages

  • Oh, my hand
  • The parchment is very hairy
  • Thank God it will soon be dark
  • St. Patrick of Armagh, deliver me from writing
  • Now I’ve written the whole thing; for Christ’s sake give me a drink
  • Oh d fuckin abbot
  • Massive hangover
  • Whoever translated these Gospels did a very poor job
  • Cursed be the pesty cat that urinated over this book during the night
  • If someone else would like such a handsome book, come and look me up in Paris, across from the Notre Dame cathedral
  • I shall remember, O Christ, that I am writing of Thee, because I am wrecked today
  • Do not reproach me concerning the letters, the ink is bad and the parchment scanty and the day is dark
  • 11 golden letters, 8 shilling each; 700 letters with double shafts, 7 shilling for each hundred; and 35 quires of text, each 16 leaves, at 3 shilling each. For such an amount I won’t write again
  • Here ends the second part of the title work of Brother Thomas Aquinas of the Dominican Order; very long, very verbose; and very tedious for the scribe; thank God, thank God, and again thank God
  • If anyone take away this book, let him die the death, let him be fried in a pan; let the falling sickness and fever seize him; let him be broken on the wheel, and hanged. Amen
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branewurms

what does oh d fuckin abbot even MEAN

an abbot is the head of a monastery so it just means “fuck my boss” basically, an abbreviation of “O damned fuckin Abbot”. this is what it looks like:

Brasenose College MS 7, f.62v 

I would just like to pop in again after all this time and offer some sources, as I know there has been discussion for a while. A good number of these initially came from an infographic from Lapham’s Quarterly Magazine, which I don’t have access to, and I’m not sure if sources were cited. Some of these, however, have been confirmed by scholars, particularly a group at the University of Leiden who had a blog going for a while on the subject of medieval writing. Not everything mentioned was documented with photos, but here are a couple:

“Ale has killed us” (translated as “massive hangover”) in Ogham x

“Cursed be the pesty cat that urinated over this book during the night“ x

(please note the helpful finger pointing to the pee stain/cat doodle)

“This work is written master give me a drink; let the right hand of the scribe be free from the oppressiveness of pain” x

“Whoever translated these Gospels did a very poor job” x

“If someone else would like such a handsome book, come and look me up in Paris, across from the Notre Dame cathedral” - we even have the scribe’s name, Herneis le Romanceur  x

“I shall remember, O Christ, that I am writing of Thee, because I am wrecked today. It’s now Sunday evening “ x

The “don’t @ me” scribe x

The source for the poor scribe complaining about his awful salary was linked to from the University blog as well but the page about that text seems to have been removed.

The scribe who hates Thomas Aquinas x

“Let him be broken on the wheel and hanged” x

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fanonical

my hadestown conspiracy theory: so the major turning point in the orpheus and eurydice myth is when orpheus sings a song so beautiful that the underworld stops to listen, right? and in hadestown, epic iii is that song

except

there is a song during which 'no hammers swing/no pickaxe ring', and it's not epic iii. it's if it's true

instead of the love song, instead of the personal appeal to hades himself, the turning point in hadestown is orpheus reaching out to the workers and helping them see that they are people too. persephone seeing this leads to her confronting hades, which leads to him confronting orpheus. if it's true is the moment where everything in the underworld truly changes.

not the love song, but the socialist call to arms

and i love that

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hey fun fact I was looking up red carnations because of Hadestown (I want to wear one when we go see it in April and was like hey what do these flowers actually represent) and while looking them up saw they are apparently a flower of love and passion in english speaking countries which is what I had always kind of assumed. But TURNS OUT! In Germany (I am german btw) red carnations were historically a symbol of protest, a flower symbolizing the united workers, a symbol of the working class protest and honestly that FITS WITH HADESTOWN JUST AS WELL IF NOT MORE???!!! Like, Is It True is just a labour protest song (What's the use of his backbone if he never stands upright, if he turns his back on anyone that he could have stood beside; I believe that we are many, I believe that they are few, and it isn't for the few to tell the many what is true), and it's literally a flower for labour unions? And that's literally what Orpheus does in Hadestown, he unionizes the workers on the wall!!! What a wild connection I never made before

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I saw Hadestown recently and... the metanarrative aspects didn't need to go that hard. The entire cyclical structure with the story being acknowledged as an "old tale from way back when" that they tell again and again despite knowing the tragic ending, which is explored as precious proof of the enduring ability to hope? Orpheus and Eurydice falling in love so fast because they feel that they already know each other, they always have, and we know they're right? Hermes fluidly switching between character who emotionally invests in the doomed lovers and omniscient narrator who knows they're doomed, and the revelation in "Road to Hell (Reprise)" that he's genuinely been both from the beginning? The final song, a requiem for the living by the dead, with the cast out of character after the curtain call? When Orpheus toasts to "the world we dream about" but then also "the one we live in now" and everyone on stage looks straight at the audience for a moment of absolutely chilling silence? I was not prepared and I'm not okay.

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weaver-z

Fondly remembering the time that a cat owner casually entered their calico Maine Coon in a cat fancier’s competition and the judges lost their minds because the cat was 1) male and 2) able to bear children

Anyway here’s Dawntreader Texas Calboy as a silly lil kitten

Here’s an excerpt from one of the articles about the drama his entry caused among the Cat Fanciers that I thought was very earnest and sweet <3

And also some of Calboy’s children!

He is fearfully and wonderfully made!

ALT

I was about to say he would technically be an intersex king (not because I dislike the concept of trans cats, just bc intersex rep is sorely needed too) but I did some more reading on this icon and actually found the article OP referenced.

ALT

He’s not your usual male calico kitty as it turns out. That’s already cool and rare, but he’s even cooler and rarer than that!

ALT

ALT

Calboy is a chimera!! Which is really fucking cool of you ask me. The chances of having a male calico this way are slim to none, but the mad lad still exists! What an icon. I would die for Calboy.

Everyone in the tags of this post @ cat show judges

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sweetenby

Originally I was looking for an adult picture of Calboy

(He’s so pretty 🥰)

But I also found a source for the article screenshotted above! And folks it’s WILD. It’s an incredibly interesting read if you happen to love hearing about niche hobby drama. It’s also just a fantastically written article!

The parts I find the most interesting are about how conservative the cat fanciers association is. This isn’t even all of the parts that talk about that.

People are so mad about this cat spefically because he has female colors. An animal who couldn’t choose how it was born. This is happening in Texas by the way. Hm. I wonder how they treat trans people over there?

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ilovedirt

Reblogging again for this crucial addition

wait i’m sorry

people are being transphobic. towards a cat.

what the actual fuck.

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iconuk01

Also, not to derail, but “You know, we don’t let three-legged cats in here either”

Well, to put it politely, “Screw you and every single one of you who make that sort of decision”

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Palestinian History Between Great Powers - Part 1

From Bronze Age to Ottoman Palestine

I started writing this article months ago but as it deserves proper research, it took me a long while, and at one point I started questioning is this helpful anymore. I thought it's obvious at this point to anyone not willfully ignorant that what we are seeing in real time is a genocide, and I'm not going to convince those who are willfully ignorant. I decided to finish it anyway since I do feel obligation to do something and maybe providing some accessible historical context is what I'm capable of doing. Even if I probably won't change any hearts and minds, I think the least we can do is not forget Palestinians and fall into apathy. And at the very least more understanding of the situation is always better even when we already oppose this genocide.

This is quite out of my area of focus, so I will be doing more of a general overview of the history and link in depth sources by more knowledgeable people than try to become an expert on this. My purpose is to offer an accessible starting point for the history of Palestine to help people put historical and current events into their proper context. I don't think the occupation and genocide in Palestine pose complex moral questions - it's pretty simple in my opinion that genocide, apartheid and colonialism are wrong and need to stop for peace to be possible - but the history is complex and it's understanding needs quite a lot of background. I will do my best to represent the complexity accurately and fairly while keeping this concise. Since there is a lot of history, even if this is very general overview, it's still very long, so I did need to cut this in two parts. First part will be covering everything to the beginning of WW1, second part the British Mandate period and Israel period.

Bibliography

I'm linking my sources and further reading here so it's easy to check some specific resources even if you don't want to/have time to read 5 000 years of history right now. Because there's so much misinformation and propaganda, I read as much as I could from academic sources, linked at the top here. They are really interesting and delve deeply into specific subjects so I do recommend checking out anything that peaks your interest (Sci-Hub is your friend against paywalled papers and in JSTOR you can make a free account to access most papers). Some of them I didn't really end up using, but I still linked them here since they provide some additional context that wouldn't fit in this overview. At the end there's some accessible resources (youtube videos, podcasts etc.) which are relevant and I think good.

Pre-Ottoman Era

Ottoman Era

Origins of Zionism

Books

Further "reading"

Ancient Era (33th-4th century BCE)

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Of the Monstrous Pictures of Whales

In my very informed opinion it is absolutely essential to read Chapter 55 with visual aids. Here are some highlights pulled from Ishmael's Most Hated depictions so we can all be on the same page about what whales definitely don't look like.

  1. Guido Reni & William Hogarth get the benefit of the doubt on account of the fact that it never says Perseus's sea monster is a whale. We can all agree that these definitely are not:

2. Robert Sibbald was the first naturalist to officially describe a blue whale and I'll give him a pass on being first and blue whales being incomprehnsibly large even now, but this really is not accurate in pretty much any way.

See below the cut for more "monstrous" depictions!

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The fact that Hector's epithet is “with the shining helm” and his helmet is such a huge part of his identity because he is first and foremost a warrior and then when he goes to see his wife and child, his son is so scared of the helmet that he starts crying and Hector takes off the helmet and lays it in the dirt so he can hold his kid? That’s evil. Homer was evil for that

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