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Novels by Rhea

@novelsbyrhea / novelsbyrhea.tumblr.com

WIPs, Updates, Other Information
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A Writeblr Introduction

Name: Rhea Noble

Age: 30+

Pronouns: She/Her

Region: Eastern United States

Genres: Fiction: Modern Fantasy, Science Fiction, Supernatural, Shifters, Romance

About Me: I have been a writer at heart for over twenty years. I have recently chosen to change from dreaming of my own stories to writing them. This blog will chronicle my journey.

Fun Fact: I am a proud cat mom to two feisty felines.

Current WIPs:

Welcome to the Crisp | Novel, Post-Apocalyptic, Fantasy/Supernatural, Shifter

WIP Intro: Link

Summary:

The world has burned - both enemies and allies have turned to char. All social plate-tectonics have been stallted and survival is a grim and painful choice. Those that are left must navigate the still smoldering earth - coping with the sins of themselves, each other, and a misunderstood threat. Dragons exist and they torched the skies. But there are truths that lie much, much, deeper - in the hot, sulfuric nature of existence.

Note: Welcome to the Crisp is currently a series of short vignettes to help in world building. More to come!

Troubled Waters | Novel, Modern, Fantasy/Supernatural

Summary:

The angry sea listens to no one but sometimes it reaches out all the same. Warren had long forgotten about his waterlogged summers at the lake when he was child. Now, closing in on his future post-college, he works hard to study in a dorm full of music majors. A trip to the local flea market to find some noise-cancelling tech leads to more than quiet cramming for finals. He finds a way back to himself and his destiny.

Taglist: If you wish to be tagged on WIP posts, let me know.

More to come!

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Quick editing tip: Passing time

Hey all, here’s a quick tip about showing the passage of short amounts of time in a scene. I see a lot of beats like this:

  • She hesitated
  • He paused
  • A few seconds later
  • There was a long silence
  • He waited for her to answer
  • She didn’t respond

Instead of telling us there’s a brief moment of silence or pause in your scene, try showing us by creating the feeling that time has passed through action, description, or inner monologue. Here are a few examples.

Before:

“Are you coming or not?”
He waited for her to answer, but she didn’t respond.
“Clare? Did you hear me?”
“Huh?”

After:

“Are you coming or not?”
Clare scrolled through her phone, her face illuminating with a eerie blue glow.
“Clare? Did you hear me?”
“Huh?”

Before:

Jared lingered at the suspect’s front gate. If this guy didn’t answer Jared’s questions, he was screwed.
“Hey you!” a voice shouted. “Get off my property!”
Jared hesitated. Finally, he turned to face the man. “I’m afraid I can’t do that.”

After:

Jared lingered at the suspect’s front gate. If this guy didn’t answer Jared’s questions, he was screwed.
“Hey you!” a voice shouted. “Get off my property!”
Jared patted his holster. He had a gun, but he certainly didn’t want to use it. Taking a deep breath, he turned to face the man. “I’m afraid I can’t do that.”

Not only does creating a pause instead of describing a pause allow your reader to feel the moment more vividly, it gives you a chance to explain what exactly that pause is about. People hesitate, pause, don’t respond, etc. for all kinds of reasons. Give us as much insight as you can into your weird quiet moment.

Of course, you don’t need to do this every single time. Sometimes it’s fine to say “he paused” or “the room was quiet for a moment”—it could be the best choice for that scene. But look back through your draft and see if you’ve used those “telling” descriptions more often than you needed to. If so, try to create the feeling of a pause—perhaps one that gives the reader a bit more information—using these techniques.

Hope this helps!

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naity-sama

Some words to use when writing things:

  • winking
  • clenching
  • pulsing
  • fluttering
  • contracting
  • twitching
  • sucking
  • quivering
  • pulsating
  • throbbing
  • beating
  • thumping
  • thudding
  • pounding
  • humming
  • palpitate
  • vibrate
  • grinding
  • crushing
  • hammering
  • lashing
  • knocking
  • driving
  • thrusting
  • pushing
  • force
  • injecting
  • filling
  • dilate
  • stretching
  • lingering
  • expanding
  • bouncing
  • reaming
  • elongate
  • enlarge
  • unfolding
  • yielding
  • sternly
  • firmly
  • tightly 
  • harshly
  • thoroughly
  • consistently
  • precision
  • accuracy
  • carefully
  • demanding
  • strictly
  • restriction
  • meticulously
  • scrupulously
  • rigorously
  • rim
  • edge
  • lip
  • circle
  • band
  • encircling
  • enclosing
  • surrounding
  • piercing
  • curl
  • lock
  • twist
  • coil
  • spiral
  • whorl
  • dip
  • wet
  • soak
  • madly
  • wildly
  • noisily
  • rowdily
  • rambunctiously
  • decadent
  • degenerate
  • immoral
  • indulgent
  • accept
  • take
  • invite
  • nook
  • indentation
  • niche
  • depression
  • indent
  • depress
  • delay
  • tossing
  • writhing
  • flailing
  • squirming
  • rolling
  • wriggling
  • wiggling
  • thrashing
  • struggling
  • grappling
  • striving
  • straining

Appetite -  craving, demand, gluttony, greed, hunger, inclination, insatiable, longing, lust, passion, ravenousness, relish, taste, thirst, urge, voracity, weakness, willingness, yearning, ardor, dedication, desire, devotion, enthusiasm, excitement, fervor, horny, intensity, keenness, wholeheartedness, zeal

Arouse -  agitate, awaken, electrify, enliven, excite, entice, foment, goad, incite, inflame, instigate, kindle, provoke, rally, rouse, spark, stimulate, stir, thrill, waken, warm, whet, attract, charm, coax, fire up, fuel, heat up, lure, produce, stir up, tantalize, tease, tempt, thrum, torment, wind up, work up

Assault -  attack, advancing, aggressive, assailing, charging, incursion, inundated, invasion, offensive, onset, onslaught, overwhelmed, ruinous, tempestuous, strike, violation, ambush, assail, barrage, bombard, bombardment, crackdown, wound Beautiful -  admirable, alluring, angelic, appealing, bewitching, charming, dazzling, delicate, delightful, divine, elegant, enticing, exquisite, fascinating, gorgeous, graceful, grand, magnificent, marvelous, pleasing, radiant, ravishing, resplendent, splendid, stunning, sublime, attractive, beguiling, captivating, enchanting, engaging, enthralling, eye-catching, fetching, fine, fine-looking, good-looking, handsome, inviting, lovely, mesmeric, mesmerizing, pretty, rakish, refined, striking, tantalizing, tempting Brutal -  atrocious, barbarous, bloodthirsty, callous, cruel, feral, ferocious, hard, harsh, heartless, inhuman, merciless, murderous, pitiless, remorseless, rough, rude, ruthless, savage, severe, terrible, unmerciful, vicious, bestial, brute, brutish, cold-blooded, fierce, gory, nasty, rancorous, sadistic, uncompromising, unfeeling, unforgiving, unpitying, violent, wild Burly – able-bodied, athletic, beefy, big, brawny, broad-shouldered, bulky, dense, enormous, great, hard, hardy, hearty, heavily built, heavy, hefty, huge, husky, immense, large, massive, muscular, mighty, outsized, oversized, powerful, powerfully built, prodigious, robust, solid, stalwart, stocky, stout, strapping, strong, strongly built, sturdy, thick, thickset, tough, well-built, well-developed Carnal -  animalistic, bodily, impure, lascivious, lecherous, lewd, libidinous, licentious, lustful, physical, prurient, salacious, sensuous, voluptuous, vulgar, wanton, , coarse, crude, dirty, raunchy, rough, unclean Dangerous -  alarming, critical, fatal, formidable, impending, malignant, menacing, mortal, nasty, perilous, precarious, pressing, serious, terrible, threatening, treacherous, urgent, vulnerable, wicked, acute, damaging, deadly, death-defying, deathly, destructive, detrimental, explosive, grave, harmful, hazardous, injurious, lethal, life-threatening, noxious, poisonous, risky, severe, terrifying, toxic, unsafe, unstable, venomous Dark -  atrocious, corrupt, forbidding, foul, infernal, midnight, morbid, ominous, sinful, sinister, somber, threatening, twilight, vile, wicked, abject, alarming, appalling, baleful, bizarre, bleak, bloodcurdling, boding evil, chilling, cold, condemned, creepy, damned, daunting, demented, desolate, dire, dismal, disturbing, doomed, dour, dread, dreary, dusk, eerie, fear, fearsome, frightening, ghastly, ghostly, ghoulish, gloom, gloomy, grave, grim, grisly, gruesome, hair-raising, haunted, hideous, hopeless, horrendous, horrible, horrid, horrific, horrifying, horror, ill-fated, ill-omened, ill-starred, inauspicious, inhospitable, looming, lost, macabre, malice, malignant, menacing, murky, mysterious, night, panic, pessimistic, petrifying, scary, shadows, shadowy, shade, shady, shocking, soul-destroying, sour, spine-chilling, spine-tingling, strange, terrifying, uncanny, unearthly, unlucky, unnatural, unnerving, weird, wretched Delicious - enticing, exquisite, luscious, lush, rich, savory, sweet, tasty, tempting, appetizing, delectable, flavorsome, full of flavor, juicy, lip-smacking, mouth-watering, piquant, relish, ripe, salty, spicy, scrummy, scrumptious, succulent, tangy, tart, tasty, yummy, zesty Ecstasy -  delectation, delirium, elation, euphoria, fervor, frenzy, joy, rapture, transport, bliss, excitement, happiness, heaven, high, paradise, rhapsody, thrill, blissful, delighted, elated, extremely happy, in raptures (of delight), in seventh heaven, jubilant, on cloud nine, overexcited, overjoyed, rapturous, thrilled Ecstatic -  delirious, enraptured, euphoric, fervent, frenzied, joyous, transported, wild Erotic -  amatory, amorous, aphrodisiac, carnal, earthy, erogenous, fervid, filthy, hot, impassioned, lascivious, lecherous, lewd, raw, romantic, rousing, salacious, seductive, sensual, sexual, spicy, steamy, stimulating, suggestive, titillating, voluptuous, tantalizing Gasp -  catch of breath, choke, gulp, heave, inhale, pant, puff, snort, wheeze, huff, rasp, sharp intake of air, short of breath, struggle for breath, swallow, winded  Heated - ardent, avid, excited, fervent, fervid, fierce, fiery, frenzied, furious, impassioned, intense, passionate, raging, scalding, scorched, stormy, tempestuous, vehement, violent, ablaze, aflame, all-consuming, blazing, blistering, burning, crazed, explosive, febrile, feverish, fired up, flaming, flushed, frantic, hot, hot-blooded, impatient, incensed, maddening, obsessed, possessed, randy, searing, sizzling, smoldering, sweltering, torrid, turbulent, volatile, worked up, zealous Hunger -  appetite, ache, craving, gluttony, greed, longing, lust, mania, mouth-watering, ravenous, voracious, want, yearning, thirst Hungry -  avid, carnivorous, covetous, craving, eager, greedy, hungered, rapacious, ravenous, starved, unsatisfied, voracious, avaricious, desirous, famished, grasping, insatiable, keen, longing, predatory, ravening, starving, thirsty, wanting Intense -  forceful, severe, passionate, acute, agonizing, ardent, anxious, biting, bitter, burning, close, consuming, cutting, deep, eager, earnest, excessive, exquisite, extreme, fervent, fervid, fierce, forcible, great, harsh, impassioned, keen, marked, piercing, powerful, profound, severe, sharp, strong, vehement, violent, vivid, vigorous Liquid -  damp, cream, creamy, dripping, ichorous, juicy, moist, luscious, melted, moist, pulpy, sappy, soaking, solvent, sopping, succulent, viscous, wet / aqueous, broth, elixir, extract, flux, juice, liquor, nectar, sap, sauce, secretion, solution, vitae, awash, moisture, boggy, dewy, drenched, drip, drop, droplet, drowning, flood, flooded, flowing, fountain, jewel, leaky, milky, overflowing, saturated, slick, slippery, soaked, sodden, soggy, stream, swamp, tear, teardrop, torrent, waterlogged, watery, weeping Lithe - agile, lean, pliant, slight, spare, sinewy, slender, supple, deft, fit, flexible, lanky, leggy, limber, lissom, lissome, nimble, sinuous, skinny, sleek, slender, slim, svelte, trim, thin, willowy, wiry Moan - beef, cry, gripe, grouse, grumble, lament, lamentation, plaint, sob, wail, whine, bemoan, bewail, carp, deplore, grieve, gripe, grouse, grumble, keen, lament, sigh, sob, wail, whine, mewl Moving -  (exciting,) affecting, effective  arousing, awakening, breathless, dynamic, eloquent, emotional, emotive, expressive, fecund, far-out, felt in gut, grabbed by, gripping, heartbreaking, heartrending, impelling, impressive, inspirational, meaningful, mind-bending, mind-blowing, motivating, persuasive, poignant, propelling, provoking, quickening, rallying, rousing, significant, stimulating, simulative, stirring, stunning, touching, awe-inspiring, energizing, exhilarating, fascinating, heart pounding, heart stopping, inspiring, riveting, thrilling Need -  compulsion, demand, desperate, devoir, extremity, impatient longing, must, urge, urgency / desire, appetite, avid, burn, craving, eagerness, fascination, greed, hunger, insatiable, longing, lust, taste, thirst, voracious, want, yearning, ache, addiction, aspiration, desire, fever, fixation, hankering, hope, impulse, inclination, infatuation, itch, obsession, passion, pining, wish, yen Pain -  ache, afflict, affliction, agony, agonize, anguish, bite, burn, chafe, distress, fever, grief, hurt, inflame, laceration, misery, pang, punish, sting, suffering, tenderness, throb, throe, torment, torture, smart Painful -  aching, agonizing, arduous, awful, biting, burning, caustic, dire, distressing, dreadful, excruciating, extreme, grievous, inflamed, piercing, raw, sensitive, severe, sharp, tender, terrible, throbbing, tormenting, angry, bleeding, bloody, bruised, cutting, hurting, injured, irritated, prickly, skinned, smarting, sore, stinging, unbearable, uncomfortable, upsetting, wounded Perverted -  aberrant, abnormal, corrupt, debased, debauched, defiling, depraved, deviant, monstrous, tainted, twisted, vicious, warped, wicked, abhorrent, base, decadent, degenerate, degrading, dirty, disgusting, dissipated, dissolute, distasteful, hedonistic, immodest, immoral, indecent, indulgent, licentious, nasty, profligate, repellent, repugnant, repulsive, revolting, shameful, shameless, sickening, sinful, smutty, sordid, unscrupulous, vile  Pleasurable -  charming, gratifying, luscious, satisfying, savory, agreeable, delicious, delightful, enjoyable, nice, pleasant, pleasing, soothing, succulent Pleasure -  bliss, delight, gluttony, gratification, relish, satisfaction, thrill, adventure, amusement, buzz, contentment, delight, desire, ecstasy, enjoyment, excitement, fun, happiness, harmony, heaven, joy, kick, liking, paradise, seventh heaven  Rapacious-  avaricious, ferocious, furious, greedy, predatory, ravening, ravenous, savage, voracious, aggressive, gluttonous, grasping, insatiable, marauding, plundering Rapture -  bliss, ecstasy, elation, exaltation, glory, gratification, passion, pleasure, floating, unbridled joy Rigid -  adamant, austere, definite, determined, exact, firm, hard, rigorous, solid, stern, uncompromising, unrelenting, unyielding, concrete, fixed, harsh, immovable, inflexible, obstinate, resolute, resolved, severe, steadfast, steady, stiff, strong, strict, stubborn, taut, tense, tight, tough, unbending, unchangeable, unwavering Sudden -  abrupt, accelerated, acute, fast, flashing, fleeting, hasty, headlong, hurried, immediate, impetuous, impulsive, quick, quickening, rapid, rash, rushing, swift, brash, brisk, brusque, instant, instantaneous, out of the blue, reckless, rushed, sharp, spontaneous, urgent, without warning Thrust -  (forward) advance, drive, forge, impetus, impulsion, lunge, momentum, onslaught, poke, pressure, prod, propulsion, punch, push, shove, power, proceed, progress, propel (push hard) assail, assault, attack, bear down, buck, drive, force, heave, impale, impel, jab, lunge, plunge, press, pound, prod, ram, shove, stab, transfix, urge, bang, burrow, cram, gouge, jam, pierce, punch, slam, spear, spike, stick Thunder-struck - amazed, astonished, aghast, astounded, awestruck, confounded, dazed, dazed, dismayed, overwhelmed, shocked, staggered, startled, stunned, gob-smacked, bewildered, dumbfounded, flabbergasted, horrified, incredulous, surprised, taken aback  Torment - agony, anguish, hurt, misery, pain, punishment, suffering, afflict, angst, conflict, distress, grief, heartache, misfortune, nightmare, persecute, plague, sorrow, strife, tease, test, trial, tribulation, torture, turmoil, vex, woe Touch -  (physical) - blow, brush, caress, collide, come together, contact, converge, crash, cuddle, embrace, feel, feel up, finger, fondle, frisk, glance, glide, graze, grope, handle, hit, hug, impact, join, junction, kiss, lick, line, manipulate, march, massage, meet, nudge, palm, partake, pat, paw, peck, pet, pinch, probe, push, reach, rub, scratch, skim, slide, smooth, strike, stroke, suck, sweep, tag, tap, taste, thumb, tickle, tip, touching, toy, bite, bump, burrow, buss, bury, circle, claw, clean, clutch, cover, creep, crush, cup, curl, delve, dig, drag, draw, ease, edge, fiddle with, flick, flit, fumble, grind, grip, grub, hold, huddle, knead, lap, lave, lay a hand on, maneuver, manhandle, mash, mold, muzzle, neck, nestle, nibble, nip, nuzzle, outline, play, polish, press, pull, rasp, ravish, ream, rim, run, scoop, scrabble, scrape, scrub, shave, shift, shunt, skate, slip, slither, smack, snake, snuggle, soothe, spank, splay, spread, squeeze, stretch, swipe, tangle, tease, thump, tongue, trace, trail, tunnel twiddle, twirl, twist, tug, work, wrap  (mental) - communicate, examine, inspect, perception, scrutinize Wet - bathe, bleed, burst, cascade, course, cover, cream, damp, dampen, deluge, dip, douse, drench, dribble, drip, drizzle, drool, drop, drown, dunk, erupt, flood, flow, gush, immerse, issue, jet, leach, leak, moisten, ooze, overflow, permeate, plunge, pour, rain, rinse, run, salivate, saturate, secrete, seep, shower, shoot, slaver, slobber, slop, slosh, sluice, spill, soak, souse, spew, spit, splash, splatter, spout, spray, sprinkle, spurt, squirt, steep, stream, submerge, surge, swab, swamp, swill, swim, trickle, wash, water Wicked -  abominable, amoral, atrocious, awful, base, barbarous, dangerous, debased, depraved, distressing, dreadful, evil, fearful, fiendish, fierce, foul, heartless, hazardous, heinous, immoral, indecent, intense, mean, nasty, naughty, nefarious, offensive, profane, scandalous, severe, shameful, shameless, sinful, terrible, unholy, vicious, vile, villainous, wayward, bad, criminal, cruel, deplorable, despicable, devious, ill-intentioned, impious, impish, iniquitous, irreverent, loathsome, Machiavellian, mad, malevolent, malicious, merciless, mischievous, monstrous, perverse, ruthless, spiteful, uncaring, unkind, unscrupulous, vindictive, virulent, wretched Writhe -  agonize, bend, jerk, recoil, lurch, plunge, slither, squirm, struggle, suffer, thrash, thresh, twist, wiggle, wriggle, angle, arc, bow, buck, coil, contort, convulse, curl, curve, fidget, fight, flex, go into spasm, grind, heave, jiggle, jolt, kick, rear, reel, ripple, resist, roll, lash, lash out, screw up, shake, shift, slide, spasm, stir, strain, stretch, surge, swell, swivel, thrust, turn violently, tussle, twitch, undulate, warp, worm, wrench, wrestle, yank 

//MY BROTHERS AND SISTERS - HERE IS THE ANSWER TO THE PROBLEM OF FINDING THAT RIGHT WORD!!!!!

I’ve reblogged it before, and I’ll reblog it again

Awesome writing

that answer to the question of what is a better word___ ? Because I KNOW there is one, I just can’t thing of it yet.

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wordsnstuff

Guide To Political World Building

– This is a subject that I see brought up a lot in book reviews by readers, but not very often when it comes to the writing community. I decided to search the internet and my own experience for as many tips and as much advice as I could find to put in one place for you all. I also addressed a lot questions (in fact, more than usual because I know this is a weak point for most fiction authors) in the common struggles section. I hope this is useful to those of you who have a lot of trouble finding help on this. It should help me as well because I’m in the middle of tackling it for my own series. Happy writing!

Know What Details Are Important

Not all aspects of a political system in a fictional universe are important to the story-telling, especially when the story is more character or plot driven, rather than driven by the world building. It’s important to deliver relevant information to your reader in pieces, and at a pace that enhances their understanding of events and meaning rather than their knowledge of trivial details.

Know Your Demographic & Your Genre

For certain genres and age-demographics, your world building in the area of political systems and implications should be matured or simplified. The majority of your readership should be able to understand what’s going on, and the way you makes sure of that is know who you’re writing the story for. Certain genres also require a lot less complicated detail in political world building. For instance, YA romance should have less political world building than, say, adult fantasy. Sure, maybe in the case of writing a YA romance, there could require some, but definitely not as in-depth as that of the latter. 

Choose A Model to Alter

If you’re going to do it, especially as a beginner, you need to pick some form of inspiration or something similar to what you’re going for. There are so many governmental systems out there that already exist, and if you should research plenty of them and them mix and match, add and subtract, and twist until you have something that serves your story.

Think of The Implications of Details

Every detail that you make prominent in the reader’s mind should be thought out in terms of the implications. Ask yourself how this affects different groups of people, how it’s evolved over time, what it means for the system as a whole, etc. This will make your story more three-dimensional in the reader’s mind.

Find Issues in Power Distribution

Most government tension (throughout history, at least) has come from inequality in the distribution of power. Whether it be between races, classes, branches of government, figures in politics, or groups of people with different opinions, or all of the above combined, most issues stem from the struggle for power, control, and influence over others. Explore this and find new ways to think of how this could be interpreted from your story.

Think of Culture’s Impact on Politics

Culture has a major hand in how politics works. A society’s values, religious majorities and minorities, gender roles, environment, what an average citizen looks like, how citizens are expected to look, act, use their time, etc. These things all impact political situation and how it changes over time with culture, so explore this heavily.

Common Struggles

– The common struggles section of my “guide to__” posts are general questions sent in by readers on the topic at hand. If you have a question that has not been addressed thus far, you’ll probably find the answer in this section. As always, you’re welcome to send other questions to my inbox if you don’t find the answer in this post. –

~ How do I illustrate the evolution of a society’s politics?… I would choose a few major events and make the causation behind them more prominent than the actual events themselves. History repeats itself, and that’s very important in political foreshadowing and often how a society deals with political situations.

~ How do I write conversations about my world’s politics?… It depends on the tone of these conversations. The way casual conversations about politics are written can tell the reader a lot about your world’s political climate, and can be a very useful device. Heated conversations can be useful in showing different passionate sides of a political issue in your world. I would say, write them carefully and with intention.

~ How do I make the reader invested/interested in the world’s politics?… Show the reader why they should care, make them relate to it, and then make them relate your story to their reality. You have to use literary devices as well. Show, don’t tell works really well here. Don’t show the main character reflecting that the conflicts at the war front are bad. Show the war front. Show the severity. Make them feel the heavy emotions of the people. Show them the real stakes of the political decisions being dealt with in the story.

~ How do I create believable racial tensions?… Again, just mirror reality. Understand why racial tensions exist and mirror that in your story’s context. Racial tension is majorly caused by fear, prejudice, and response to the “other side”. It’s often a long, ongoing battle because it’s rooted in the way people are raised and the constant environment around them. Racism is taught, so show it’s bigger, more outstanding moments, as well as its less prominent ones. No political issue arises exclusively from large, explosive moments. It’s made up of a few big ones, notable ones, and then the many, millions of little contributing moments and factors.

~ How do I write reasonable opposition groups?… You’re the author, so you have the unique opportunity of setting the reader up to see the reasoning behind both or all sides. You can show the evidence and logic behind each one, and make the reader understand why each side believes what they believe, and the personal engagement that leads each side to fight so hard.

~ How do I connect a caste system to political tension?… Political tension within caste systems are commonly caused by people’s natural desire for power and control, which leads to dissatisfaction in cases of being on the less fortunate side of inequality. Caste systems are also typically a pyramid, which means there’s more of the underdogs. These things combine to create political storms because on one side you have few people and lots of power that add up to just a bit more than a lot of people with less power individually, but more when pooled. 

~ How to I create a corrupt government without too many clichés?… The most cliché thing about typical corrupt governments is the one-dimensional evil figures that lead to corruption. Very few authors explore what leads a human who’s only job is to protect the people to turn against them. Explore their motivations and their personal struggle and justifications and you’ll have a more interesting and impactful corrupt government.

~ How do I illustrate a positive government that doesn’t come off as suspicious?… Work hard on perfecting tone, be very careful with what could be interpreted as foreshadowing, and show genuine goodness in not only the government’s words and actions, but actual results. Show your government talking the talk, and then walking the walk.

~ How do I set up the climax of a political issue?… Show the slow burn, and then the inciting events that set off the inevitable explosion. You need to establish to the reader that something is going to happen no matter what, but make the actual consequence and its place in time a surprise. 

~ How do I develop a governmental system from the ground up for the sake of the plot itself?… As I said in a previous point, use a model or several to take inspiration from. In the case of world building being the centre of your story, build your world and your plot together so they complement one another. 

Other Resources From My Blog That Help With This:

Support Wordsnstuff!

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there are two key questions to gauge what sort of Weird Girl someone was as a preteen.

a) horses, dolphins or dragons?

b) Vikings, Ancient Egyptians or dinosaurs?

tell me in the tags please. if you were allowed to pick your own room decor between 7 and 13 the answer to A should be self evident bc every Weird Girl I knew who was allowed to pick had one of those three themes.

Based on your answers I am adjusting the Weird Girl Classification System

a) horses, dolphins, or wolves

b) dragons, pirates, or dinosaurs

c) Norse, Ancient Greek, or Ancient Egyptian

to correctly answer this quiz you should be choosing ONE from EACH section. yes we all liked horses AND dolphins AND wolves but you were either a horse girl, a dolphin girl or a wolf girl. look deep in your heart and you will find your answer. or look at the walls of your childhood bedroom.

(also you don’t have to be a girl NOW, or ever have been a girl, to be a Weird Girl)

A) Wolves

B) Dragons

C) Ancient Greek

No I was not allowed to decorate my own room(only coz I used to share my room with my little brother. Don’t ask)

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Resources For Writing Deaf, Mute, or Blind Characters

 Despite the fact that I am not deaf, mute, or blind myself, one of the most common questions I receive is how to portray characters with these disabilities in fiction.

As such, I’ve compiled the resources I’ve accumulated (from real life Deaf, mute, or blind people) into a handy masterlist.

Deaf Characters:

Dialogue with signing characters (also applies to mute characters.)

Mute Characters

Selective Mutism: 

Blind Characters:

Characters Who Are Blind in One Eye

Deaf-Blind Characters

If you have any more resources to add, let me know!  I’ll be adding to this post as I find more resources.

I hope this helps, and happy writing!  <3

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feefal

The ocean is sentient and she’s a pretty lady with water hair! Trust me, I went to science school.

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The Structure of Story is now available! Check it out on Amazon, via the link in our bio, or at https://kiingo.co/book

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As Andrew Stanton of Pixar says, "Make us care." That's the first goal of any story. Let's look at few techniques to make the reader care about your story.

Make the Stakes Clear and Personal

The stakes of a story are the things of great value that are on the line. They're the things that a character stands to win if they succeed or lose if they fail. If a character needs to win a competition in order to get the money to save their ailing grandmother, for instance, then the grandmother is at stake. If a character is seeking a treasure in order to save their neighborhood, the neighborhood is at stake.

In order for stakes to grip the reader, they must be personal. The stakes must be something of deep value that the character just can't stand to lose. It might even feel like a part of their identity. The more the character cares about the stakes the more the reader will as well. (And be sure the reader clearly sees how much the character cares about the stakes).

If a story has no stakes or the stakes aren't clearly defined or the character doesn't really care about the stakes, the reader may wonder, "But why does any of this matter?" Stakes answer that question. They give us a reason to care about the events of the story. They make the story matter. They make the reader care what happens to the characters.

Make Us Care About The Main Character

If the reader doesn't care about your main character, they likely won't care what happens to them and consequently won't care about the story. One of the first tasks in a story is to get the reader to care about what will happen to the main character. It's worth noting that this doesn't necessarily mean the reader has to *like* the main character, just that they're *interested* in them. This can be the case with antiheroes, for instance.

To get the reader connected with a character, there are three broad categories of techniques. You can show us that the character has had a hard life (i.e. bad stuff happened or happens to them and it's not their fault). You can show us that the character has admirable qualities to which we aspire (such as being courteous, funny, resourceful, etc.). Or you can show us that they're a human. They bleed like us, care about others, and feel lonely, etc.

Satisfy the Reader of the Genre

Each reader of a genre expects different things. Readers of mystery want to have to think. They want to see brilliant leaps of a logical and creative mind. Readers of fantasy want to be in awe. They want to see the originality and beauty of a new world, full of dangers. Readers of horror want to be scared. They want to fear the monster in the dark house.

If a story doesn't deliver on the expectations of its genre, readers will likely feel a bit betrayed. Make sure you're satisfying the readers of your story's genre by fulfilling their genre-specific demands and expectations.

Keep the Reader's Attention

There's an implicit promise made to readers that a story will be interesting throughout. As Elmore Leonard said, "Try to leave out the part that readers tend to skip." And if a story goes on for too long without maintaining the reader's attention, they'll certainly begin to skip or--even worse--stop reading altogether.

While each genre can use different tactics to keep the reader engaged, there are several techniques that will engage readers of any genre. The basic premise is to always keep the story focused on the future.

Give a character a strong goal, keeping the reader focused on whether the character can accomplish that goal. Give a character a secret that they're keeping from others, keeping the reader focused on when that secrete will be revealed. Make a promise to the reader that there will be a future event of importance. Put two characters on a crash course, keeping the reader focused on the moment when they'll meet. Give your story directed toward the future and keep the reader focused on wanting to know what happens next.

Make the Story Meaningful

Finally, make sure your story is meaningful. What's the thematic purpose behind the story? What's the slice of the human condition that we're exploring through this story? Is it about finding one's identity, losing a loved one, finding a family, going through an identity crisis, losing faith in love, letting go of a past memory, etc.? What's the emotion-filled life experience that makes us feel like this story actually mattered? At the end of the day, this is what we take away from stories. It's not the action or the explosions, it's the slice of the human condition that makes our lives meaningful.

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rinadragomir

Aesthetic Picrew🌝

Open tag!!!

[ID: a picrew of a person with their back to the viewer and their side profile visible, against a purple background. they are fair skinned and have long blonde hair. they wear a white coat, a pink hat, a pair of yellow sunglasses and they hold up a cigarette. /end ID.]

thanks for the tag @so1987 !!

[ID: a picrew of a brown person with xir back to the viewer and side profile visible, against a teal background. she has pink hair that reaches xir shoulders and wears a black mask. she wears a black shirt with a white design on it and she holds up xir middle finger. /end ID.]
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rolandtowen

[ID: a picrew of a woman against a dark green background with her back facing to the viewer. She has pale skin and reddish brown hair, and she wears a tan sweater under a denim jacket. Her hair is cropped into a pixie cut, and she wears over the ear headphones. She is playing on a red and blue switch. End ID.]

Tagging @that-was-anticlimactic @zukkaclawthorne and @babydotcom and the dash of course!!

tysm for the tag char, this was a fun one!! <3

[ID: A picrew of a person with their back to the camera. They have pale skin and shoulder length curly red hair. They have freckles and are wearing black glasses and a dangly moon earring. Their shirt is black with a white outer space-themed design on it. They have earbuds in their ears and are holding a phone with the Twitter logo on the screen. End ID.]

tagging (with no obligation): @terracyte @zukos-firebending @sheimagineddragons

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datonejagurl

I joined.

tagging one person since its 9 pm here and I legit losing brain cells-💕

Thanks for the tag @datonejagurl

[ID: a picrew of a black person with her back to the viewer and side profile visible, against a dark green background. She has coily dark brown hair and is wearing a black hat and glasses. She has a bandaid on her cheek and is wearing large, gold hoop earrings. She’s wearing a black see-through shirt with denim overalls and she’s holding a book. /end ID.]

Only if you want to! <3

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novelsbyrhea

Thanks for the tag @thats-my-type-writer!

If you feel up to it - tagging: @fantasydisease

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reblogged

The Structure of Story is now available! Check it out on Amazon, via the link in our bio, or at https://kiingo.co/book

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“That is why fiction existed, as a way to look at the world without being broken by it.” ― Olen Steinhauer, The Middleman

The first time I sat down to write a novel I had the idea that my post-apocalyptic book—about surviving after a nuclear holocaust—needed to be more realistic. Isn’t that ironic? My Sci-Fi Fantasy needed to be more realistic.

So, I showed every time a character walked in and out of a room. I even had a scene with the MC pooping in the woods! Oy! I tried to make every conversation believable. I tried to make their arcs more intricate because people are complicated and we don’t make real changes in a week and WHY ISN’T THAT EVER REALISTIC IN A BOOK! You hear me? Of course, you do. I just screamed at you in all caps. Sorry about that. I’ll turn down my volume.

Do you know why this was a mistake—this need to be realistic? It wasn’t because I did research. Research is invaluable. Things need to make sense. You can’t have a gun in a story that doesn’t even exist in real life (unless you make it very clear this gun only exists in the fantasy world) because some guy in Cleveland is going to get angry because he knows all about guns and he’s going to write the worst review you have ever read. OK Gary, we get it. You really like guns. Research is important.

No, it was a mistake because I forgot why people read fiction in the first place.

People know you can’t drastically change your personality in 200 pages. They know some hunky prince isn’t going to ride in on his horse and save them from a dragon just because it’s a Tuesday. Readers don’t care about your character’s bowel movements (unless you make a joke of it, like Bridesmaids).

People read fiction to escape reality. For just a moment your own problems disappear. Instead of dreading work tomorrow, you are marooned on an island with nothing but a shovel. Next time you become a princess trapped in an ivory tower and swoon when someone comes to save you. In the next story, you are a badass heroine who knows how to save herself. And with each story, you get a piece of humanity without also being bogged down by anxiety. You find a small piece of yourself in those characters and they make you braver, more ready to take on the dragons in your own life.

Reality was God’s greatest gift to man. But fiction was man’s greatest gift to himself.

Now if you write a romance and every character is rich and famous and pink and yellow and they live on an island with money-pooping llamas and everyone’s flawless and you go too far towards surrealism, well… good luck finding people who want to read that story.

If your characters are too imaginary who is going to relate to them? Who is going to root for them to win? We all want to find pieces of ourselves in stories. That’s the whole point.

Didn’t I just say DON’T be realistic? Now I’m saying you need to be realistic? Gah. Don’t you just hate when people contradict themselves like that?

What I’m saying is you need to find balance. Your story doesn’t need to be so real that you describe how often they poop or add “umm” or “like” or “…” to every conversation. You don’t need to make sure all their changes take place in a realistic timeline.

Writing is a balancing act between real and make-believe and you are a grand trapeze walker, braving the act for the world’s entertainment. And friend, you’ve got this.

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madlori

Writing advice you're not going to like.

People sometimes send me Asks wanting writing advice.  I suck at it.  I don’t really know how I do the writing, or how one should do the writing, or what one should do to get better at the writing.  All I can ever think to say is “write a lot of stuff and you will get better at the writing.”  Which is true, but hardly a bolt from the sky.

Well, as it turns out, I do have one piece of Legit Writing Advice, and I am going to share it with you, right now.  If you were in any of my writing workshop groups at a con, you’ve heard this advice already.

Warning: you’re going to fucking hate it.  But if you do it, you will thank me.

If you have a piece of fiction you’re serious about, something you might want to actually shop around, or just something you really are into and want to make it as good as you can…do NOT edit it.

Repeat.  DO NOT EDIT.

REWRITE.

As in, print out the whole fucking thing and re-enter it, every word (or use two screens).  Retype the whole thing.  Recreate it from the ground up using your first draft as a template.  Start with a blank page and re-enter every. single. word.

I hear you screaming.  OH MY GOD THAT’S INSANE.

Yes.  Yes, it is.

It is also the most powerful thing you will ever do for a piece of fiction that you are serious about.

Now, let’s get real.  I don’t do this for most things.  I don’t do it for my fanfiction.  But if it’s something original, something I might like to get to a professional level - I do it.  You absolutely COULD do it for fanfiction.  It’s just up to you and how much time you want to sink into a piece.

You can edit, sure.  But you WILL NOT get down to the level of change that needs to happen in a second draft.  You will let things slide.  Your eyes will miss things.  You will say “eh, good enough.”

The first time I did this, on someone else’s advice, I was dubious.  Within two pages, I was saying WHY HAVE I NOT BEEN DOING THIS ALL THE TIME.  I was amazed at how much change was happening.  By the time I got to the end, I had an entirely different novel than the one I’d started with.  When you’re already re-entering every single word, it’s easy to make deep changes.  You’ll reformat sentences, you’ll switch phrases around, you’ll massage your word choice.  You’ll discover whole paragraphs that don’t need to be there at all because they became redundant.  You’ll find dialogue exchanges that need reimagining.  Whole plot points will suddenly be different, whole story arcs will reveal their flaws and get re-drawn.

You cannot get down to the fundamental level of change that’s required just by editing an existing document.  You have to rebuild it if you really want your story to evolve.  You will be AMAZED at the difference it will make.

It will take time.  It will seem like a huge, Herculean task.  I’m not saying it’s easy.  It isn’t.  But it is absolutely revolutionary.

Try it.  I promise, you will see what I mean.

*PSA: Tipsy!Lori wrote this post.  In case you couldn’t tell.

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PREPPING YOUR NOVEL.

if you want to start your novel but you’re not sure where to start, i’ve collected a bunch of resources to help you along! this includes characterization, plotting, worldbuilding, etc. @made-of-sunlight-moonlight

CHARACTERS.

name generator: this one is pretty handy. it has a bunch of different generators based on language, gods, fantasy, medieval, archetypes, etc.

personality types: this is just the standard mbti personality list. it lists the strengths and weaknesses of each type, as well as how they do in relationships, etc.

enneagram: the enneagram personality types. this may help with characterization because it has “levels of development.” it also lists common fears, desires, and how each type interacts with one another.

emotional wound: your character should have something they believe about themselves that isn’t true. (ex: i’m worthless, i’m powerless.) this should start with an “origin” scene from their past, where something happens to create the wound. then there are three “crossroads” scenes to brainstorm, where things could have gone right for your character, but didn’t due to the wound, and because of that strengthened their belief in the wound. this helps you figure out why your character acts like they do. this is a really important one!!!

WORLDBUILDING.

worldbuilding template: this is a pretty good template / guide about how to build your world. it talks about geography, people, civilizations, magic, technology, economy, and politics. (you have to download this through email though.)

world anvil: if you really really want to go in-depth — this website is for you. there is so much you can do with this; i can’t list it all. history, timelines, important objects, cities, species — you name it, it’s probably on there.

worldbuilding bible: this is just a general list on things to think about when worldbuilding.

world creator: this website generates an entire planet. you can play around with the amount of land, as well as climate, although i’m not sure since i haven’t used it too much. here is the link if needed, though!

inkarnate: this is a really commonly used one. it’s free and makes good quality maps. you can lay out cities, landmarks, regions, and they even have little dragon drawings you can put on your map.

a tip: don’t over-worldbuild! you’ll end up spending a lot of time on things you won’t need. focus mainly on the things that you will use!

PLOT.

plot generator: this one’s kind of nice because you can lock elements of the plot that you like. that way you can get rid of the ones you don’t like while keeping the ones you do.

writing exercises: this one has a couple different generators, including one that gives you a situation, characters, and themes.

plot cheat sheet: this lists a whole bunch of plotting methods and their basic steps. i would play around with them and see which one works best for your method.

plot formula: this is mentioned on the cheat sheet, but it lists a bunch of beats and scenes which you might want to consider for those beats. kind of fill-in-the-blank-ish sort of thing?

save the cat: a method of plotting also on the plot cheat sheet above, but i wanted to point it out. i have been using this recently by taking a giant piece of paper, laying it out onto the floor, and making a timeline. pivotal scenes go on the right (ex: catalyst), while the bulk of scenes go on the left (ex: fun and games). i didn’t really have a website on this, but here is one that explains the beats. (i might make a post about this later, though?)

ETC.

story planner: this basically has a lot of templates that cover everything up there. the problem is that you get a free trial for a little while where you get as many documents as you want, then you have to pay for it. (although you can get around this by copying and pasting into a doc...?)

describing / related words: these kind of go hand in hand. if you put a word intothese websites, they will give you either a list of related words or adjectives respectively.

ea deverell: i've pulled a lot of stuff from this website to put in this post, but there's a lot more that can be used. Like a lot on basically anything — plot, character, world, outlining, writing itself.

reedsy: again, i've pulled a lot of stuff from them to put in this post, but there's much more. it's similar to the ea deverell one.

canva: this is more for making aesthetics and covers. (this thing is really helpful —and free!) although if you use this, i'd suggest pulling pictures off a website like unsplash; that way the pictures are free to use.

i hope you found this helpful!! :) happy writing!!

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THE ULTIMATE MASTERLIST

I've been putting this off for some time because ughhhhhh so much work ahah! Anyway, I finally bring The Ultimate Masterlist to your dashboards! Hold on, it's going to be a long ride~

General Posts

Writing Advice

Long Posts

And I think we're done for now! I'll try to keep it as updated as I can! All my love, Yasmine xox

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medlilove

To people who are desperately asking for fundz/donations on tumblr.

USE THESE REDDIT SUBS INSTEAD PLEASE FOR GOODNESS SAKE!!!!!!!!!

Hate Reddit if you want, but using these subs are your best chance. People gather in these subs because they have charity to spare:

I never see anyone actually getting any significant donations on tumblr and to be honest, tumblr is the worst place to ask for assistance. Use it as your last resort, it frustrates me to no end seeing people begging for help, reblogging the same post over and over, the same types of posts over and over, to no avail, when people are waiting to help you on a different part of the web  GO TO WHERE THE HELP IS. IF YOU WANT DIRECT ACTION TO WORK STOP WITH TUMBLR AND USE REDDIT.

PLEASE FOR THE LOVE OF SATAN REBLOG THIS SO WE CAN START REDUCING THE AMOUNT OF DONATION POSTS THAT GET STUCK FLOATING AROUND THIS WEBSITE

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Anonymous asked:

Hi! I’m having trouble moving characters from place to place, and I was hoping you could help? All the plot relevant stuff is fine, but as soon as I need a transition, it feels very weak and lame, like the characters are just awkwardly sidling out of the scene. Do you have any tips on scene transitions?

Arrival/Departure Transitions Are Awkward

Here's the thing: you don't have to show your characters arriving and departing from the scene location unless it's important for some reason. A scene can begin after the characters have already arrived at the location, and it can end before they leave the location.

Let's say your character Sara is meeting her friend Becky for a hike in chapter eight, you don't need to chronicle Sara's arrival at the park, because look how boring that is...

Chapter 8
I pulled into the trailhead parking lot and found a spot in the shade. Becky pulled in a minute later and parked next to me, so I grabbed my backpack and water bottle and waited in the shade.

Yuck.

So, let's try this instead...

Chapter 8
Ten-minutes into our hike, I remembered that I hated hiking. Twenty-minutes in, I was deeply regretting my life choices. Fifty-minutes in, we reached Manden Falls, and the blisters on my feet were definitely worth it.

Isn't that so much better?

BUT WAIT, THERE'S A TRICK TO THIS...

This only works if your reader is aware that the hike is going to happen. If you don't prepare them for the hike at the end of chapter seven, they're going to start chapter eight and think, "Wait... what hike???"

So, you need to create a little jumping off point at the end of the chapter that serves as a soft transition into whatever will be happening at the beginning of the next chapter--just some little reference to let them know it's coming.

It had been a long, stressful day, and I couldn't wait to meet Becky at the trailhead in the morning. It had been too long since I'd spent time in nature, and with any luck, it would cleanse all thoughts of Sam from my mind. Or--probably more my luck--I'd break an ankle and be in too much pain to think about Sam anyway.

Now, imagine flipping over to chapter eight, and it begins with "Ten-minutes into our hike..." You don't need to know that Sara got up the next morning, showered, got dressed, had breakfast, drove to the state park, parked at the trailhead, waited for Becky, etc., because your reader is smart. They understand those are all the steps of meeting someone someplace. Unless there's a particular reason why you need any of that, skip it, and just start the scene at a later point, when they're already at the location. Likewise, you don't have to leave with them arriving back at their cars and driving away. You could end with them swimming in the lake at the base of the falls and having the best day ever.

Here are a couple other posts on transitions you might find helpful:

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Have a writing question? My inbox is always open!

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reblogged

[image description: a tweet by user @/CHIPANIMUS that reads “What happens in your head when you do 27 + 48? PLEASE respond I’m tryna see something”. end id.]

7+8 = 15, carry the one, 1+2+4=7

75

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splinter-cat

48 + 7 = 55, 55 + 20 = 75

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novelsbyrhea

20+40=60, 7+8 = 15, 60+15 = 75

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