Digital labyrinth design, 2024 Title borrowed from Bob Dylan’s All Along the Watchtower (1967): There must be some kind of way outta here Said the joker to the thief There’s too much confusion I can’t get no relief
with some sparkles of light. Calcata, Lazio, Italy. Leica IIIg with 50 mm Summitar on Adox HR 50 B&W film.
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In many ways, 2023 was much like a dark tunnel for my family and me. Now that it's about to end there seems to be some light in sight. This photo was taken through the windshield while driving through the Gotthard tunnel in Switzerland.
Thank you for reblogging this photo, @koshigurajumy - much appreciated!
View of the Tiber river in Rome Ostiense, March 2024. Leica R4 with 35 mm Summicron on Ilford Ilfocolor 400 Vintage Tone film.
Für Alessandro Da. Und dann. Jetzt das. Und das. Und einen Eimer. Kommt hier rein. Scheisse. Runtergefallen. Jetzt einen Besen. Und dann das. Muss trocknen. Was ist denn das jetzt. Nichts. Blöd gelaufen. Funktioniert so nicht. Jetzt noch was. Gefunden. Und jetzt das. So geht das nicht. Vielleicht aber doch. In Ordnung. – Nicole Weiß (© 2024) (50 Wörter) Anmerkung der Autorin Gestern arbeitete der Handwerker Alessandro S. bei mir im Haus. Diese Kurzgeschichte basiert mehr oder weniger auf Dingen, die er während der Arbeit vor sich hin murmelte.
New crumple painting begun in March of 2024 (acrylic on wrapping paper) / Neues Knitterbild im Werden, begonnen im März 2024 (Acryl auf Packpapier) Not finished – more colors and details to be added / Nicht fertig – weitere Farben und Details werden dazukommen
Dedicated to Richard Brautigan One of its leaves, turned a little yellow, lies on the ground On the tiled floor On the red-tiled floor On the floor tiled with coarse red-brown tiles One should always be as precise as possible, to avoid misunderstandings as much as possible and to convey the best possible picture of the facts (Cont.) Yesterday you had two of these leaves in your hand when you…
Southwest Germany, March 2024. Diana Mini on Kodak Gold film.
with cowbells strung up and other utensils. Graubünden (Grisons), Switzerland. Leica R5 with 50 mm Summilux on Ilford HP5+ film.
Brunette, slim and trim, perky, hopes up but also visibly uncertain. Walks up the stone path to the country house and knocks on the door. We see what’s inside – a man and another woman in embrace. He opens the door, sees who it is, grabs a suitcase sitting by the door and throws it out. Slams the door in the poor girl’s face. “So, where were we?” he throws at the blonde inside. Always throwing something.
– James Steerforth (© 2024)
Based on a preview of the Klondike Adventures video game I get to see way more often than I like when trying to play Microsoft Solitaire. The picture above is a low-quality screenshot from the preview.
Hi joh! I see your photos and are wonderfull! I’m new in Tumblr and i posted a photo, i’m very glad in you check it 🙏🙏 from italy 🇮🇹
I looked at your tumblr but saw no photo. Looking forward to your work.
Wall art - drawing of a camera. Garbatella, Rome, Italy. Olympus XA on Ilford XP2 400 B&W film.
Calcata, Lazio, Italy. Leica IIIg with 50 mm Summitar on Adox HR 50 film.
New Delhi, India, 2022. Leica R4 with 50 mm Summilux on Ilford HP5 B&W film.
Stray dogs in a less prosperous part of New Delhi, India. Leica R4 with 50 mm Summilux on Ilford HP5 film.
Your face was in the shadow but I knew it was you (Bruce Springsteen, Point Blank)
Calcata, Lazio, Italy. Leica IIIg with 50 mm Summitar on Adox HR 50 B&W film.
