We’re not free in what we do, because we’re not free in what we want. We can’t overcome what’s deep within us.
DARK: SEASON ONE
@vvenusincancerr / vvenusincancerr.tumblr.com
We’re not free in what we do, because we’re not free in what we want. We can’t overcome what’s deep within us.
DARK: SEASON ONE
reading this mad men essay and going insane
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Hannibal 2.13 Mizumono / Sandro Botticelli, Lamentation over the Dead Christ, 1490–1492 (detail)
Illustrations for a Spanish edition of Wuthering Heights by Tino Gatagán
1. My Brilliant Friend
2. My Brilliant Friend S1E3 Metamorphoses
3. Those Who Leave and Those Who Stay
The Piano 1993 dir. Jane Campion
““Poor, plain, and little,” Jane Eyre—her name is of course suggestive—is invisible as air, the heir to nothing, secretly choking with ire.”
— Sandra M. Gilbert and Susan Gubar, “A Dialogue of Self and Soul: Jane Eyre”, in “The Madwoman in the Attic”
the killing s03e08
Sylvia Plath, from The Unabridged Journals
dilara findikoglu rtw autumn 2o24, lfw .
― Elena Ferrante, The Story of a New Name
[text ID: There are people who leave and people who know how to be left.]
Is my very nature that of the devil?
black sails / rené girard
thinking about how the reveal of flint being in love with thomas is the greatest thing that ever happened on television again… and even if thomas had actually been dead it wouldn’t have been an evil case of bury your gays trope because it’s not meaningless at all, it’s what gives the show its whole meaning and there is no show without it. it’s the moment you realize flint isn’t the villain, that he’s human, that his rage is justified. it’s the moment you understand and support his anger. the plot twist isn’t that he’s gay, it’s that your perspective shifts entirely because of this episode, and it fueled the show before you even knew about it, and it’s been years and i’m still amazed at how well they pulled that off
mariacarla / valentino spring 2004 couture