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Ascend To The Stars

@scullysexual / scullysexual.tumblr.com

Powder | 24 | she/they | queer | fics + edits | Church of Cleavage Cardigans + Spooky Dicks Discord Server | ask box always open for sending prompts | exist on ao3 as PostApocolypticAlien |
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pianogirlxf

Bought Gillian Anderson’s production-used X-Files script from season 9 that has her acting notes written on the facing pages. Yeah. I can die now. Lol.

im having a hard time reading this for some reason...can someone write them out plz?

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scullysexual

So far I've managed to make out:

They were ... into the body can't post mortem using ... ... ... mulder want important detail.

The marks appear to be purely symbolic ... venomous (?) Species collected locally.

And that that bottom bit aren't even words they're just scribbles like she had a fkn stroke halfway through or something

That top part that I missed the first time:

There's something strange, something you're not saying (?)

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pianogirlxf

Bought Gillian Anderson’s production-used X-Files script from season 9 that has her acting notes written on the facing pages. Yeah. I can die now. Lol.

im having a hard time reading this for some reason...can someone write them out plz?

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scullysexual

So far I've managed to make out:

They were ... into the body can't post mortem using ... ... ... mulder want important detail.

The marks appear to be purely symbolic ... venomous (?) Species collected locally.

And that that bottom bit aren't even words they're just scribbles like she had a fkn stroke halfway through or something

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doctorkatmd

I'm showing my partner X-Files for the first time, and they just had their first out loud exclamation of "Oh of course something weird happens and Scully misses it"

We're only six episodes into the first season. They do not realize yet this will be the majority of the show. I find gleeful delight in what was once my torture as a child, to now be theirs as an adult.

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Anonymous asked:

ACTUAL DRABBLE: Clyde Bruckman’s

The dog is an affront to wolves everywhere. Proof that God does indeed play dice with the universe. A paean to human arrogance.

Scully cups the ratty little face in her elegant hands.

Mulder grimaces in a way that could generously be interpreted as a smile, if one had only read about humans in books.

“Queequeg,” Scully murmurs.

Mulder knows that the dog has not objected to the taste of human flesh. Mulder knows he will tolerate the stupid dog because she loves it. Mulder knows Bruckman might have been Diogenes’s honest man.

“He’s a great dog,” Mulder lies, unrepentant

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Remember that little mid-Pusher fic I wrote a few days ago?

It's still haunting me. So bad.

All I can think about his Mulder's thumb lingering on the corner of her mouth and I feel like I will suffocate if I don't get it out, so have a taste of what I am now compelled to write.

———

She doesn't want to kiss him like this is the last time she will ever get to see his face, but her lips part, her body arches into his, and he leans against her more and more. Even when Mulder moves his thumb from the corner of her mouth to stroke her cheek, a gesture as familiar as it is calming, she cannot forget about the dawning reality that he might be about to die.

His mouth tastes like the spearmint chewing gum she keeps in her purse with a faint trace of salted sunflower seeds, and she runs her tongue over his teeth in an effort to map it out—just in case, just in case. 

Just in case he walks into that hospital and leaves strapped to a gurney, cold and lifeless. Right now, he is warmer than the blood running through her veins and the blush spreading across her cheeks; his grasp on her is both gentle and desperate, willingly taking and swallowing the silent pleas streaming from her mouth.

"Scully." 

It's a breathless whisper lost in the panic blooming in her chest, a fear so cold it burns away any rational thought, reducing her to screaming instincts and pure, unfiltered want. 

"Scully," Mulder tries again, her name pressed against her own lips so she feels it more than she hears it, but she can't listen to him, not yet. When he creates a tiny pocket of space between their bodies, one of her hands leaves his hair and fists his shirt with white knuckles and scratching nails. Mulder's mouth wanders, and so does hers, still refusing to part.

It's stupid, it's childish, it's borderline immature—it's everything she hates being, a completely new kind of vulnerability leaving her confused and off-balance. Tethering her to the ground beneath their feet is not the force of gravity but Mulder, who never leaves her orbit. No matter how many miles might separate them, she can always sense his presence: in the air, the lights blanketing the city, in the black ink pressed into the paper of their files, deep within her body buried in the marrow.

"Dana, please," he says softly, an exhale ghosting over her skin, and she finally breaks away with a gasp.

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the monday time loop was perfect and incredibly painful but imagine the same thing for the pusher episode.

they always end up in that hospital room. modell always has a gun and forces them to play his twisted version of russian roulette. the first chamber is always empty—and this is where the record stops and the needle scratches.

sometimes, mulder dies but he isn't supposed to, that bullet is not meant for him, and back to the start we go.

most of the time, he points the gun at scully, pulls the trigger, and watches her blood spill across the floor. she doesn't see the fire alarm, she reaches for his gun, she doesn't step back fast enough—a myriad of variables resulting in her death.

over and over. mulder has to watch her die over and over.

it's not a slow, creeping death like the one they have to face in the bank. this one is violent and quick, it's a trigger pulled against every single thought and instinct in mulder's body.

it's guilt. over and over and over. the needle keeps skipping, the song refuses to continue until they finally get it right. her lips move seemingly on their own accord, forming the same handful of words as she stares down the barrel of a gun.

look in the mirror. look in the mirror. look in the mirror.

until the bullet is in the third chamber, she sees the fire alarm and activates it in time. until mulder points the gun away from her and at modell instead.

the bullet is meant for him, and they are meant to stand and watch him waste away with their hands intertwined.

still, when they leave the hospital (alive, together) the guilt lingers in mulder's heart, and an odd phantom pain is lodged in scully's throat. she distantly remembers sprays of red and her knees buckling, a nightmare haunting her into the daylight, and her voice getting lost in her last breaths.

look in the mirror.

mulder doesn't ask, neither of them tells, but they go home together that night; his, hers, it doesn't matter as long as she can fit herself against his chest. as long as he can wrap her in an embrace and they can listen to their hearts beating beating beating past midnight and into the twilight.

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tlirsgender

Sometimes a creative outlet is a fun little hobby and sometimes it's a lifelong affliction. Like I crochet because making little woven animals sparks joy and I'm a writer whether I like it or not because I'm tormented by visions

Me crocheting: I made a duck ! ^_^

Me writing: pacing around talking to myself compelled by forces beyond my comprehension

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the thing about Dod Kalm is that, yes the science is well more than usually insane for a MOTW while trying to be explainable/curable, and yes 'aging' makeup is stupid looking, just like in all the 90s scifi shows where they did a rapid aging episode (all of them did, brief candle SG1 is particularly uh. Memorable lol. also a recurring theme on TNG). But i have a lot of affection for it despite it's oft hated status, bc it's M and S alone in the dark being so quietly, desperately worried and caring for each other. It's another of those season 2 episodes where they seem uniquely, gently married 🥺

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