@latigreblanche / latigreblanche.tumblr.com

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Overhaul: People think I’m a sadistic, heartless, cold-blooded monster that would sell you out to Satan if it means achieving my goals.

Shigaraki: …And?

Overhaul: Oh, and nothing. They are absolutely fucking correct.

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Overhaul: One time Pops gave me a glass of milk and I meant to ask him “Whose milk is this?” because I wasn’t sure if it was for me or if I was supposed to give it to Chrono, but instead I just stared down at the milk and said “Who’s this”.

Overhaul: Then Pops turned to me without missing a bit and said “That’s your new friend, Mr Milk” and we stared at each other and then he asked me if I was high.

Overhaul: To this day, I still have not lived it down.

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Overhaul: Setsuno… why did you draw a pentagram on the floor?

Setsuno: You told me to satanize the place before you came back.

Overhaul:

Overhaul: Sanitize, Setsuno. I said sanitize.

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[In battle against Mirio]

Overhaul: Chrono! Support!

Chrono: Well, you’ve got very nice hair, the mask really makes your eyes pop, and frankly, you’re the only guy I can rely on in this organization.

Overhaul: I meant shoot him! …But thank you.

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I can't believe I almost reached like, almost 600 followers here without doing ANYTHING. Wow.

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kimboltart

I had a dream that this happened so I decided to draw it out.

(though I couldn’t quite figure out what I wanted the last quote to be).

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22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”

Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.

The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.

Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.

THE PRINCE OF EGYPT (1998)

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