Miss Shadowheart is wearing vintage Dior HC s/s 1998
Like it’s written in the stars.
Mara Jade
🏓 ⬅️🅿️🅾️🆖
🅿️ℹ️🆖➡️🏓
🏓 ⬅️🅿️🅾️🆖
🅿️ℹ️🆖➡️🏓
🏓 ⬅️🅿️🅾️🆖
🅿️ℹ️🆖➡️🏓
🏓 ⬅️🅿️🅾️🆖
⚪⬅️➰Ⓜ️ℹ️💲💲
Oh, that's a point for you. I'll serve.
🅿️🅾️🆖➡️🏓
🏓⬅️🅿️ℹ️🆖
Sketch vs Finished drawings! Some more old Aveyond fan art, this time for Ahriman's Prophecy
from The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution, by Dan Hicks.
[Image ID: The book has been written with this motto in mind: as the border is to the nation state so the museum is to empire. Like the border uses space to classify, making distinctions between different kinds of human, so the museum uses time. Like the telegraph, the camera and the disciplines of archaeology and anthropology themselves, the museum seeks to annihilate time and space, to weaponise distance. Like the camera, the museum does not freeze time but controls exposure, measures out duration. A time of taking is giving way to a time of returns, like the gun that shoots twice, a second moment is coming. From the outset, therefore, we need a theory of taking. /end ID]
as the world falls down
Diane di Prima
ursula k. le guin, the lathe of heaven
Beatrice the Golden
BAIZHU ❖ CHANGSHENG ❖ QIQI
The Wizard’s Tower 🧙♂️
There is something peculiar in this bouquet in my Study.