SYDNEY SWEENEY. MET Gala 2024.
JEFF GOLDBLUM The 2024 Met Gala: 'Sleeping Beauties: Reawakening Fashion' May 6, 2024
Entreneuper Mona Patel in custom-made Iris van Herpen at the 2024 Met Gala, styled by Law Roach
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Zendaya at the 2024 Met Gala: "Sleeping Beauties: Reawakening Fashion" held at The Metropolitan Museum of Art on May 6, 2024 in New York City.
Eiza Gonzalez at the 2024 Met Gala
AYO EDEBIRI — The 2024 Met Gala (May 6, 2024)
bungus
welcome to ‘no note bungus’. reblog and you will feel a sense of accomplishment and goodwill wash over you
two note bungus if you’re brave enough
Perhaps three note bungus if you’re inclined
There are no happy endings because nothing ends.
THE LAST UNICORN (1982) dir. Jules Bass and Arthur Rankin Jr.
This album was made for me so if you don't like it don't worry about it, this is between me and Taylor
"and so i was out of the oven into the microwave" pulls from the phrase "out of the frying pan into the fire," which describes jumping from one bad situation into a worse one (because you go from cooking in a pan to literally throwing it in the fire.) moving on from something that took its time (oven) straight into a situation that nuked it to get the same result, but faster, and worse.
The thing about her musings on her youth in this album is not just about the spending her “prime” years with someone who ultimately couldn’t give her what she thought they both wanted (family, but also in general sense the happiness you get when you’re young and your whole lives are ahead of you).
There’s SO much about her youth in general here, and how the demons of the past have raised and broken her. How each of these experiences have chipped away at her youth. This whole album is give me back my girlhood, it was mine first.
It’s all the things she’s talking about had are part of the same big trauma of the loss of that youth and innocence. It’s snakegate and how Kim K and her lackeys deliberately set out to destroy Taylor’s reputation for sport, which ripped out Taylor’s last few grasps of that young adulthood freedom without her consent. It’s mulling the price she’s paid for spending her entire youth in the spotlight and becoming a commodity instead of a person. It’s looking at a friend’s child and wishing she could protect them from the world the way she wishes she could have been had she known. It’s putting your trust in your first love who ripped the rug out from under you and your faith along with it. It’s spending your time pining for your younger days in the haze of unspeakable loss. It’s carving off parts of yourself as you grow up to make yourself palatable to your peers and your partners and as a result not knowing what parts of you are left. It’s revisiting a love from your past when you still had it all, and after the initial frenzy realizing its hollow. And yes, it’s pouring your heart and soul into a relationship you think is forever and with each passing year the light in the window flickering dimmer and dimmer, only to realize the light wasn’t coming from your home after all, and you may lose your chance to find it again before it’s too late and the dreams you so desperately cling to vanish for good.
And that’s what the end message I think ends up being in So High School: she’s reclaiming the land as it were. All these things that were taken from her and that she gave up are up for a redo. And it’s not rewriting the past, it’s coming to the realization that all those parts are still within her but so is the good. That the freedom she gave up when she released her first album is still found in the backseat of a boy’s car all these years later. That she’s older and wiser and battleworn but that doesn’t mean she can’t find that joy and lightness. “I feel so high school when I look at you” is kind of a loaded statement from someone who didn’t really get to go to high school (both actually and metaphorically). “Bittersweet sixteen suddenly” (love that wordplay btw) because again— she’s been through so much that the feelings of new love that make her giddy like a girl are tinged because she’s been here before and also never been here before because she was never that kid.
(There’s also a whole tangent there comparing Miss Americana and the Heartbreak Prince to So High School and how fraught the first is vs the lightness of this one.)
That’s why this isn’t just a breakup album. It’s why she dredges up 2016 and Jake and Aaron’s son and childhood and high school and any other number of things. Because she has spent her entire youth and adulthood grappling with the issues that came to roost in TTPD, and while this whole experience underscores that you can never know what’s going on with someone (least of all Taylor, a stranger to us all), I also don’t think it’s a coincidence that she has stressed how much healthier and whole she is now. That is why this whole album is a bloodletting, but it’s not just about a broken relationship. It’s about a whole belief system that has stolen girlhood from her and she’s determined to piece back together in the aftermath of the autopsy.
Reblog with your score
HOW?
I love this song and the production. The low register in her voice is haunting. I wished I could play this all day, oh wait, I did 😅
Did you all see the recent YouTube shorts from Taylor today!!! TTPD will be on setlist for the eras tour??? I wonder if she will short each eras set list to add TTPD in the setlist. I hope she doesn’t cut out the surprise songs from the setlist, though she has to cut it somewhere. (See photos below)
🖤🤎🩶🤍
🎶: The Prophecy
And I sound like an infant
Feelin' like the very last drops of an ink pen
A greater woman stays cool
But I howl like a wolf at the moon
And I look unstable
Gathered with a coven round a sorceress' table
A greater woman has faith
But even statues crumble if they're made to wait
I'm so afraid I sealed my fate
No sign of soulmates
I'm just a paperweight
In shades of greige
Spending my last coin so someone will tell me
It'll be ok
Ooh
Ooh
Ooh
Ooh
Please
I've been on my knees
Change the prophecy
Don't want money
Just someone who wants my company
Let it once be me
Who do I have to speak to
About if they can redo
The prophecy?
Who do I have to speak to
To change the prophecy?
Hand on the throttle
Thought I caught lightning in a bottle, oh
But it's gone again
Pad around when I get home
I guess a lesser woman would've lost hope
A greater woman wouldn't beg
But I looked to the sky and said
Please
🖤🤎🩶🤍
🎙️: Taylor Swift
💿: The Tortured Poets Department: The Anthology, 2024
📷: Beth Garrabrant
🖌️: Me/ @karmaarchersistheblackdog
🖤🤎🩶🤍
🎬: YouTube Shorts via Taylor Swift
🖌️: unedited