@this-is-lyss / this-is-lyss.tumblr.com
people who are like 'yeah i can see the chemistry with swan queen but i haven't really given the ship a lot of thought' are WILD to me like bro ????? HOW ? can u teach me?? how can you not devote ten years of thought to them ??? how do u sleep at night
maybe i didn't "come back wrong" maybe you're just a bad necromancer. try taking a look at yourself before blaming others.
you know that character in TV shows who isn’t at all grounded in a specific setting, they just float around the cannon and pop in whenever convenient to either their own quirky motivations or the plot?
like, their existence is a little random and you aren’t wholly sure how old they are or where they live, but they somehow made it into the side-ensemble cast?
that’s the character energy I strive to give off.
but we were something, don’t you think so?
Ruth Wilson photographed by Christian Hogstedt for SBJCT Magazine
I am absolutely not joking at all when I say that The Sixth Sense should be required as teaching material when you’re trying to get kids to learn about why color matters.
No, the red DOESN’T mean love or violence or passion, however the creators set it up so that in this particular work red means OH NO A SCARY GHOST IS HERE.
When I was in college (as a lit major) I ended up sitting down and talking to a returning student who was having trouble in one of our classes. He liked books, and he had GI bill money so he decided to be a lit major.
He was VERY confused about the “The Curtains Are Blue And It Means Something” approach to symbolism and I remember that he very seriously got out a notebook and a pen, sat down, and asked me “Okay so what to stars mean as a symbol?”
And I was at a loss because of course I was! Stars-as-a-symbol can mean a thousand things and are heavily dependent on context. Are you reading a book about sea travel? Stars mean a map. Are you reading Maus? Stars represent faith and community and the way that the Nazis dehumanized Jewish people. Are you reading something by a romantic author who has a thing for the classics? Stars probably have something to do with heroism and destiny. Are you reading science fiction? Stars are probably just stars but if you’re reading Whipping Star by Frank Herbert they are literally people and our entire conception of stars is reexamined.
So one one the things that I think a lot of people are missing in their high school English classes is that whether the curtains are blue matters or not depends on the work.
The fact that Hamlet is wearing black is an important part of the story and the antagonist commenting on it it is almost the first thing that happens in the play.
What color dress is Lizzy wearing at the first dance in Pride & Prejudice? It doesn’t matter, the curtains are just blue.
And that’s one of those things that it takes a lot of time and a lot of exposure to different kinds of stories to learn and when you’re in high school you just don’t have that experience and your teachers are just now telling you for the first time “sometimes it matters why the curtains are blue” and I know you’re going “okay, sounds fake” but the goal is to get you to look at blue curtains and ask if they do matter, which is why they hand you books with big obvious examples of the kind of shit they’re talking about. You read A Tale of Two Cities because it’s full of binaries and line motifs and it’s the perfect thing to teach a fifteen year old how to look for a motif because there are a shitload of them. You read The Scarlet Letter to look for color symbolism and to ferret out biblical allusions.
“The curtains are just blue” is just “yet another day has gone by and I haven’t needed algebra.” Most people aren’t going to need algebra in their day-to-day lives but it’s handy to know how to do a bit when you need it and it’s good to learn that the concept exists.
If you’re reading books just because they’re fun and you like them then that is cool and I’m glad you’re having a good time and you absolutely do not have to give a fuck about symbolism.
But I am going to laugh my ass off at you if you’re one of those folks who is like “the curtains are just blue it doesn’t matter” and then whines about why scifi and comics and cartoons and video games are all political these days. They were always political, you just couldn’t tell because the curtains were red.
(also because you were socialized to see certain things as apolitical and value neutral but if you’re going “WHY DO THEY PUT SERIOUS MORALS AND SHIT IN A KID’S SHOW, STEPHEN UNIVERSE IS FOR TEN YEAR OLDS IT’S NOT THAT DEEP, LOONEY TUNES WASN’T LIKE THIS” I’m afraid I’m going to have to refer you to all the actual war propaganda made by Disney and Warner Brothers.)
I’m sorry there’s someone in the notes who’s onboard with this except for the political stuff because they claim that overtly political works are forgettable and didn’t stand the test of time because of their political bent.
And then they claim that the political SJW stuff in Dickens is subtle.
Which they differentiate from the penny dreadfuls and popular magazines of the time. Dickens was GOOD, not like that by-the-word popular crap.
Just for the record, if you’re not familiar with Dickens, here’s a little bit from his wikipedia bio:
His novels, most of them published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication.[4][5]Cliffhanger endings in his serial publications kept readers in suspense.[6] The instalment format allowed Dickens to evaluate his audience’s reaction, and he often modified his plot and character development based on such feedback.[5] For example, when his wife’s chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens improved the character with positive features.[7] His plots were carefully constructed and he often wove elements from topical events into his narratives.[8] Masses of the illiterate poor would individually pay a halfpenny to have each new monthly episode read to them, opening up and inspiring a new class of readers.
Yeah, Dickens is nothing at all like the MCU with its crowd-pleasing shot of SJW WOMEN SUPERS trying to cash in on a moment. THE ENTIRE PLOT OF A CHRISTMAS CAROL IS WORKER’S RIGHTS WHAT ARE YOU TALKING ABOUT???????????
Anyway.
Shakespeare is intensely political - what the fuck do you think the Richard plays are if not anti-Plantagenet propaganda?
Austen is WILDLY, VICIOUSLY political like seriously how many fucking times does Austen write about women who are getting absolutely fucked by the society that they’re living in and have to throw themselves on the mercy of kind relatives or hope that they can marry a kind husband spoilers it is all of the times, that is just a huge, ridiculous, outsized portion of what Austen wrote.
Mark Twain is mind-bogglingly political. You know what didn’t stand the test of time? Tom Sawyer, Detective. You know what did survive? The Adventures of Fuck Your Racist, White Supremacist System.
My university required that students take one of three Major Authors classes before they could graduate with a degree in English Literature. Our choices were Shakespeare (already discussed for his political commentary), Chaucer (whose negative characterization of the church was so overwhelming that it’s one of the jokes that actually made it in to A Knight’s Tale), and Milton, whose work you can only consider apolitical if you know absolutely nothing about Milton:
The reality is that if a work survives a hundred years most readers are not going to recognize the politics of the work. Shakespeare seems apolitical to an American audience only until we cast someone who looks like Donald Trump or Barack Obama to play Julius Caesar and THEN we get why there might have been something to do with politics in the original play.
This post initially got started because I’d been commenting on a post about Twin Peaks and its symbolism and there’s a joke in there about how the curtains are red, sure, but people got mad about the “political,” anti-nuclear messaging of the new series of Twin Peaks while totally overlooking the fact that the first two seasons are ENTIRELY AND ONE HUNDRED PERCENT ABOUT HOW A SOCIETY ALLOWED AN ABUSER TO FLOURISH UNCHECKED. That is not apolitical! This is a work that says “what if a society allowed a teenage girl to be sexually trafficked, to be forced into drug trade, to be physically and mentally abused, and still expected her to project normalcy? What happens to the girl and the society? What makes that possible?” and the answer is AN OLD EVIL IN THE WOODS THAT HAS ALWAYS EXISTED AND THAT EACH MAN HAS TO FACE IN HIMSELF OR BE LOST FOREVER TO DARKNESS . Twin Peaks is SO FUCKING POLITICAL.
And we’re still talking about it thirty years later because it was also good.
And this commenter is saying “we don’t remember shitty didactic novels because they were too political and were bad, if it was good and the politics didn’t clutter it up we remembered it” and no, bud, almost everything that DID survive is hardcore political in some way or another but you don’t have the historical context to feel it’s political in the same way that you feel including “gay people for the sake of gay people” is political.
OSCAR FUCKING WILDE DIDN’T GO TO PRISON FOR BEING AS QUEER AS A THREE DOLLAR BILL FOR YOU TO PRETEND THE IMPORTANCE OF BEING EARNEST IS APOLITICAL.
Is it a cute play about cute characters saying witty things? Yes. It’s also about being separated from yourself and not knowing the fundamentals of who and what you are because that was taken away from you by the institutions society sets up to raise you. It is about falling in love with a name and wanting to have that name because it is what is named that allows you to safely function in society and have a pretty wife and cucumber sandwiches instead of being confirmed bachelors with your dear friend Jack who comes into your home uninvited to lounge beautifully on your sofa.
So if you’re talking about survivorship bias, if you are looking at any work that we consider to be “Important” or part of the “Western Canon” that book is, without exception, deeply political - you just don’t see the politics because you’re reading it completely out of context.
gay people fucking love garlic like the G in LGBT stands for garlic
LGBT stands for Loving Garlic & Basil Tons
vampires may be allergic to garlic but, like lactose intolerance, we don't let that stop us enjoying something good
John Lewis on The Daily Show
whats the most difficult part of lesbian sex?
keeping ur cats out of the bedroom
“Give me a healthy teen romance!’
“Give me a queer couple!”
“Give me biracial couples!”
“Give me queer and biracial couples! And this time wlw”
“Now give me a queer, biracial, wlw couple and one of them is deaf!”
In conclusion: The Dragon Prince is one of the best shows on rn and the amount of representation, especially with the couples in it, is just great. Go watch it!
natalie portman radiates such a terrifying energy i can’t describe it….. it’s not exactly evil but it’s not warm either…. i feel like she could unhinge her jaw and drag me into the ocean like a kraken but she wouldn’t bc it’s undignified
Wanna know why?
“Oscar-winning actress Natalie Portman told the crowd at Saturday’s Women’s March in downtown Los Angeles that she experienced what she calls “sexual terrorism” as a 13-year-old after the release of the film The Professional.
Portman described her pride and excitement in releasing the film, only to encounter sexually explicit messages both directed toward her and made about her.
”I excitedly opened my first fan mail to read a rape fantasy that a man had written me,” she recalled. “A countdown was started on my local radio show to my 18th birthday, euphemistically the date that I would be legal to sleep with. Movie reviewers talked about my budding breasts in reviews.”
The experience, she said, changed the way she expressed herself publicly, in order to limit the ways she could be objectified by others.
”I understood very quickly, even as a 13-year-old, that if I were to express myself sexually, I would feel unsafe,” she said. “And that men would feel entitled to discuss and objectify my body to my great discomfort. So I quickly adjusted my behavior. I rejected any role that even had a kissing scene and talked about that choice deliberately in interviews. I emphasized how bookish I was and how serious I was. And I cultivated an elegant way of dressing. I built a reputation for basically being prudish, conservative, nerdy, serious, in an attempt to feel that my body was safe and that my voice would be listened to.”
Video of the speech here: https://www.vox.com/2018/1/21/16917130/natalie-portman-womens-march
I support Natalie Portman unhinging her jaw and dragging every last man who made her feel this way into the deep like a kraken.
anyway this is Oz & he’s the center of my universe
