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"writing a novel is agony" -Orson Welles

@trapped-inadystopianovel

27. Just a dyslexic wannabe writer trying her best to write some stories. WIP: Providence Main: tatitot19
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veneritia

When Comes The Dawn | The Agonia

When Kaelstansa the Great felt the gaze of the Lantern Bearer turn to him, he looked upon his children and wondered which of them would have the means to continue his legacy. That night, when he laid his weary head to rest, the Fortune Weaver appeared in his dreams in the guise of a golden bird. “Set before them three challenges, beloved-of-mine,” commanded the goddess. “One for strength, one for guile, and the last to test their character. The one who passes all three will have my blessing, and your kingdom shall reign forever in glory.” — The Aetieriana

The Agonia: a colloquial term in the Aetierian Empire, referencing the endless battle between imperial heirs for the right to ascend to the imperial throne. Though having evolved from the King’s Game, this term is neither used nor referenced in any codified works of law.

THE KING'S GAME

Unlike the majority of kingdoms in Raia, the Empire of Aetier had no official rules that dictated the succession of the crown. Its founding ruler, King Kaelstansa the Great, set the precedent of the monarch choosing their heir regardless of birth order, forgoing the standards of male primogeniture and decreeing that only the most capable of his children would succeed him on the throne. He determined this by devising a game: a set of three challenges designed to test his children’s mettle, known by historians today as The King’s Game. While the exact nature of these challenges have been lost to history, the concept of testing each vi Aetier scion carried throughout the generations until—

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How To Write Flawed Characters

Flaws are human. Not all characters are human/human adjacent. So if your writing a character who is perfect they don't need a flaw they need a foil but that's a conversation for another time. This post is dedicated to every hot mess of a character that has or ever will exist. What Even Is A Flaw? Flaws are negative qualities that negatively impact the character and the people around them. I wouldn't have thought I'd have to explain that but I saw someone say that their character selflessly putting the needs of others first to their own detriment was a flaw. So here we are. Selfless behaviour isn't a flaw, the self destructive nature of it is, however, not always. The key thing about flaws is they have to negatively impact others too. Let's say my protagonist Lorcan throws himself at a knight getting lots of broken bones but killing the knight and saving his comrades in the process. Was that really flawed behaviour? Or was it heroic? Now let's say he does the same thing but he's actually changed the whole dynamic of the battle and everyone around has to adjust. No longer able to follow the plan and just winging it; suddenly, the situation has become much more dangerous for them. That is flawed behaviour. He might've saved his comrades through his reckless disregard for his own life but he also endangered everyone with thoughtless action. Flaws are bad is the long and short of it. They don't even necessarily have an opposite good trait.

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I'm crawling out of the sewer to say it again: don't let anyone stop you from writing what you want to write.

Don't let people saying your writing is too 'self indulgent' stop you.

Don't let people saying your writing is 'not original enough' stop you.

Don't let people saying 'you shouldn't write this' stop you.

Write what compels you.

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veneritia

when comes the dawn monthly update {02.28.2025}

THE STATISTICS

the draft → 65,945 words words written this month → 1,347 words average word count per session this month → 337 words words written this year → 7,335 words

STORY NOTES

  • Not much writing done this much. Got a little burned out from IRL stuff, but I tried to make even a little bit of progress!
  • Finished the meeting between Fenice and High Commander Selene Doriaskora, so now we're switching gears and introducing a much older character that hasn't been mentioned in a good while: Lady Yorah (who is, fun fact, not an actual titled Lady but everyone calls her that regardless.)
  • Reminding myself again that I'm technically writing draft 0.5 so I'm allowed to skip to the meat of a scene so Ic an move this story along
  • Did some light editing on the previous scenes/chapters of the draft! There's quite a few scenes that I'll end up cutting in the end, but that's all for the best.

EXCERPT

Fenice might’ve been young but she wasn't so foolish as to walk into a strange room without some kind of protection. She was the Kaisarim of Isidore, and beyond that she was vi Aetier, born in the purple that entailed both glory and danger alike. “It is your master that requested an audience with me. She has quite the gall to dictate the terms of our meeting like this." Gesturing to Leda, “Let my companion enter so that I may be assured of my safety. If she deems it passable, then I am more than willing to treat with your Lady alone as promised.”

THE BLOG

Planned upcoming WIP posts:

  • The King's Game [updated version]
  • The Era of Three Crowns
  • The Royal House of Deominos

TAGLIST (ask to be +/-)

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Character Flaws and Their Meanings

Impulsiveness : Acts on instinct without careful planning. Perfectionism : Sets unrealistically high standards, leading to self-criticism. Indecisiveness : Struggles to commit to decisions or choose a path. Arrogance : Overestimates one’s abilities and dismisses others. Pessimism : Habitually expects negative outcomes in most situations. Cynicism : Distrusts the motives and sincerity of others. Overconfidence : Places excessive faith in one’s skills, often underestimating risks. Stubbornness : Resists change and refuses to adapt to new ideas. Jealousy : Feels envious of others' success or possessions. Insecurity : Experiences frequent self-doubt and a lack of confidence. Procrastination : Tends to delay tasks, often leading to missed opportunities. Passivity : Avoids taking initiative and relies on others to act. Aggressiveness : Responds with hostility or force rather than reason. Selfishness : Prioritizes personal gain over the welfare of others. Fragility : Is overly sensitive to criticism and easily discouraged. Egotism : Constantly focuses on oneself and one’s own importance. Defensiveness : Quickly rejects or rationalizes away critique or new information. Manipulativeness : Exploits others to fulfill personal needs or desires. Recklessness : Shows a careless disregard for potential risks or consequences. Resentfulness : Holds lingering bitterness and grudges over perceived wrongs. Distractibility : Finds it hard to maintain focus amid competing interests. Impatience : Lacks the willingness to wait, often spoiling opportunities to learn. Perfunctory : Performs actions in a mechanical, uninspired manner. Self-Doubt : Consistently questions personal abilities and decisions. Arbitraryness : Makes decisions based on whim rather than reason or evidence. Rigidity : Is inflexible and unwilling to consider alternative viewpoints. Gullibility : Trusts too easily, often leading to being misled or deceived. Obsession : Becomes excessively fixated on particular ideas or details. Aloofness : Maintains emotional distance, appearing detached or indifferent. Intolerance : Refuses to accept differing perspectives or lifestyles.

Writing Advice for Brainstorming

  • Mix genres and time periods: Experiment by combining elements from different eras or genres to create unique settings and narratives.
  • Use "what if" scenarios: Pose unexpected questions (e.g., What if time travel operated on emotions rather than mechanics?) to spark novel ideas.
  • Draw from diverse mediums: Engage with art, music, or even scientific papers to inspire unexpected plot twists.
  • Embrace absurdity: Let illogical or surreal ideas guide you; sometimes the wildest thoughts lead to compelling stories.
  • Reverse clichés: Identify common tropes in your favorite genres and deliberately invert them to create fresh perspectives.
  • Incorporate personal anomalies: Transform your idiosyncrasies and personal struggles into rich, multi-dimensional characters.
  • Use mind-mapping: Visually plot your ideas in a freeform way to uncover hidden connections between disparate elements.
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at some point you have to realize that you actually have to read to understand the nuance of anything. we as a society are obsessed with summarization, likely as a result of the speed demanded by capital. from headlines to social media (twitter being especially egregious with the character limit), people take in fragments of knowledge and run with them, twisting their meaning into a kaleidoscope that dilutes the message into nothing. yes, brevity is good, but sometimes the message, even when communicated with utmost brevity, requires a 300 page book. sorry.

this post is apparently going around terf circles now so i feel like i should let y'all know that you are agreeing with a transsexual lesbian who fucks nasty. get the fuck off my post and also your "feminism" is anything but.

reblog this version, cowards

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Random pieces of advice about worldbuilding and plot.

If every story is worth telling, there are some elements to take into account to make it right.

  • Every cause has consequences. A story is logical in one way or another. Whether you plan your story or go with the flow, if you ask about: the origins, reactions and actions to be taken following an event, the pieces somehow will ‘click into place’.
  • Everything has a cost. Magic system, war, life in general... Don't forget that resources are not unlimited. Consider the societal, social, natural, (magical, if need be) limitations.
  • Challenge the statut quo and the villain's motivations (if there's a villain in the original sense of the term) : Ask yourself why the villain wants to ‘change the world’ (and really question his legitimacy) and what the world should look like after the final confrontation. If we come back to the original point, it's that the plot didn't serve any purpose, being no more than a ‘historical aside’. Remember that everything happens for a reason, so make that reason a good one.
  • Make actual research about geography and climate: forest, desert and especially rivers can't pop out of nowhere, they must respect certain natural principles. For example, a river must have its source somewhere, often high up in the mountains. So it seems logical that a river should be close to a mountain. Be careful if you want to incorporate a map in your story !
  • Be careful when you rely on chance, fate or whatever you call it. I still can't work out whether it's worse than deus ex machina - especially if it's done badly. As far as I'm concerned, if you work well enough with the cause-consequence chain and have a good grasp of the limits of your universe, you won't need to rely on this kind of process. this one is actually pretty personnal, you have every right to disagree.
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xyywrites

How to write believable enemies-to-lovers dynamics.

Enemies-to-lovers is a beloved trope, but it’s also tricky to execute. The transformation from animosity to love needs to feel organic, not forced. 

1. Establish the Initial Conflict

Give your characters a solid, believable reason to dislike each other. It could be ideological differences, personal betrayal, or clashing goals. The conflict must be significant enough to justify their animosity.

“You stole my promotion. Do you have any idea how hard I worked for it?” “You mean the one you weren’t qualified for? Grow up, Lena.”

2. Show the Nuance in Their Dislike

Enemies don’t always have to hate each other completely. Maybe they grudgingly respect one another’s skills or admire each other’s dedication, even if it drives them crazy.

“For someone so insufferable, you sure know how to shoot straight.” “And for someone so arrogant, you’re surprisingly not dead yet.”
“She’s the most annoying person I’ve ever met.” “And yet you can’t stop watching her, can you?”

3. Create Forced Proximity

Give them a reason to spend time together despite their dislike. Forced proximity allows them to see past their assumptions and grow closer.

“If we don’t get this presentation done by morning, we’re both fired. So, shut up and start typing.” “Only if you stop chewing on that pen. It’s distracting.”
“You’re bleeding.” “Yeah, and whose fault is that?” “Mine, obviously. Now sit down so I can patch you up.”

4. Allow Their Views to Shift Gradually

The transition from enemies to lovers isn’t instant. Let them experience small moments of vulnerability, trust, or understanding that slowly chip away at their hostility.

“You think I wanted this? That I enjoy being the bad guy?” “I didn’t think you cared.” “Well, maybe I do.”
“You fight so hard for your people.” “You do too. I guess we’re not so different after all.”

5. Use Banter to Build Chemistry

Snarky, sharp dialogue is the lifeblood of enemies-to-lovers. Their verbal sparring should reveal their personalities, highlight their tension, and hint at deeper feelings.

“Careful, you almost sounded like you cared about me for a second.” “Don’t flatter yourself. I care about not dying, and you happen to be useful.”
“If you were half as smart as you think you are—” “I’d still be twice as smart as you.”

6. Show the Cost of Falling for Each Other

Enemies-to-lovers works best when there are stakes. Their relationship should challenge their beliefs, goals, or loyalties, forcing them to make difficult choices.

“If I help you, I’ll lose everything I’ve worked for.” “Then why are you still standing here?”

7. Add a “Breaking Point”

There should be a moment where their growing feelings clash with their existing animosity, leading to explosive tension.

“You lied to me!” “What did you expect? You’re the enemy!” “Not anymore. Or at least, I thought I wasn’t.”
“Why do you care what happens to me?” “Because I can’t stand the thought of losing you, okay? Happy now?”

8. Use Physicality Subtly

Small gestures can reveal their shifting feelings—hesitant touches, lingering glances, or protective instincts.

“Watch out!” He shoved her out of the way, taking the brunt of the explosion. “You idiot. You could’ve been killed.” “Yeah, but you’re okay.”
She caught him staring at her, his usual scowl softened. He looked away quickly, muttering something under his breath.

9. Build Toward a Satisfying Payoff

Enemies-to-lovers works because of the build-up. Don’t rush the resolution. Let their relationship evolve naturally before culminating in a moment that feels earned.

“I don’t want to fight you anymore.” “Neither do I.” “Then come here.”

10. Maintain Their Individuality

Their love shouldn’t erase who they are. They’re still the same people who clashed in the beginning, but now they’ve grown to understand each other.

“I’m still not letting you win.” “Good. I’d be worried if you did.”
“You’re still annoying.” “And you’re still impossible. But I wouldn’t have you any other way.”
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xyywrites

Tips for writing flawed but lovable characters.

Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk. 

1. Flaws That Stem From Their Strengths

When a character’s greatest strength is also their Achilles' heel, it creates depth.

Strength: Fiercely loyal.

Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.

“She’d burn the whole world down to save her sister—even if it killed her.”

2. Let Their Flaws Cause Problems

Flaws should have consequences—messy, believable ones.

Flaw: Impatience.

Result: They rush into action, ruining carefully laid plans.

“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”

3. Show Self-Awareness—or Lack Thereof

Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.

A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”

4. Give Them Redeeming Traits

A mix of good and bad keeps characters balanced.

Flaw: They’re manipulative.

Redeeming Trait: They use it to protect vulnerable people.

“Yes, I lied to get him to trust me. But he would’ve died otherwise.”

Readers are more forgiving of flaws when they see the bigger picture.

5. Let Them Grow—But Slowly

Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.

Early in the story: “I don’t need anyone. I’ve got this.”

Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”

End: “Thank you. For everything.”

The gradual arc makes their growth feel earned.

6. Make Them Relatable, Not Perfect

Readers connect with characters who feel human—messy emotions, bad decisions, and all.

A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.

A messy emotion: Feeling guilty afterward but doubling down to justify their actions.

A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.

7. Use Humor as a Balancing Act

Humor softens even the most prickly characters.

Flaw: Cynicism.

Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.

“Love? No thanks. I’m allergic to heartbreak—and flowers.”

8. Avoid Overdoing the Flaws

Too many flaws can make a character feel unlikable or overburdened.

Instead of: A character who’s selfish, cruel, cowardly, and rude.

Try: A character who’s selfish but occasionally shows surprising generosity.

“Don’t tell anyone I helped you. I have a reputation to maintain.”

9. Let Them Be Vulnerable

Vulnerability adds layers and makes flaws understandable.

Flaw: They’re cold and distant.

Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.

“It’s easier this way. If I don’t care about you, then you can’t leave me.”

10. Make Their Flaws Integral to the Plot

When flaws directly impact the story, they feel purposeful rather than tacked on.

Flaw: Their arrogance alienates the people they need.

Plot Impact: When their plan fails, they’re left scrambling because no one will help them.

Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.

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How to Start Writing Again When the Spark Fades

Sometimes the well of creativity runs dry, leaving you staring at a blank page with nothing but frustration. But trust that the art of writing is as much about the journey as it is about the destination. Here are some ideas to help you reconnect with your writing practice when you feel like your passion has dimmed.

  1. Redefine Your Environment Consider taking a deliberate step outside your usual writing space. The environment in which you work can drastically affect your mindset and creative flow. Even if it’s setting up in a different corner of your home, finding refuge in a local café, or enjoying the subtle distractions of a park bench, a change in scenery often signals a mental reset. This isn’t about permanent relocation, just a simple shift can break the monotony and stir new ideas that have been hiding in plain sight.
  2. Embrace Imperfection The pressure to produce perfect prose can be paralyzing. Give yourself permission to create something imperfect yet honest. Think of every sentence you write as a rough sketch, a necessary experiment in understanding your own voice. When you allow yourself the space to write without the weight of perfection, you invite experimentation and genuine self-expression. That freedom lies at the heart of rediscovering why you fell in love with writing in the first place.
  3. Set Incremental Goals for Continuous Momentum When the idea of diving into a full chapter feels overwhelming, scale back to manageable, bite-sized projects that feel achievable. Instead of demanding a polished page, challenge yourself to write a paragraph or even a single sentence each day. These micro-goals build a foundation of small successes, gradually restoring confidence and momentum. Over time, these consistent efforts enrich your creative reservoir, proving that every little step is indeed a victory.
  4. Engage Deeply in the Process of Freewriting Allow yourself to spill thoughts onto the page without judgment or expectation. Freewriting is an exercise in vulnerability and self-exploration, offering you a space to unburden tangled ideas and unexpected insights. In these unfiltered moments, you might stumble upon a germ of an idea or a rediscovered passion that rekindles your creative fire. Embracing this unstructured approach can transform an intimidating blank page into an open canvas of potential you haven't tapped back into.
  5. Rekindle Old Inspirations There is power in revisiting the work and moments that first ignited your creative spirit. Even if it’s rereading an old journal entry, rediscovering a favorite piece of literature, or reflecting on the stories that once moved you, reconnecting with your past inspirations can shed new light on your present creative journey. This reflective practice not only reminds you of your original passion but may also reveal new directions for your current writing endeavors.
  6. Create a Consistent, Loving Writing Routine Creating a structured yet gentle routine can help reestablish your relationship with writing. Treat your writing time as a vital appointment, a moment carved out just for you. Even if inspiration seems scarce, the simple act of sitting down, opening your notebook, and letting words flow without self-censorship can be incredibly healing. Over time, this practice transforms writing from an obligation into a ritual of self-discovery and mindfulness.
  7. Connect with a Community That Understands Engaging with fellow writers can remind you that you’re not alone in this struggle. The shared experience of creative highs and lows can be profoundly comforting. Join writing groups, participate in online forums, or simply reach out to someone whose work inspires you. These interactions foster a sense of belonging and accountability, encouraging you to keep writing even when the path isn’t clear. In the gentle exchange of ideas and feedback, there is often a spark that reignites your dedication.

Every writer’s journey is unique, filled with ebbs and flows. If you’re feeling disconnected, know that these moments are integral to growth. Embrace each phase as an opportunity to rediscover writing on its own terms, and allow your passion to guide you back into the words you love. If you need any advice from me, never be afraid to send me an ask.

Until next time, Rin T.

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