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Podcasts, languages and tea

@acidtygr / acidtygr.tumblr.com

Tygr | 30s | PL | xNFP
storyteller | linguist | artist
I like rainy November afternoons, night walks and high floors. I'm enthusiastic about a lot of things. I will treat you as a friend, until you prove me wrong (or tell me that you're not comfortable with my level of familiarity).
This is a reblog-heavy personal blog with loads of audio drama, TTRPGs and other stuff that I like.
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glumshoe

Wheat fields are more mystical than fields of other crops. You are 7,000 times more likely to meet an old god or see a portent of doom in a wheat field than in a field of like… soybeans.

For your consideration: cornfields

Cornfields are less mystical than wheat fields but more mystical than soybean fields. Two-bit monsters congregate in corn fields to eat people, but their power is nothing compared to the things that manifest in wheat fields. 

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systlin

Have been in both wheat and cornfields; can confirm. Cornfields host monsters who eat people. Wheat fields attract old gods. 

I have a theory that this is because the notions most of us have of “old gods” are pretty intrinsically European, and wheat was (and is) the staple crop of European life. It is quite literally tied to the ancestral rituals and beliefs of most white people. Odin, the Morrigan, and even Zeus are actually linked to a set of peoples who cultivated wheat.

Meanwhile, corn (maize) is a crop native to the Americas. It features in the white cultural imagination in a very different way. Corn is a motif seen not in our ancestral myths, but in a much newer genre: the American Gothic. With its focus on the tensions between man and nature and—perhaps more importantly—the United States’s history of genocide against its indigenous population and trade in enslaved Africans, the American Gothic is VERY preoccupied with agriculture. Our monsters come out of corn fields because corn is a symbol for not only what we did to the Native Americans (who were the first to grow the crop), but of what we are doing to the very land itself. Corn is a monument to our cultural sins.

Meanwhile, I suspect that corn features very differently in the imaginations of people of color. If you asked a Native American person or a Latinx person what sort of mysticism they associate with corn fields, I imagine their answer would be very different than ours.

TLDR: White people associate wheat with our ancestors’ gods because our ancestors grew wheat. We associate corn with terrible monsters because it is a literal sign of our own monstrosity.

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moniquill

Native American here, can confirm that small plots of corn feel safe and homey; ideally they should be interplanted with other crops. You find turkeys and possums and raccoons in the corn. It might tell you important knowledge.

However.

Giant monocultures of corn, where the corn grows unbroken for miles and miles, not near human habitation, devoid of local wildlife, just corn on corn in the soft wind? Corn mega monocultures? Those sound like screaming.

“monocultures attract people-eating monsters” is not the take I expected to see today but I’m glad I saw it

The anthropological analysis and discussion on folklore is spot on. 10/10

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roseofmyeye

Corn lore

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Neil Banging Out the Tunes (2023)

Air-dry clay over foil and wire armature, EVA foam, acrylic paint, paint marker

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reblogged

I just....I just learned that there's a word in the English language...for when you run into someone to hug them with all the enthusiasm and strength you have....I learned that it's called glomp.

My God, English has so many words to describe physical intimacy, I'm in love

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stargoyle

"This person has a secret onlyfans!" "This artist does NSFW commissions!" "This author writes porn on the side!" I cannot begin to tell you how swag and awesome that is.

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round 6: semi-finals

tap to view full images!!

Burza (The storm) by Zdzisław Jasiński, 1925:

  • propaganda: the atmosphere of this is unreal (no pun intended), the colors, the motion, drama and chaos, all over an unsuspecting peaceful landscape.

Orka na Ukrainie (Ploughing in Ukraine) by Leon Wyczółkowski, 1892:

  • propaganda: coming to you from the author of the beutiful beets painting from the first tournament: cows in the prettiest hues of the colour blue you’ve ever seen
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reblogged

TikTokers are such pussies when it comes to ships. “B-but they’re not canon 🥺🥺🥺😭😭😖😖” honey back in my day we shipped characters from entirely different medias uphill both ways in the snow

We need to reintroduce crackshipping into the zeitgeist. We use to be a society damnit.

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