la-louna-abandoned reblogged
la-louna-abandoned reblogged
On ‘Genderbending’
Lately I’ve been seeing people discuss why ‘genderbending’ isn’t transphobic, or why it’s something that’s fine and should be accepted. Most of the people who have been discussing this are cis, which is an issue right off the bat, so I’m going to preface this post by saying that if you are not trans, you do not have the right to determine what is or is not transphobic. Full. Stop. So if you’re cis, and your first instinct is to argue with me on this, I would like for you to consider why you believe that you can recognize transphobia better than someone who is routinely subject to it. That being said, let’s get into this.
To start off, what is ‘genderbending?’ Most fansites will define it as the act of ‘switching’ a character’s gender, but there’s already an issue with this. ‘Genderbending’, or ‘rule 63’ as is called in some circles, it not just about switching a character’s gender, it is about changing that character’s body as well. I have yet to see a ‘genderbent’ version of a male character who lacked breasts and a dfab body. This the first and most obvious reason why ‘genderbending’ is inherently transphobic - it assumes that physical traits and gender are the same thing, and that you cannot be female without also being dfab. This is cissexism, and this is transphobic. The message that ‘genderbending’ says is that you must have breasts and a vagina to be female, and you must have a penis and a flat chest to be male. I should not have to explain why that message is transphobic.
However, the way ‘genderbends’ are carried out also has distinctly transphobic implications in how it switches out the physical traits of characters to make them ‘the opposite gender’ ( the notion of there being ‘opposite genders’ is some fresh bullshit that I’ll cover later in this post ). For example, by giving a male character breasts and curves when ‘genderbending’ him, the message is clear that this character was cis to begin with. ‘Genderbending’ inherently implies that all characters are cisgender by default, and erases any possibility of these characters being trans. This is not as overtly transphobic as the first point, but it is harmful to trans people within fandom spaces, as the assumption that all characters are cis until explicitly stated otherwise pushes us out of media and removes whatever representation we might try to make for ourselves.
The third issue with ‘genderbending’ is that it is always cis male <—> cis female, and nothing else. I have never seen people ‘genderbend’ characters by making them nonbinary or intersex. I have never seen a genderbend of a female character which made her a trans male instead. ‘Genderbending’ implies that there are only two options when it comes to gender: cis male and cis female. There is no such thing as nonbinary people within this ideology. Intersex people are laughable at best. Agender people are little better than a distant myth. ‘Genderbending’ ignores that it is impossible to make a character ‘the opposite gender’, because there is no such thing as an ‘opposite gender’. Gender is a spectrum, not a binary, but you wouldn’t know that from the way fandom spaces treat it.
Of course, there are some reasons for ‘genderbending’ cis male characters into cis females that will always get brought up in discussions on the politics of ‘genderbending.’ The most frequent is that cis girls, who only see themselves as one-dimensional characters in media, want to have characters like them who are just as multifaceted and developed as the male characters that we are given, so they make their male faves female to give themselves the representation they desire. This is a decent reason for ‘genderbending’, but it does not excuse the fact that the way in which ‘genderbending’ is done is inherently transphobic, and it gives fans yet another excuse to ignore female characters in favor of focusing on their male faves.
Another reason for ‘genderbending’ that I’ve heard is ‘it’s for the sake of character exploration - like, what if this character had been born as male/female instead?’ This excuse is cissexist and transphobic from first blush. The idea behind it is that someone ‘born as female’, aka with breasts/vagina will automatically be a cis female, allowing fans to explore what that character’s life would have been like if they were female. Why not explore the possibility of a character being designated female at birth, but still identifying as male? Why do you need a character to be cis for you to find their personality and life interesting to explore? Why do you automatically reject the notion of your fave being trans? If you want to explore what it would have been like for your male fave to have struggled with sexism, consider them being a trans woman, or a closeted dfab trans person.
As a closing statement, I want to make one thing very clear. ‘Genderbending’ does harm trans people. It perpetuates dangerous cissexist notions and the idea of a gender binary being a valid construct, erases nonbinary and intersex people, and others trans people. These are what we call microaggressions - they are not as dangerous as outright harassment and assault, but they enforce and support a system and ideology in which we are other, and we are worthy of hate and violence because we do not fit in.
‘Genderbending’ is a transphobic practice, and if you engage in it, you need to be aware of and acknowledge this.
la-louna-abandoned reblogged
Anya Taylor-Joy by Charlie Gray for Netflix Queue
la-louna-abandoned reblogged
so I just connected the dots
la-louna-abandoned reblogged
BRIGETTE LUNDY-PAINE | photographed by An Le for VOGUE (Turkey) - 2019.
la-louna-abandoned reblogged
i’m curious what’s your sign and would u rather have elf ears or fangs? and why?
la-louna-abandoned reblogged
“I tell my students one of the most important things they need to know is when they are their best, creatively. They need to ask themselves, What does the ideal room look like? Is there music? Is there silence? Is there chaos outside or is there serenity outside? What do I need in order to release my imagination?”
— Toni Morrison, The Art of Fiction No. 134
la-louna-abandoned reblogged
I saw and reblogged this one a while back, but it’s always worth repeating, and this time I’m adding a bit of background info comparing common fantasy sword features to the Real Thing (with pictures, of course.)
Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.
Here are Celtic bronze swords…
…Ancient Greek Xiphoi…
… and a Roman “Mainz-pattern” gladius…
Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.
Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. They’re weapons if necessary…
…but since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.
This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside it…
…but may also have had the secondary function of being a saw.
A couple of internet captions say it’s for “cutting ropes” which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Hero’s rapier (!!) wouldn’t be anything like enough to sever them. However swords like this are extremely rare, which suggests they didn’t work as well as intended for any purpose.
I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).
A lot of “flamberge” (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.
The giveaway is the centreline: if it’s straight, the entire blade probably started out straight.
Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.
Again, the clue is the centre-line.
Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.
Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.
There’s no doubt about this one either.
The reason - though that was a part of it - wasn’t just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.
However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasn’t that much of an advantage after all.
Here’s a Circassian kindjal, forged wiggly…
…and an Italian parrying dagger forged straight then ground wiggly…
There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.
These more practical historical versions are usually called “sword-breakers” but I prefer “sword-catcher”, since a steel blade isn’t that easy to break. Taking the opponent’s blade out of play for just long enough to nail him works fine.
NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.
The missing tooth on that second dagger, and the crack halfway down this next one’s blade, shows what happens when design features cause weak spots.
So there you go: a quick overview of fantasy sword features in real life.
Here’s a real-life weapon that looks like it belongs in a fantasy story or film - and this doesn’t even have an odd-shaped blade…
Just a very flexible one…
If you want more odd blades, Moghul India is a good place to start…
ubercharge
i could not ask for a better addition to my meme post than blade education thank you so much
THIS IS ONE MOTHERFUCKER INSPAAAA!!!!!
*Vax'ildan intensifies*
not exactly an art tutorial, but if anyone is looking for inspiration on drawing weapons c:
Some tips on writing Latino OCs/characters
- Avoid the stereotype of the sex-siren “fiesty” Latino tropes: This stereotype does more harm than good, as almost all classic TV representation for Latinos is shown as the big hypersexualized character. By boiling down a Latino character to simply their sexual appeal, it denies them of their cultural identification if they do not fit what non-Latinos imagine all of them look like.
- Not all Latinos speak Spanish: In fact, many Latinos do not speak Spanish that often or at all. Many times, non-bilingual/Spanish speaking individuals will write Latino characters “slipping” into speaking Spanish. This, obviously, does not happen in real life. If a Latino says something in Spanish then they meant to say it in Spanish. Here are some realistic reasons why a Latino character could say something in Spanish/Spanglish:
- They are speaking to their grandparents or other people who only speak that language
- For emphasis. I would sometimes speak to my partner in Spanish because I felt as though I could express myself better and more naturally (also ‘te amo’ feels more impactful than ‘I love you’, but that just may be a personal thing), but this did not occur often.
- They are short phrases that any non-Spanish speaker could pick up on. Hola, gracias, de nada, mucho mejor, qué onda, madre/parde, casa, por qué are all ones I use around my friends sometimes. Again, sometimes.
- There are others I am sure, but please be careful when writing a Latino character speaking Spanish. As a Latino living in America, if I am be honest, unless speaking with other Spanish speaking individuals, I do not use the language all too often (just like any other language, weird how that happens).
- Do your research naming Latino characters: Please do not simply look up “Hispanic names” and choose the ones you like off of a list. If all your names look something like “Diego Rodriguez” then you are doing a bad job. Here are some tips:
- 69% of South America is Catholic and 19% is Protestant. Using that information, you are bound to have a lot of religious names. All of my siblings are named after biblical figures. Some examples I see a lot are: Rebecca, Isaiah, Claudia, Gabriela, Marcus, Elizabeth etc.
- In Latino culture, many times children take both their parents last names so their names would be hyphenated. For example: Father’s last name could be Perez-ABC and Mother’s could be Ramirez-XYZ so the child’s name would be Perez-Ramirez.
- This isn’t a hard and fast rule. If only one of the parents is Latino than most often they will simply do what most of Western culture does and take the father’s last name as the family name.
- Represent many aspects of Latino culture: I far too often only see Mexican Latinos, which is great, but also there are many other countries/places to represent (Cuba, Colombia, Puerto Rico, Costa Rica, Peru, Chile, Honduras and more)
- Latinos have a variety of hair colors and skin tones and body types, make them: Afro-Latino people exist, write them. White passing Latinos exist, write them (though if you are only ever writing Latinos with pale olive skin and eurocentric features, you’re doing it badly). Latino people with thick curly hair and bold features exist. Talk about it. Latinas are not just your vessel to write about “thicc” or curvy women. Petite Latinos and especially plus sized latinos need representation. Represent them.
- Latinos do not just eat ‘Mexican’ food: Stop associating all your characters with tacos and burritos.
- If you do have Latino characters don’t be afraid to make them queer or disabled or anything else under-represented.
- Avoid stereotypes altogether: The maid, the drug dealer, the sex symbol, the immigrant, we get it. That’s all we see in the media. Look up stereotypes, avoid them. It’s not “making a statement”, it’s racist, stop it.
- If you describe any Latino person as “spicy” or “exotic”………………… :) you know
- Make sure the connection to their cultural background makes sense: Some Latinos have a strong connection to their country and culture, some do not. Make sure it makes sense for their family history, background, etc.
This is all I can sort of think of off the top of my head. Latino people, please feel free to add on with anything else (my experiences are a bit limited as a Puerto Rican living in America, so the more perspectives the merrier). White people and non-Latino POC’s can comment questions but please don’t clown (no “I am not latino but also…!)
Please reblog, this is important for non-Latino creators!
la-louna-abandoned reblogged
but anyway!!!!! if you’re tired of period dramas about white lesbians in forbidden love, just watch more movies about wlwoc!!! our movies exist! our stories exist!!! just because they don’t get as much hype as carol/poalof/ammonite doesn’t mean they don’t exist!!! do your research and support more lesbian/bi/trans women filmmakers of colour! support dee rees! support cheryl dunye! support desiree akhavan, maryam keshavarz, sydney freeland, alice wu, tracey choi, shamim sarif, gazal dhaliwal, isabel sandoval, vera egito, vicky du, nisha ganatra, nahnatchka khan, zero chou, just to name a few!! yes it sucks that white stories are given precendence over theirs, but complaining about it while doing nothing to support them isn’t going to fix the problem. we shouldn’t just wait for the content we want to be spoonfed to us. it’s important to seek it out.
la-louna-abandoned reblogged
I mad agree with this.
This reminds me, if y'all haven’t heard of therapyforblackgirls.com please visit if you need a therapist. You can search by mental health need, location/distance, insurance, etc. I believe there are some that provide a sliding scale payment method for those without insurance.
If you’re not quite ready to make the jump, there is a podcast you can listen to as well as articles and links to help answer some of your questions about mental health and/or therapy.
The purpose, as I understand it, is to provide a place where black women can go to find culturally sensitive therapy. Some specialize in family/couples as well.
Take a look.
For any black Women following me!
Taking care of your mental health is another important factor in your overall health. Fighting for good mental health is a fight worth doing, and is just as difficult, if not moreso, than physical fighting.
-FemaleWarrior, She/They
ntbx
Especially with everything going on right now. We constantly hear how strong we are and it’s like no we can be tired, emotional, stressed too and we need to take care of our mental health. Here are some free therapy sessions that I’ve seen going around. Please share
girthcobain
Also Black minds matter UK!
I love this
paniclana
i hope this helps :)
la-louna-abandoned reblogged
movingscastles-deactivated20210
KEIRA KNIGHTLEY in COLETTE (2018) dir. Wash Westmoreland
la-louna-abandoned reblogged
“To live content with small means. To seek elegance rather than luxury, and refinement rather than fashion. To be worthy not respectable, and wealthy not rich. To listen to stars and birds and babes and sages with an open heart. To study hard, think quietly, act frankly, talk gently, await occasions. Never hurry. In a word, to let the spiritual, the unbidden and the unconscious rise up through the common. This is my symphony.”
— William Henry Channing, My Symphony
la-louna-abandoned reblogged
Writing advice from my uni teachers:
- If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.
- Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.
- Don’t overuse metaphors, or they lose their potency. Limit yourself.
- Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.
la-louna-abandoned reblogged
mich3454fest-deactivated2020110
pornhub is trafficking in plain sight
michfest
runawayswithme
Hey so Pornhub is fucking disgusting 100% but the group behind this petition linked above, Exodus Cry, are homophobic and hate sex work all together, as noted here by a sex worker. This petition however, is specifically against abuse in porn and porn that is stolen, and asks porn hub have an ethical verification process to avoid these problems, should be signed instead.
la-louna-abandoned reblogged
Phantom of the Opera but with lesbians
sign me the fuck up
Will Takarazuka Revue’s all-female production of Yeston and Kopit’s Phantom suffice?
S I G N 👏 M E 👏 T H E 👏 F U C K 👏 U P