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I dont know

@insert-cool-themesong-here / insert-cool-themesong-here.tumblr.com

Main account for spellingisoverated. Life form In their 20’s Trans they/them pronouns. If you would like to know the theme of this blog so would I, please let me know if you ever figure it out cause I haven’t.
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“oh no, my audience has begun to guess the big twists of my story and are accurately predicting what will happen!”

incorrect response: write the rest of the story to be as twisty, shocking and counter to expectations as possible, regardless of whether this is a logical or satisfying way for the plot to go

correct response:

can someone elaborate on the “make hoax” and “post angry tweet about “leak”“ part. i’m stupid and don’t understand things

sure!

(you’re not stupid. I posted this thinking it would amuse a handful of mutuals who all knew the context and that would be about it, so I didn’t think about providing any other explanation. I had no idea it would spread this far.)

I’ll start from the very beginning just to be thorough. so this is Alex Hirsch, creator and head writer of Gravity Falls, a show which had a big focus on mystery, conspiracies, codes and ciphers, etc. the whole plot is kicked off by one of the main characters finding a mysterious old journal in the woods, which detailed all kinds of weird and supernatural things, but then ended abruptly with the author saying they had to hide the journal because they were being watched. the central driving mystery of the show, therefore, was the question of who wrote the journal and what happened to them.

now, the thing about Gravity Falls is that, while it must be said that the writers weren’t always quite as sure of their plans as we tend to like to think they are, it is very much a fair play mystery, with legitimate clues to what was going on. but the writers were caught off guard by how quickly the show attracted a dedicated audience, including a lot of people outside the primary presumed demographic, who started solving the clues faster than expected. so some of the fans were able to correctly guess who the author was before it was revealed in the show, and the theory started spreading. this put the writers in something of a panic, because this was THE mystery that the whole story revolved around, with ¾ of the show building up to the dramatic reveal in the middle of season 2. they wanted it to be a mystery that could be figured out, sure, but they weren’t prepared for people to solve it so far in advance of when it was planned to be revealed, which would have really taken away from the big moment. they weren’t going to change the main story itself, but having been caught unaware by how much attention the fans were paying, they wanted to up the ante and make the mystery more complex to solve going forward–but first they needed to buy some time and throw the fandom off the scent for a little longer.

hence, Alex’s plan as described above. they whipped up a fake shot that appears to give away the identity of the author as being another character in the show, put it on a screen in the studio as if it was a real animation frame, took a picture of it, and ‘leaked’ it online. it was initially decided to be a hoax (albeit, I think, presumed to be a hoax originating from outside the production team), until Alex posted this tweet:

…before quickly deleting it (though not so quickly that it didn’t get seen, of course).

it worked well enough to distract most people for a while, and wasn’t revealed as a hoax until a year later, when an episode aired that definitively proved that the supposed screenshot could never have happened, at which point Alex owned up to the whole thing as seen in the tweet above. by then the episode with the real reveal wasn’t far off, and while people did still work it out ahead of time, it was more of an “OH MY GOD I KNEW IT!” moment than a “booooooring, we’ve known that for ages” moment, which of course was what the writers wanted all along.

personally I find this a fascinating approach to dealing with the problem of spoilers, because it doesn’t affect the story itself at all; if you watch Gravity Falls today–or if you were watching it when it aired without any significant contact with the fandom–you’d never know about it. ultimately, the problem the writers were facing wasn’t that some people might guess the answer to the mystery–they never wanted to make it completely impossible to predict–so much as it was that they hadn’t designed the story to stand up to so many people working on the puzzle together, which resulted in a sort of total output of puzzle-solving ability that far outstripped the capability of any one solo human being. so their solution is something that’s very much targeted toward delaying that group problem-solving, without actually affecting the experience of any individual person watching the show.

plus, it’s very in keeping with the overall tone of the show.

and now you know!

if your audience guesses the ending of your story

don’t:

  • change the ending

do:

  • gaslight them
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i took elvish in school and i fucking hated it. the teacher was like 700 years old and he'd like take us on field trips to sit on the banks of babbling brooks and watch the fall of sunlight through the leaves. my friends in spanish class were like conjugating verbs and shit and meanwhile i was in an old-growth forest being overcome with awe at the sight of a majestic stag. like uhh yeah mr autumnheart when are we gonna learn like any grammar "listen to the murmur of the wind in the treetops, and you shall find the grammar you seek" like fuck dude your pedagogy leaves much to be desired

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"If the Hargreeves had phones every season would end in two episodes!" Babe if there were cell phones in the Umbrella Academy it would be so much worse. Not a single person in that house is capable of conveying information in a coherent manner. Diego has them all blocked. Viktor only listens to his voicemail in bulk once a month. Five developed his own shorthand during the apocalypse that he truly thinks is coherent to other human beings (it is not). Luther, by nature of who he is, absolutely Does Not Text for any reason and keeps calling the others. Klaus is carrying at least four conversations in the same thread at any given point in time. Even if they all managed to remember that they owned phones (unlikely) and then proceeded to convey relevant information in a timely fashion (even less likely), not a single one of them would figure it out. Allison could probably muster the braincells necessary but would not under any circumstances manage to stay on task long enough to do anything about it. Phones would absolutely not help with anything at all.

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My animation of a flour sack. Words can’t express how proud I am of these 11 seconds.

I’m so delighted people are enjoying this so much. It was one of my very first animations in freshmen year, after bouncing balls. I was so excited that I just poured time and love into this little guy, and I’m so happy a lot of people like the tiny story I told.

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honestly don’t mind being an educational experience for people, it just perplexes me how cis people decide what the right time for these conversations are. call me bill nye the gender guy

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autumnhobbit

finally decided to sit down and watch the incredibles again. there will be no commentary because i’m gonna be too busy watching it

okay i just gotta say

having been married for 3 years now (almost), i really love how bob & helen argue. when i was a kid it just came off to me that everyone in this movie was being super mean for no reason but when you watch it as an adult it’s different. i really appreciate that even when bob is frustrated/angry he basically never lashes out at helen or the kids, his problem is he’s withdrawn and existantialling. i also really appreciate that when they do fight they’re actually more expressing their frustration than attacking each other. it’s only later when things get real that helen (understandably) gets really angry.

also edna’s advice is actually really good, helen’s just melting down over the idea of losing her husband (which is sweet and helps us understand her character) but edna tells her to confront it immediately, hold bob to account by leaning into his concern (all his heroics being forgotten) and reminding him that she’s a super, too. direct action is a blessing in communication.

i love how the movie communicates bob’s competency, like he’s actually handling all the twists and turns of the situation rapidly deteriorating very well, the only thing that throws him off is when his family gets involved. we also see helen’s competency in the plane scene and how she immediately knows something’s up when no one responds on the radio

syndrome is such a fucking good villain, saying ‘i seem to recall you prefer to work alone’ and laughing at him when he believes he’s murdered the guy’s wife and kids???? holy fuck

as previously mentioned bob breaking down and sobbing alone in the containment room shaped my personality

ah the good old days of 2004 when having a voluptuous mom ass was a bad thing. good riddance, we don’t miss you.

also the it’s a neat little parallel to bob’s body image struggles, they really went to great lengths to showcase that these people are equals & soulmates

the kids are really well-written too, they feel very authentically their age and they both have motivations, the writing does a great job of showing how the gravity of the situation sinks in for them and forces them to rise to meet it. dash especially fascinates me in this movie because he’s just the right balance between immature and starting, just starting to get that life is a big deal and stakes are real and you’ve got to care about what you’re doing and try to do the right thing in every situation. the way the kids instinctively protect each other even though all we’ve seen of them so far in the movie is antagonism is just *clenches fist* so good

The Incredibles is incredible on every level

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ave-aria

I appreciate the "there will be no commentary because i’m gonna be too busy watching it" followed by 8 of the truest takes on the movie, respect.

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