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back on my bullshit

@maviswrites

A blog to collect advice and references on writing. AO3 can be found as “maviswrites”.
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wrex-writes

Rehab for writing injuries

You’ve heard of “making writing a habit,” and you’ve tried, but the pressure to write fills you with horrible pain and dread. You spend all your time wishing you could write but somehow never writing. The “make it a habit” approach doesn’t work for you. But you still want to write, maybe even regularly. Is there nothing you can do?

Here is an alternative approach to try. A rehab program, as it were, for writers with a psychological “writing injury” that has destroyed their desire to write and replaced it with shame, anxiety and dread.

If you have a writing injury, you probably acquired it by being cruel to yourself, by internalizing some intensely critical voice or set of rules that crushes your will to write under the boot-heel of “you should.” “You should be writing better after all the years of experience you’ve had.” “You should be writing more hours a day, you’ll never get published at this rate.” “You should write more like [Hilton Als/Jeffrey Eugenides/Octavia Butler/Terry Pratchett/etc.].” “You should write faster/more/better/etc./etc.”

You know what, though? Fuck all that. Self-abuse may have featured heavily in the cool twentieth-century writer’s lifestyle, but we are going to treat ourselves differently. Because 1) it’s nicer, and 2) frankly, it gets better results. My plan here is to help you take the radical step of caring for yourself.

1) First of all: ask yourself why you aren’t writing. 

Not with the goal of fixing the problem, but…just to understand. For a moment, dial down all of the “goddammit, why can’t I just write? blaring in your head and be curious about yourself. Clearly, you have a reason for not writing. Humans don’t do anything for no reason. Try to discover what it is. And be compassionate; don’t reject anything you discover as “not a good enough excuse.” Your reasons are your reasons.

For me, writing was painful because I wanted it to solve all my problems. I wanted it to make me happy and whole. I hated myself and hoped writing would transform me into a totally different person. When it failed to do that, as it always did, I felt like shit.

Maybe writing hurts because you’ve loaded it with similarly unfair expectations. Or maybe you’re a victim of low expectations. Maybe people have told you you’re stupid or untalented or not fluent enough in the language you write in. Maybe writing has become associated with painful events in your life. Maybe you’ve just been forced to write so many times that you can no longer write without feeling like someone’s making you do it. Writing-related pain and anxiety can come from so many different places.

2) Once you have some idea of why you’re not writing…just sit with that.

Don’t go into problem-solving mode. Just nod to yourself and say, “yes, that’s a good reason. If I were me, I wouldn’t want to write either.” Have some sympathy for yourself and the pain you’re in.

3) Now…keep sitting with it. That’s it, for the moment. No clever solutions. Just sympathize. And, most importantly, grant yourself permission to not write, for a while.

It’s okay. You are good and valuable and worthy of love, even when you aren’t writing. There are still beautiful, true things inside of you.

Here’s the thing: it’s very hard for humans to do things if they don’t have permission not to do them. It’s especially hard if those things are also painful. We hate feeling trapped or compelled, and we hate having our feelings disregarded. It shuts us down in every possible way. You will feel more desire to write, therefore, if you believe you are free not to write, and if you believe it’s okay not to do what causes you pain.

(By the way: not having permission isn’t the same as knowing there will be negative consequences. “If I don’t write, I won’t make my deadline” is different from “I’m not allowed not to write, even if it hurts.” One is just awareness of cause and effect; the other is a kind of slavery.)

4) For at least a week, take an enforced vacation from writing, and from any demands that you write. During this time, you are not permitted to write or give yourself grief for not writing. 

This may or may not be reverse psychology. But it’s more than that.

Think of it as a period of convalescence. You’re keeping your weight off an injury so it can heal, and what’s broken is your desire to write. Pitilessly forcing yourself to write when it’s painful, plus the shame you feel when you don’t write, is what broke that desire. So, for a week (or a month, or a year, or however long you need) tell yourself you are taking a doctor-prescribed break from writing.

This will feel scary for some folks. You might feel like you’re giving up. You might worry that this break from writing feels too good, that your desire to write might never return. All I can say is, I’ve been there. I’ve had all those fears and feelings. And the desire to write did return. But you gotta treat it like a tiny crocus shoot and not stomp on it the second it pokes its little head up. Like so:

5) Once you feel an itch to write again—once you start to chafe against the doctor’s orders—you can write a tiny bit. Only five or ten minutes a day. 

That’s it. I’m serious: set a timer, and stop writing when the time’s up. No cheating. (Well…maybe you can take an extra minute to finish your thought, if necessary.)

Remember: these rules are not like the old rules, the ones that said, “you must write or you suck.” These rules are a form of self-care. You are not imposing a cruel, arbitrary law, you are being gentle with yourself. Not “easy” or “soft”—any Olympic athlete will tell you that hard exercise when you’ve got an injury is stupid and pointless, not tough or virtuous. If you need an excuse to take care of yourself, that’s it: if you’re injured, you can’t perform well, and aggravating the injury could take you out of the competition permanently.

For the first few days, all of the writing you do should be freewriting. Later, you can do some tiny writing exercises. Don’t jump into an old project you stalled out on. Think small and exploratory, not big and goal-oriented. And whatever you do, don’t judge the output. If you have to, don’t even read what you write. This is exercise, not performance; this is you stretching your atrophied writing muscles, not you trying to write something good. At this stage, it literally doesn’t matter what you write, as long as you generate words. (Frankly, it would be kind of weird and unfair if your writing at this point was good.)

6) After a week, you can increase your time limit if you want. But only a little! 

Spend a week limiting yourself to, say, twenty minutes a day instead of ten. When in doubt, set your limit for less than you think you’ll need. You want to end each writing session feeling like you could keep going, not like you’re crawling across the finish line.

Should you write every day? That’s up to you. Some people will find it helpful to put writing on their calendar at the same time each day. Others will be horribly stifled by that. You get to decide when and how often you write, but two things: 1) think about what you, personally, need when you make that decision, and 2) allow that decision to be flexible.

Remember, the only rule is, don’t go over your daily limit. You always have permission to write less.

And keep checking in with yourself. Remember how this program began? If something hurts, if your brain is sending you “I don’t wanna” signals, respect them. Investigate them, find out what their deal is. You might decide to (gently) encourage yourself to write in spite of them, but don’t ignore your pain. You are an athlete, and athletes listen to their bodies, especially when they’re recovering from an injury. If writing feels shitty one day, give yourself a reward for doing it. If working on a particular project ties your brain in knots, do a little freewriting to loosen up. And always be willing to take a break. You always have permission not to write.

7) Slowly increase your limit over time, but always have a limit. 

And when you’re not writing, you’re not writing. You don’t get to berate yourself for not writing. If you find yourself regularly blazing past your limit, then increase your limit, but don’t set large aspirational limits in an effort to make yourself write more. In fact, be ready to adjust your limit lower.

When it comes to mental labor, after all, more is not always better. Apparently, the average human brain can only concentrate for about 45 minutes at a time, and it only has about four or so high-quality 45-minute sessions a day in it. That’s three hours. So if you set your daily limit for more than three hours, you may be working at reduced efficiency, when you’d be better off saving up your ideas and motivation for the next day. (Plus, health and other factors may in fact give you less than 3 good hours a day. That’s okay!)

Of course, if you’re a professional writer or a student, external pressures may force you to write when your brain is tired, but my point is more about attitude: constant work is not necessarily better work. So don’t make it into a moral ideal. We tend to think that working less is morally weak or wrong, and that’s bullshit. Taking care of yourself is practical. Pushing yourself too hard will just hurt you and your writing. Also, your feelings are real and they matter. If you ignore or abuse them, you’ll be like a runner trying to run on a broken ankle.

I know I’m going to get someone who says, “if you’re a pro, sometimes you gotta ignore your feelings and just get the work done!” 

NO. 

You can, of course, choose to work in spite of any pain you’re feeling. But ignore that pain at your peril. Instead, acknowledge the pain and be compassionate. Forgive yourself if pain slows you down. You are human, so don’t hold your feet to the fire for having human limitations. Maybe a deadline is forcing you to work anyway. But make yourself a cup of hot chocolate to get you through it, literally or metaphorically. Help yourself, don’t force yourself. If you’ve had a serious writing injury, that shift in attitude will make all the difference. 

In short: treat yourself as someone whose feelings matter.

Try it out! And let me know how it goes!

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reblogged

hey, i have an issue when it comes to physically writing things down. i've basically memorised all my worldbuilding, and if people call on me to explain a part that i already know, i can explain it. but the problem here comes with writing these thoughts down. every time i go to type up dossiers of my cultures, i draw up blanks, despite not lacking anything to write about. all my ideas take the form of feelings and vibes that i dont know how to capture. anything i can do to fix this? thank you

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The blank page writing dilemma is extremely common and regularly trips up many authors, no matter how many ideas they have. I'm not able to write directly on a Word doc. I'm not able to put my ideas in an Excel sheet, even though I can do that for work, and I'm not able to use Scrivener, as helpful as it is. I can use the computer for everything but novel writing.

And yet, despite in my mid-30s with probable ADHD, I've been able to write a number of novels and short stories. I've got a literary agent, and maybe someday will actually sell a book, who knows? But the point is if I can do this, so can you. In order to get anything done, I turn it into an art project.

Now, I'm not an artist. I can't draw, and I don't have much patience for learning beyond the basics of other art forms. But I can take a bunch of differently colored sticky notes, assign each color meaning, and slap them to a huge project board laid out with an outlined plot structure (I personally use Save The Cat as a starting baseline). I can use some macaroni to make a fantasy map. I can create character flash cards and add vital information to each.

  • Gather Your Tools - It takes some trial and error to find the method that works for you. You can try flash cards, you can try sticky notes, you can try colored pencils or fancy pens (I have to use Uni Power Tank pens, nothing else works). If laying out your scenes on flash cards doesn't work because you don't like things out of order, put them on sticky notes. Give yourself enough room to expand out - on a table, on the floor, on your bed. As long as you're creating something, you are making progress.
  • Start Small - You have a big whole world in your head, of course it's going to be hard to write down. Pick one thing - a character, a setting - and focus on that. Make a character sheet, create a playlist, spend way too much time on Canva creating a moodboard. Whatever gets the idea out of your head and onto something concrete that you can see helps.
  • Your notes can be as detailed as you want - Know how a scene goes to the very last detail? You don't have to write it down in full. Alternatively, however, I find my scene notes tend to be what amounts to my first draft - I get an outline in there, some dialogue, notes on setting and mood. But it's entirely up to you and what suits your needs!
  • Look, just make those playlists and moodboards - It feels like it's wasting time, it's not. You're getting those ideas flowing any way you can. Use every tool that helps.

This is all good and well, but how to get from preparing to write? Well, this is where it gets challenging. A detailed book, like Book In A Month, can help, writing advice is not one size fits all, and writing books are not rigid structures to stick to, but guides.

  • Make a reward system - I use stickers . Seriously. In addition to my notes, I have another sheet pinned above my desk with each chapter listed, the goals for each (draft, edited, etc), and a spot for a shiny sticker (also, I used to be a teacher, and you never get over the joy of using stickers). But any system will do, as long as you keep it to something that's easy to maintain and won't break your bank.
  • Chuck your goals - Can't get a chapter done? Focus on a scene. Can't get the scene to work? Focus on a chapter. Write your dialogue in script form, sketch out fight scenes with notes on details to add later. Everything is fixable, as long as you have something to fix.
  • Can't write on a computer? Try something else - Okay, look, I can't draft anything if I don't do it by hand. Is this the greatest idea? Maybe not, but it allows my brain to slow down and get the words to where I want them to be. I don't draft fast, but I do draft well because I'm handwriting, and my first attempt often resembles the final version.
  • Form habits and rituals - I have to write with a certain type of pen (hello, Uni Power Tank I have to buy online because they only make them in Japan). I have to write on a certain type of paper, with specific margins, because any size deviance between pages will drive me nuts. Is this stupid and arbitrary? Yes. Does it work for me? Also yes, which is why I do it. Find that kooky writing habit that works for you, and keep to it. If it works, it works.

There's nothing wrong with you. Your lizard brain knows writing is hard and it doesn't want to do hard things if it doesn't have to, so you have to find ways to trick your brain into wanting to do the hard thing (by hiding the fact that it's hard). It won't be easy, and you'll still have a lot of moments of frustration, but creating the right writing habits that work is the first step to getting those worlds out of your head and onto the page. Good luck!

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luxflora

My go-to strategy for first-draft, getting-it-on-paper (or google doc) is to use voice to text! It's saved me on several essays, and if I'm having trouble on a story, it helps there too. I hit the microphone button and ramble for awhile, trying to piece together a cohesive idea (I want this in my story... I know these characters do this... maybe they get there by this? Yes, and...), and go until I'm relatively satisfied. Even if I have to stop and do something else, when I come back, I have a starting place. There's a lot of editing that text, because the voice-to-text isn't perfect (and there's lots of "um"s and "and"s), but I consider that an opportunity to reflect on what I said and put it together more coherently!

I spent all day telling myself 'don't forget to mention text-to-speech, don't forget to mention text-to-speech' and what do you know....

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nelc

I hope you don’t mind, but I slowed the gif down because that is a FANTASTIC move.

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night-claw

The sword clearly cuts his wrist and waist. I mean he took the guys sword away, sure, but also fucked up his own ability to fight at the same time. It’d be one thing if he was wearing armor, but this is like a dueling thing.

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armthearmour

I think you give too much credence to a Sword’s ability to cut. This is from the manual I practice, “Il Fior di Battaglia,” “The Flower of Battle,” by Fiore dei Liberi. I have performed this maneuver, and I’ve gotta say, when done right, it feels good.

Point being, if you do it right, when you pivot around your guard and bring the pommel around the blade, your wrist does come into contact with the edge, but there is no sliding motion, and it’s that sliding motion that causes a blade to slice. You pivot, pull against the blade, and it goes flying as your wrist pulls away from the edge.

I’ve never made a blade go flying so far as the guys in this video, but even if I did, the blade doesn’t have the right kind of leverage and power behind it to cut into his waist there. It would strike him, and he might feel it, but I doubt it would even scratch his clothes.

I wrote one of my characters doing a similar move to disarm someone in a couple seconds, now I finally have a concrete picture of exactly how

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reblogged

hey, i have an issue when it comes to physically writing things down. i've basically memorised all my worldbuilding, and if people call on me to explain a part that i already know, i can explain it. but the problem here comes with writing these thoughts down. every time i go to type up dossiers of my cultures, i draw up blanks, despite not lacking anything to write about. all my ideas take the form of feelings and vibes that i dont know how to capture. anything i can do to fix this? thank you

Avatar

The blank page writing dilemma is extremely common and regularly trips up many authors, no matter how many ideas they have. I'm not able to write directly on a Word doc. I'm not able to put my ideas in an Excel sheet, even though I can do that for work, and I'm not able to use Scrivener, as helpful as it is. I can use the computer for everything but novel writing.

And yet, despite in my mid-30s with probable ADHD, I've been able to write a number of novels and short stories. I've got a literary agent, and maybe someday will actually sell a book, who knows? But the point is if I can do this, so can you. In order to get anything done, I turn it into an art project.

Now, I'm not an artist. I can't draw, and I don't have much patience for learning beyond the basics of other art forms. But I can take a bunch of differently colored sticky notes, assign each color meaning, and slap them to a huge project board laid out with an outlined plot structure (I personally use Save The Cat as a starting baseline). I can use some macaroni to make a fantasy map. I can create character flash cards and add vital information to each.

  • Gather Your Tools - It takes some trial and error to find the method that works for you. You can try flash cards, you can try sticky notes, you can try colored pencils or fancy pens (I have to use Uni Power Tank pens, nothing else works). If laying out your scenes on flash cards doesn't work because you don't like things out of order, put them on sticky notes. Give yourself enough room to expand out - on a table, on the floor, on your bed. As long as you're creating something, you are making progress.
  • Start Small - You have a big whole world in your head, of course it's going to be hard to write down. Pick one thing - a character, a setting - and focus on that. Make a character sheet, create a playlist, spend way too much time on Canva creating a moodboard. Whatever gets the idea out of your head and onto something concrete that you can see helps.
  • Your notes can be as detailed as you want - Know how a scene goes to the very last detail? You don't have to write it down in full. Alternatively, however, I find my scene notes tend to be what amounts to my first draft - I get an outline in there, some dialogue, notes on setting and mood. But it's entirely up to you and what suits your needs!
  • Look, just make those playlists and moodboards - It feels like it's wasting time, it's not. You're getting those ideas flowing any way you can. Use every tool that helps.

This is all good and well, but how to get from preparing to write? Well, this is where it gets challenging. A detailed book, like Book In A Month, can help, writing advice is not one size fits all, and writing books are not rigid structures to stick to, but guides.

  • Make a reward system - I use stickers . Seriously. In addition to my notes, I have another sheet pinned above my desk with each chapter listed, the goals for each (draft, edited, etc), and a spot for a shiny sticker (also, I used to be a teacher, and you never get over the joy of using stickers). But any system will do, as long as you keep it to something that's easy to maintain and won't break your bank.
  • Chuck your goals - Can't get a chapter done? Focus on a scene. Can't get the scene to work? Focus on a chapter. Write your dialogue in script form, sketch out fight scenes with notes on details to add later. Everything is fixable, as long as you have something to fix.
  • Can't write on a computer? Try something else - Okay, look, I can't draft anything if I don't do it by hand. Is this the greatest idea? Maybe not, but it allows my brain to slow down and get the words to where I want them to be. I don't draft fast, but I do draft well because I'm handwriting, and my first attempt often resembles the final version.
  • Form habits and rituals - I have to write with a certain type of pen (hello, Uni Power Tank I have to buy online because they only make them in Japan). I have to write on a certain type of paper, with specific margins, because any size deviance between pages will drive me nuts. Is this stupid and arbitrary? Yes. Does it work for me? Also yes, which is why I do it. Find that kooky writing habit that works for you, and keep to it. If it works, it works.

There's nothing wrong with you. Your lizard brain knows writing is hard and it doesn't want to do hard things if it doesn't have to, so you have to find ways to trick your brain into wanting to do the hard thing (by hiding the fact that it's hard). It won't be easy, and you'll still have a lot of moments of frustration, but creating the right writing habits that work is the first step to getting those worlds out of your head and onto the page. Good luck!

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the-banannah

My sister has this!

It’s called dysgraphia!

Instead of a block between the word structure and the brain, like dyslexia, dysgraphia is a block between the brain and the hands, or that’s how it was explained to me about 15~ years ago.

My sister could tell you about this amazing story, fully fleshed out world with complex characters, and she could tell you in grammatically sentences, all verbal. The second you told her to write it down, pen and paper, typing, she physically wasn’t able to.

Well that sounds like useful information, let me look this up for more info -

Dysgraphia is common among individuals with ADHD.

Oh

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reblogged
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malglories

character-driven outline

so! this is my outline template!

i combined save the cat, dramatica, and a character arc guide from this site to create a character-driven outline that suits my tastes, and also based the format off of the “foody” method, seen in this video.

disclaimer that i’m not an expert; i just spent a ridiculous amount of time making this, and to me, it makes sense, so i thought i would share.

here’s the link! to use, click make a copy or download.

(long) explanation under the cut

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Your book is going to be great; just put one word in front of the other. 

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unwriter-sc

Until we hit a plot hole.

Nope. No negativity - you drop into that hole, see what you can learn from it, clamber out and finish your draft.

You can edit a bad book, but not a blank page.

I think that’s a really, really important note and I never thought of it in that context. But if you stop and look at your plot hole and can identify why you stopped? you CAN get back out.

Examples:

  • “I’ve written myself into a corner” - back up to your last branch, and restart
  • “I have no idea what’s going to happen next” - have a plotting session (which may just consist of figuring out what WON’T happen and going with what’s left)
  • “I have no inspiration for this piece” - take a break, and ideally revisit your source of inspiration, remember why you wanted to write it to begin with!
  • “This absolutely sucks” - ngl, it might in fact actually suck, but the only way to write better words is to hone your craft; keep writing, and read a lot too

Just a few small things, but it helps.

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Writing advice from my uni teachers:

  • If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.
  • Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.
  • Don’t overuse metaphors, or they lose their potency. Limit yourself.
  • Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.
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.

@space-australians Feels like this would kinda fit your blog, specially for writers who want to make up weird human space shenanigans involving a ship and alien crew and what not.  Maybe someone can write about how a person fixed a specific part in the dumbest way possible using the right words XD

Guys, NASA is cool.

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emperorsfoot

If you scroll to the bottom of the page, they have a whole list of articles and pages to help sci-fi writers. NASA is the best! 

@eosiadusk for one of your WIPS

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bladelei

Go forth and Knowledge

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reblogged

The Amazing Devil Writing Prompts [1]

  1. I know the kindest thing is to leave you alone.
  2. I’ve run out of my words, my song
  3. I could try to calm you down, but I know you won’t
  4. May I, I ask, may I?
  5. You’re the words that I promise I don’t mean
  6. We’re drunk (but drinking)
  7. Remember me I ask, remember me I sing.
  8. Think of all the horrors that I promised you I’d bring.
  9. Witness me, old man, I am the Wild
  10. That I might understand as best I can how bold I was, could be - will be - still am, by god still am.
  11. Welcome to my table, bring your hunger 
  12. Without you, I’m stronger, I’m no longer filled with wonder.
  13. How wrong you were.
  14. You told me I was younger
  15. So one last time, love, come and rip my clothes off
  16. Get a grip, we’re grownups 
  17. Let’s wander, till the fuckers demand an encore
  18. Flirting (Wasn’t flirting) At the back of a bookshop
  19. This time we’re done for.
  20. Let’s hide under the covers
  21. So hold me, lover, like you used to 
  22. I’d briuse you. I’d bruise you too.
  23. I’ve got something in my eye
  24. I surrender what was, what could have been 
  25. Don’t you ever wonder, what could have been? 
  26. Come rest for the winter, wear my jumper all night long 
  27. I’m lost, I’m found, in you.
  28. Can’t you hear that scratching? 
  29. A storm is coming on.
  30. Wear a raincoat or it’ll soak you to the bone 
  31. What’s it like, the children ask? 
  32. I am above you, and I love you, don’t you know.
  33. When it’s cold I’ll wrap my scarf around you
  34. When it’s hard I’ll place your head into my hands
  35. Pretending not to see your ghost.
  36. If only you could hear my voice
  37. You are screaming far to loud to hear me swear.
  38. Just because I left doesn’t mean that I’m not still there.
  39. Make all of those mistakes that make me laugh
  40. Oh darling lord, how you make me laugh
  41. Get drunk for me, sing louder than you’ve sung for me
  42. I’ll stick up for you, even though you haven’t got a clue, you haven’t got a fucking clue
  43. When they laugh at us you’ll feel my fingers down your back
  44. You were supposed to be my light and keep me safe against them all.
  45. How could you leave me here?
  46. I know you’re strong enough to do this on your own.
  47. You’ll miss me, oh Jesus Christ, you’ll miss me.
  48. I’ve been so scared you left me here behind, do you not care?
  49. How the fuck am I supposed to carry on without you here?
  50. Just when you’re about to give up every hope you have, you turn around.
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prokopetz

The secret to writing relatable characters is to picture yourself in their circumstances, carefully fix in your mind exactly what information would be available to you in that situation, and figure out what the worst possible decision you can imagine yourself honestly thinking seemed like a good idea at the time is.

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Writer Beware makes posts on which publishing houses to avoid at all costs, which words to look for and which words to watch out for in contracts, and several other things that will keep you in control and knowledgeable about the publishing process.  I’d suggest reading through the website if you want to avoid getting ripped off, cheated, or scammed.

I’m just going to reblog this every so often because it’s a site that every writer needs to see.

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taakovapes

HEY WRITER FRIENDS

there’s this amazing site called realtimeboardwhich is like a whiteboard where you can plan and draw webs and family trees and timelines and all that sort of stuff. you can also insert videos, documents, photos, and lots of other things. you can put notes and post-its and, best of all, you can invite other people to be on the board with you and edit together!! 

this is really really awesome and a great tool for novel planning, so if you’re doing nanowrimo…. this could be good for you!!

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HOW I TAG ON AO3 - A BEGINNER’S GUIDE

Disclaimer: This is my personal tagging system. It will not be for everyone; it is not a list of requirements; and it is not the “final say” on how to tag on AO3. This is a guide for my own personal use (which developed over the course of writing fics and posting them to AO3) and for the use of anyone who wants a few potential directions on how to begin tagging their fics.

Roughly 6k words. May be edited in the future. 

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Archery information for writers that no one asked for but probably some of you need and I like talking about archery, so here it is.

  • when you put an arrow on the string, the verb is called “nocking” i.e. eyes glued on the target, he nocked the arrow
  • also the part of the arrow that gets put onto the string is called the nock. depending on the type of arrow this can be a piece of plastic glued into the arrow, or with wood or bamboo arrows it can be carved into the shaft of the arrow itself
  • you do not close an eye when aiming or shooting; you see better with both eyes open.
  • everyone has a dominant eye that more naturally your brain focuses with. that determines whether you are right or left handed when shooting, and doesn’t necessarily correlate to whether the person is right or left handed in anything else
  • so if you’re writing a character who has difficulty seeing out of one eye, take that into account when they are shooting
  • if they are right eye dominant, they hold the bow with their left hand and draw the string with their right. if they are left eye dominant, they hold the bow with their right hand and draw the string with their left
  • if they shoot left, the quiver sits on their left side/hip/thigh. shoot right - right side quiver.
  • there are several different ways to draw, if you are writing something historical or in a specific region, then do research on that style of archery. but for a generic place to start that is a more universal way of drawing a bow, here are some things to include
  • the chin stays down. raising your chin will fuck up your aim
  • the pointer finger on your draw hand rests on the side of your chin/jaw, and the string of the bow will touch the tip of the archer’s nose
  • weight is on the balls of your feet, leaning slightly forward off your heels
  • if it is an older bow/barebow, there is not usually a place for the arrow to rest on the bow. this means the arrow rests on the archer’s hand. if they are not wearing a glove on that hand, the fletchings (that’s the feathers on the arrow) will more than likely slice their hand when firing. this scars.
  • so if you’re wanting to describe someone observing and archer’s hands (hands are hot, don’t @ me) they would see a silver scar about halfway between the pointer finger knuckle and palm of the person’s hand. (turn your hand vertical and trace down the length of your pointer toward your thumb and stop next to the knuckle. that spot there.)
  • most archers wear something to protect their fingers on the hand that draws the bow. even with that, they have callouses. without it, a lot of callouses, scars, and blisters.
  • most common draw uses three fingers on the string: pointer, middle, ring. the arrow sits between the pointer and middle. just like where the draw point is, this is not universal and do research if you’re doing something culturally important.
  • barebow means that the bow is bare of any instruments. no sight, no weights, etc. the most basic/traditional form of bow
  • a recurve bow is anything where the tips of the bow curve back around forward, away from the archer
  • a compound is what you think of as a modern hunting bow, and is recognisable by having wheels at the ends and three strings
  • arrows have three fletchings that form a triangle, the point faces the archer so that the flat of the arrow will pass the flat of the bow on release. the arrow sits on the side of the bow facing the archer
  • archers with a larger/raised chest will sometimes where a chest protect so that the string does not catch when firing (this is regardless of gender, i know several cis-men who need it as well)
  • string can also catch on the forearm that is holding the bow and creates bruises and welts if you don’t wear a protector. modern ones are small plastic and cover just the spot, with elastic holding it in place. traditional ones are leather and wrap all the way around, lacing up on the back of your arm like a corset.

there is literally so much more, but i feel like this is plenty to get you started, and as always, feel free to drop an ask in my box if you need something more!

This is SUPER helpful! Thank you!

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If you’re planning on one day turning your manuscript in to literary agents and publishing houses, you need to make sure it’s formatted correctly. In many cases, your manuscript will be skipped over if it isn’t done to industry standard, so here’s the basics that you’ll need if you don’t want to be ignored. Before I get started, please know that this is aimed specifically at fiction manuscripts. If you’re writing non-fiction or a memoir, the expectations will be different, so it would be wise to Google what you need.
The Basics
  • Make sure your font is 12 point Times New Roman, Courier New, or Arial. These are the only three fonts you are allowed to pick from.
  • Your spacing should be 1 inch on all sides of the text. This is the default on most word processors, but double check your settings just to be sure.
  • Your text should be double spaced.
  • All of your indentations must be a half inch. Do not press indent. Instead, drag over the top arrow on the ruler to have every new paragraph automatically indent.
The Title Page
  • The top left-hand corner of your title page will have all your personal information. They want to see your name, address, phone number, e-mail address, the novel’s genre, and word count.
  • Your novel’s title is allowed to be between 20-24 point font if you want. Bold is also an option, but not necessary.
  • The title will appear halfway down the title page.
  • “A novel by [your name]” will be about three quarters of the way down the page.
The Next Pages
  • If you have a dedication, it will be on its own page.
  • If you have some sort of verse or quote, those will also need their own pages.
  • Do not include a page for acknowledgements.
The Chapters
  • Chapter titles will be 12 point font. No bolding or italics.
  • Chapters will start from one quarter to halfway down the page.
  • An easy way to format chapter headings is to press enter five or six times
  • Make sure you always start your chapters the same way every time.
  • When you start a new chapter, make sure you use a page break to bump the new chapter onto a new page. This will keep it in place so that it will never budge, no matter how much you cut out or add to the previous chapter.
Page Numbers
  • Page numbers will start with 1 on Chapter 1 of your manuscript. Page numbers will not appear on the title page or dedication page.
  • Page 1 will be labeled in the footer of Chapter 1. It should be centered.
  • Page 2 will be in the header of the next page.
  • From page 2 onward, your headers will be labeled like this:
  • If you insert a section break after the title and dedication pages, it will make it easier to insert the page numbers.
For the most part, this is the most important of what you’ll need to know for formatting your manuscript. I used this video as reference, so I’m trusting everything it says is true because it was made by an author who has several novels published, and because it was uploaded this year, it should be up to date.
But just remember, whenever you go to turn in a manuscript, make sure you check the website of the agent or publisher you’re trying to contact. They might have specifications that differ with the ones stated in this video, and you should always do whatever you can to abide by what they want.
The song used for sample “novel” is Captain Albert Alexander by Steam Powered Giraffe.

@thebibliosphere is this legit?

It’s pretty much the basics, yeah. Although you should always check the individual guidelines of every publishing house/agency as well. Most of them will either outline it on their submissions page, or have a clear and visible link to it. While these things tend to be standardized, some houses/agencies might make their own requests, and it’s always good to check as it shows you’re paying attention.

You’ll also need to write a cover letter, pitching the manuscript. Again, check what they’re looking for. Most of the time they’ll want a brief synopsis of your work, usually 300 words or under. They’ll read that before they even look at the manuscript.

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