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. chiseplushie .

@chiseplushie / chiseplushie.tumblr.com

. HP fanfiction ° Slytherin ° Writer ° Sleep .
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bucky, seeing someone in the distance singlehandedly taking on thanos: what a fucking idiot

bucky, .00000021 seconds later and about to have an aneurysm: wait that’s MY fucking idiot

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reblogged

goddamn, writing a big fic is so hard like i’m out here making stupid mistakes and forgetting what I’ve written and repeating tropes and just! 😣😤 damn!

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chiseplushie

At least you're doing something with words and possibly plot. Maybe scribble some bullet points for each chapter with important bits noted?

I'm just twiddling my thumbs and trying to make sense of my alphabet soup.

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Gun Terms for Writers

As someone who writes fics with action sequences and the use of guns, I thought maybe it would be helpful to pass some things on. Even though I’ve done lots of research and talked with family members (I live in WI which is a big hunting state and we have lots of guns), I still catch myself making mistakes with specific terms and their usage. Reading more James Bond fics lately, I catch others making mistakes also. So here is a little guide to help writers. 

  • A ‘clip’ is something that stores multiple rounds of ammunition. It is not what you would insert into a handgun to load it. Clips make loading into a magazine easier because they simply store the rounds. It helps with organization. 
  • A magazine is what feeds the ammunition into the barrel. Magazines vary in capacity. They, unlike clips, are spring-loaded, which helps the ammunition move in the gun. So, when you want a character to reload, they would use a pre-loaded magazine, NOT a clip. 
  • A silencer is really a suppressor. ‘Silencer’ is a word that’s used in media to refer to a suppressor that doesn’t exist in real life. Guns that are suppressed will still be loud and have a sound. This is because compressed air will still leak out of the end of the barrel, you can’t silence a bullet moving extremely fast through the air, and you can’t silence the mechanical parts on a gun. There will be a noise, but it just won’t be as loud or more importantly, alert people in a nearby area that a gun was just fired. SO suppressor is a much more accurate term technically speaking. 
  • There are different kinds of suppressors. One important kind suppresses the muzzle flash. It’s likely a sniper would use this more than they would want to use a sound suppressor, as the muzzle flash more easily enables you to be spotted when you don’t want to be. These are simply referred to as flash suppressors. 
  • After a handgun runs out of ammunition, the slide will lock back into place and you will know that it is out. There is no ‘click’ signifying an empty weapon that is so dramatized in movies and tv. A more likely scenario that would prevent a gun from firing would be a jam. Or programming the gun to recognize certain palm prints. 
  • A great place for writers, in particular fanfic writers, who want information on guns is imfdb. You can find out what guns are used in movies and shows, and what guns characters use. You can also just search for guns. 
  • If you want to get really specific, check out YouTube. There are users who will post reviews of guns on there, which can be really helpful if you want to see how a particular gun looks or how to shoot it. 

So yeah! Here are just a few basic tips if you want to write a fic where a character uses guns. 

I see you’ve got terminology down, now let’s go for a little technicality. 

  • Firstly, let me explain the “kick” of a gun. A “kick” is the feeling of the round leaving the barrel of the gun.  Every gun has one, the impact of the “kick” depends on the caliber, make and type of gun.
  • Another way to describe a kick is the feeling of the gun exploding in your hand.  Of course, the gun doesn’t literally explode, but it is a great burst of power that only lasts a second.
  • For example: A .45 mm hand gun with have a bigger “kick” than a .22 mm hand gun.  If someone is a first time shooter and does not know what to expect, they would most likely drop the gun after firing it once due to the shock of the force being released in their hands.
  • Sniper Rifles are incredibly accurate and mainly used for long distance hits.  They are also ridiculously heavy, as most rifles are, therefore, be prepared for a gigantic “kick”.
  • Sniper Rifles are special because they are so powerful (they need to be in order to have the same impact a .45mm would 10 feet away compared to the shell half a mile away), thus a stand is required to use it.
  • No matter what you will always need a firm holding to place the rifle (besides your grip) in order to prevent the gun from falling over after it is discharged and injury to your person. There are ridiculously powerful guns.
  • General rule of thumb is that you place the butt of the rifle next to your shoulder, just below your clavicle.  I’m not very good at describing this position, so I suggest looking it up.  DO NOT place it anywhere in the armpit area, dislocation is likely to occur.  Depending on how prepare you are and the type of rifle being used (excluding snipers), bruising might occur.
  • You will be standing if you use a normal rifle, so make sure you are steady and prepared for the “kick” that follows after.
  • If you are using a sniper rifle, you will be on the ground or leaning against something.  Some people have special rests for their snipers specifically to fire the gun from any spot.  Point is: do not stand alone while firing this.  You will get hurt.

Other helpful tips:

  • Earplugs or Ear Protectors are your friends.
  • Safety glasses are also your friend to avoid shells from flying into your face.
  • Keep the safety on until you are ready to fire the gun.
  • If you are NOT currently firing the gun, whether it is loaded or unloaded, and it is in your hand, ALWAYS hold it with two hands and point it at the ground at your feet. DO NOT get distracted.
  • NEVER joke around with someone by pointing the gun at them.  EVEN IF YOU ARE ABSOLUTELY POSITIVE THAT THE GUN IS TOTALLY UNLOADED, MAGAZINE OUT OF PLACE, DO NOT RISK IT.  It is not funny.  Even if the gun is on safety, do NOT do it.  You could accidently switch off the safety or the gun could misfire despite the safety.
  • Lastly TWO HANDS.  One on the side near the trigger and the other underneath.  This is not the movies, do not attempt to fire a gun with one hand.  Not only will your aim be incredibly off if you are inexperienced but you will also endanger yourself as well as others if you lose control of it.
  • Guns can be scary and if you ever feel nervous or uncomfortable about firing one, do not do it. 

A few things I have to add to this:

The caliber of a round is usually measured in either millimeters or in hundredths of an inch. One “unit” of caliber, I guess, is one one-hundredth of an inch. For example, a 45-caliber round has a .45 inch diameter (which is why it’s called a .45).  DO NOT CONFUSE THIS WITH MILLIMETERS. .45 mm is NOT 45-caliber.

Common cartridges measured in millimeters with their respective calibers:

Rifles:

  • 5.56mm = ~.223 caliber
  • 7.62mm = ~.300 caliber
  • 12.7mm = ~.500 caliber

Handguns:

  • 5.64mm = .22 caliber*
  • 9mm* = .354 caliber
  • 10.16mm = .40 caliber*
  • 11.43mm = .45 caliber*

(*the measurement you’re more likely to see for each cartridge.)

In the case of rifles, cartridges meant for civilian use are usually designated as .223, .300, .308, etc. Designations such as 5.56mm, 7.62mm, etc. are usually indicative of military-grade ammunition. This is not always true, but usually that’s how it is.

Military-grade bullets are held to higher standards and typically cause more stress on the internal mechanism, and the guns they’re meant for are built to handle that. They can also handle civilian ammunition. It doesn’t work the other way around, however. Do not attempt to use military-grade ammunition in a civilian-model firearm that hasn’t been modified to handle it.

A few different kinds of cartridges:

- Full metal jacket, which gives increased penetration capabilities but doesn’t do much in the ways of expansion. Risky to use in situations with a lot of innocents around, as often they can over-penetrate and go on to hurt someone behind the target.

- Hollow-points, which expand like crazy when they hit something, causing massive internal damage to their target. Outlawed in warfare under the Hague Convention of 1899, but can be used by civilians.

- Soft-points, which serve as a happy medium between the penetration capabilities of full metal jacket rounds and the expansion of hollow-point rounds.

- Shot, usually rat-shot or snake-shot, which can be fit in bullets and used to kill small vermin at close range without doing a whole lot of damage to the surrounding area.

- Sub-sonic, which have a lower muzzle velocity and effective range, but will decrease the chance of overpenetration. This is also the ideal ammo choice for weapons fitted with suppressors, as subsonic rounds avoid the “crack” of a sonic boom that other bullets can make upon leaving the barrel.

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Hello 👋🏾 I have no idea if you are ever on here anymore, I can't see any recent updates on your blog BUT in the case that you log in here at some point, I would like to tell you that I LOVE the Veela!Draco fic Dreams of Candlelight that you have started writing. It's absolutely amazing. If you ever decide to continue it, I will be here, eagerly waiting for an update. Anyway, sending you lots of love xox

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😭💕 Tysm. I'm like ugly crying rn, I'm so happy you love the fic.

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lepra-art

— Do you think we’re soulmates in every universe?

— Probably

Or probably not…

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whtaft

A Company Man by mambo

It’s the way that Bucky smiles at Steve from across his desk. No, it’s the way that Bucky’s hand brushes Steve’s as they stand side by side in an elevator not crowded enough to justify their closeness. Or maybe it’s the whispered conversations every Saturday night, the way Bucky saves Steve’s number under a different name in his phone.

No matter what it is, the truth is the same: Steve Rogers is in love with Bucky Barnes, a married man.

COMPLETE | Rated E | 16 Chapters | 75,757 words

Chapter One: 
The New York Times wedding announcements. War crimes. A gift basket. 
“I mean, I… you’re stripping.”
Chapter Two: 
A power move. Encryption. Bacon-wrapped dates.
“You’d know if I were trying to seduce you.”
Chapter Three:
Soup tureens. Free real estate. An invisible car.
“I know I’m not the best at my job.”
Chapter Four:
Champagne. A shame. Otters.
“Go around the block, Bucky.”
Chapter Five:
Gnocchi. A break in. $25.
“My husband, James Barnes, is especially complimentary.”
Chapter Six:
A hand-written invitation. Important people. A bruise.
“I let him.”
Chapter 7:
Some cover. An elevator. $26.
“I know that you, I mean, I do, but you…”
Chapter 8:
The mail. Édouard Manet. Nothing.
“The Plaza sucks.”
Chapter 9:
Butter. Cardstock. Mario Kart.
“I’m not spending Christmas in a bathroom.”
Chapter 10: 
Surprise. A hundred and eleven pins. The whole package.
“You make me feel like KFC.”
Chapter 11:
The bagel place. PTO. Quarterly remarks.
“I’m sorry.”
Chapter 12:
Veuve. King of the Grill. Eggs.
“You’re scaring the otters.”
Chapter 13: 
CEO. An entire apple pie. Cabinet reorganization.
“You’re a bit below my pay grade.”
Chapter 14:
32. A bedroom. July 5th.
“I’m sorry for bothering you.”
Chapter 15:
Narratives. Chicken dinner. Last Thanksgiving.
“So, are you single?”
Chapter 16:
The happy ending.
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What Does It Mean to Write With Intention?

Creative writing is an inherently personal practice. It’s you spending time with yourself to make something out of your ideas or feelings. It might seem like you have to wait for inspiration to strike, by learning what it means to write with intention will change the game.

What Is Writing With Intention?

Writing with intention is writing anything with a complete understanding of why your story matters. It’s easier to do this when you shift your mindset and prepare for your writing sessions ahead of time.

Simple Ways to Write With Intention

Decide What You’re Telling Your Reader

What’s the purpose of your story? If you’re picturing the description on a book jacket, that’s not what I’m referencing.

The purpose of a story is its message to readers. A novel about a family torn apart by greed might have the foundational message that capitalism can drive people to destructive lengths in pursuit of money. You’re warning readers about that drive.

A romance novel might use a romantic relationship to tell the reader that they’re worthy of a healthy, supportive, and thriving relationship even when they think very little of themselves. The message is encouragement.

Every story tells the reader at least one thing. Know what it is before you start writing and you’ll immediately gain a crucial intention.

Know Why Your Story Matters to You

You can tell someone something important without caring about it too deeply. Stories take up so much of our time and energy that they need to matter on some level.

Imagine your best friend telling you they overspent on their favorite shopping app again. You laugh together because they’re trying to make light of the situation, but then you gently remind them they need to learn how to budget. That’s an important part of succeeding in life, but you’re only telling your friend because their well-being matters to you.

You need to identify why your story matters before you finish writing it. It’s even better if you know your motivation before you start writing. When the message comes from something you feel deeply about, readers pick up on your authenticity and enjoy the story more.

Practice Self-Reflection

You might wonder what you value that deeply. Self-reflection is the best way to identify those things.

Consider your past experiences. What did they teach you? What feelings resonate most deeply with you due to those experiences? You can also shape your hopes and goals around instinctive values.

Journal prompts may also help you answer these things. Therapy is another great resource. Sometimes life makes our brains put up walls around what’s closest to our hearts to protect us. If you feel like you’re hitting a wall, therapy can help you deconstruct them to better understand yourself and eventually write about your primary motivators.

Read Like a Writer

Once you fall in love with creative writing, it’s helpful to always keep your writing hat on while reading. Whether it’s for fun or an assignment, take mental notes on how your current book or short story works. Note things like:

It’s also crucial to get your own feedback about what you read. Are you enjoying how the writer structured those things? What would you change? Which elements pulled you in and kept you thinking about the story after you put the book away?

Knowing what makes you engaged with a story and how your favorite authors structure their books will make it easier to write with the intention of engaging your future readers.

Create a Writing Practice

Every writer’s writing practice looks different, but it must exist in some way. You might have the right schedule for a weekly or daily writing practice. Maybe you can only get 15 minutes to write twice a month.

There’s no wrong answer because everyone’s life works differently. The advice of a full-time author who has eight hours every day to write creatively will be much different than that of a writer working on manuscripts for fun while working two jobs and raising kids.

Whenever you find that you can write, craft a practice with routine rules. You could set a rule that your phone remains on silent for those 15 minutes you’re with your WIP. Maybe your most effective rule will be sitting in a specific environment, like a library.

Rules and routines shape everyone’s creative practices. Start small and set more when you find a routine that works with your life.

Remember—what works right now or even this year might not work next year. Life is always changing. Part of writing with intention means writing in the best way that works for your life at any given time. Otherwise, you’ll be writing from a place of frustration or annoyance. 

-----

Intention leads to phenomenal stories. Saying you’re intending to write a story isn’t going to get you there though.

Consider these tips to hone your focus and motivation. You’ll create an intentional sense of drive that doesn’t wait for inspiration to make you feel fulfilled.

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novlr
Anonymous asked:

could you maybe do something on characters becoming serial killers? I’m was originally going to have some sort of characters going insane thing, but I think that the whole “insane people killing” is a little stupid and borderline dangerous (saying that insane people kill all the time) so could you give me some pointers?

How to Write a Serial Killer: A Quick Guide for Writers

Crafting a convincing serial killer requires a lot of research, imagination, and an understanding of the genre. Let’s dive into some quick tips to help you create a serial killer who is gripping, unique, and emotionally complex.

Develop their backstory

The key to crafting a convincing serial killer is in understanding their past to shape their present. Explore their backstory in detail — were they subjected to abuse or neglect? Did they endure a life-altering traumatic event that set them on this dark path? Developing a compelling backstory is essential, not only to justify their actions but also to cultivate a degree of empathy, allowing readers to connect with the character on a deeper level.

Give them unique motivations

Serial killers act based on what drives them; they commit their crimes for a reason. This reason could be a need for control, a hunger for power, or a wish to spread chaos. By connecting their reason for doing things with their unique personality traits and backstory, you can create a well-rounded and consistent character.

Include misdirection and plot twists

To maintain suspense, make use of narrative devices like red herrings designed to divert your reader's attention. The clever use of these diversions can delay the unmasking of the killer, increasing tension and anticipation. Additionally, unexpected plot twists that abruptly shift your story's trajectory can not only alter your reader's perception but can also reconfigure their theories keeping readers on their toes.

Draw parallels with your protagonist

Creating a unique perspective by establishing similarities between your serial killer and your protagonist can add multifaceted layers to your story. This might involve drawing connections in their backgrounds, aligning their motivations, or uncovering shared personal struggles. These parallels not only make the plot more engaging but also heighten the intensity of the conflict between the two characters.

Use foreshadowing

Foreshadowing serves as a powerful tool in constructing suspense and subtly hinting at future events in your story — carefully place clues that can suggest the identity of the killer or indicate their next victim. But remember to maintain an air of mystery by not unveiling too much prematurely. The goal is to keep readers engrossed, continually making and remaking their guesses about the unfolding plot.

Include an emotional subplot

Adding an emotional subplot in your narrative significantly enhances the relatability of your serial killer. This could range from them harbouring deep-seated love for someone, to grappling with a fear that surpasses the dread of getting caught. These contrasting aspects of their otherwise sinister nature serve to give the characters greater depth and dimension, thus enriching their complexity.

Did you know we have a Spotify account with lots of great playlists for writers? Here's one to inspire your next serial killer novel!

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Source: novlr.org
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reblogged

If anyone has anything to help me with structuring character development, I'd appreciate it

in need of some help

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