why is it called shoegaze? is it because you have to keep looking at your ridiculously massive pedalboard to tippy tap on all your silly little guitar pedal switches?
anon that's actually literally the correct answer
I'm so mad I got ghosted by the guitarist I want to send this to.
I honestly thought it's like, music by shy nerds.
"musicians too shy to look at the crowd" "fans too self-conscious to do anything but look at their shoes during shows" etc. are things that people have used to backfill the term, but "bands looking at the ground to either read lyrics or operate pedals" is the origin (at least according to wikipedia and NME).
People do use the term somewhat pejoratively, but legitimately I think that's because people who haven't seriously fucked with effects pedals don't realize what you can do with them and how much you can transform the instrument.
I know a guy who's a bassist in a (somewhat) normal band but who is also a guitarist in a fairly weird band that I think could comfortably be described as shoegaze (or at least extremely experimental metal). As a bassist he's energetic and talented, he plays fast and hard and projects personality from the stage and interacts with the rest of the band and the audience. As a guitarist in his other band, he spends about a third of his time crouching on the stage and manipulating knobs on pedals, a third of the time holding his guitar like a classical guitarist and shredding absolutely brain-melting solos, and he divides the remaining time between looking at pedals and interacting with the rest of the band. His pedalboard has to weigh like thirty fucking pounds. At that point you're barely playing guitar, you're playing a combination synthesizer/theremin/organ that happens to use a guitar as an interface for the instrument.
So, like, people shit-talk shoegaze but I don't really think that performance has to be, like, performative if you're putting out the sounds you want to and that your audience is responding to.
but the guitarist I want to send this to is the one who used to be in my punk band. One of our songs had kind of a comedy solo in the middle (in our demo this was a 15-second bit of the Romeo and Juliet overture - from 14:23 to 14:38 at this link played out of tune on a single string) and eventually the joke became seeing how long and up its ass the solo could be while the bassist and I got some water (never more than a minute; we were aware we had an audience) and then slamming back into the song a beat after it ended. the guitarist really enjoyed getting into the shoegazey vibe of it, making it super overcomplicated and ornate when it was basically the bridge of one of our fastest, simplest songs. Also i loaded in that dude's pedalboard up two flights of stairs so many times and man we are a punk band why do you need to bring this heavy shit this is a monday show nobody is listening chill out. (hence why i wish i could send him the ask)