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girl boss

@goldenfenxty

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Anonymous asked:

How can I resolve an argument between characters in my story?

Hi, anon! Thanks for this ask! I personally think things like arguments/argument resolution can be hard to write because sometimes our own experiences are so emotionally charged. That can make it hard to look back and parse out any details that could give you a base to write about others arguing. So thank you for sending this in– I’m sure many others were wondering about this as well.

Resolving Arguments

Because this is a super important ask, I’m going to try to cover as many bases as I can so this might get long. I’m going to generally use argument and conflict pretty interchangeably because a lot of this applies to any resolving any interpersonal conflict two characters might have! TLDR; to resolve conflict of any type, consider the characters’ relationship dynamics, the nature of the argument, and how you can stay true to your characters.

Generally, conflict resolution looks different for everyone in every situation. And resolution isn’t inherently great. Sometimes it just means the argument is over, even if the problems aren’t solved. Sometimes things go back to normal with little or no effort. Sometimes conflict creates a new normal, for better or for worse. Sometimes people work at resolving a conflict for a very long time and never can– and ultimately end up having to end the relationship or create distance. To figure out which resolution fits your characters best…

Think about relationship dynamics.

Two coworkers are going to mediate conflict very differently than a mother and a daughter, a couple that’s been married for 30 years, than two people who just met, and so on. Some things to think about might be:

  • Do the characters want to/have to work it out?
  • Was their relationship casual, intimate, loving, hateful, etc.?
  • Is there a power imbalance in the relationship?
Example: two characters who have a distant relationship and aren’t forced to interact with each other might not work towards resolution. But if two characters are distant and are forced to work through the argument it might bring them closer together.

And don’t forget to consider the dynamics they have with people outside the direct conflict! Another character might help resolve the situation– this could be anyone from a licensed therapist to a mutual friend to the HR person at work.

Example: a character who feels angry on behalf of a loved one might encourage them to end the relationship, drag on the conflict, or get something specific from resolution.

Think about the nature of the argument.

How explosive/hurtful/meaningful an argument was will really affect the ways that your characters will move past it.

Example: if two characters knowingly attacks each other’s deep, hidden insecurities it might be a lot harder to move past than bickering about where to get takeout.

Also consider why the characters were arguing in the first place. 

Example: was it because one character was really stressed about something completely separate? If so, maybe that character ends the argument by breaking down and admitting what’s really bothering them.

And lastly consider the timing/setting.

Example: Are the characters in a public space and concerned about their reputations? Then they might end the argument suddenly. Are they having an explosive argument at home the night they get back from their honeymoon? Then one of them might storm out in anger.

Stay true to your characters.

Any emotional situation can make characters act different than normal but make sure it’s still within reason. A character who is never shown to initiate deep, emotional conversations probably isn’t going to unless there is a solid justification propelling them. That’s not to say this character can’t initiate a heart to heart to resolve the conflict. There are plenty of good reasons why someone might try something new. Maybe they’ve been working hard to open up. Maybe they have something they’ve finally decided to confess. You know your characters best so stick with your gut!

Also consider past experiences. Conflict resolution is a skill, and it’s not one people are naturally born with, which is why the behavior past experiences model is so, so important.

Example: has the character always been surrounded by people who avoid talking about/resolving conflict? Then shutting down/brushing it off would probably be their first instinct (unless your character has been shown to do a lot of personal work to change that behavior like I mentioned above). Or, has your character always been surrounded by people who talk through issues, who solve problems purposefully? Then that would probably be their first instinct.

Conflict is messy so people clean it up in all sorts of different ways. So unfortunately, there’s no hard and fast formulaic answer for how to resolve arguments. In general, a good resolution will fit with the other parts of the story. Hopefully this gives you some helpful questions to guide your writing! As always, send in more asks if you have any more questions!

Happy writing,

- Mod Ells

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Words to describe someone's voice

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studyplants
adenoidal: if someone’s voice is adenoidal, some of the sound seems to come through their nose
appealing: an appealing look, voice etc shows that you want help, approval, or agreement
breathy: with loud breathing noises
brittle: if you speak in a brittle voice, you sound as if you are about to cry
croaky: if someone’s voice sounds croaky, they speak in a low rough voice that sounds as if they have a sore throat
dead: if someone’s eyes are dead, or if their voice is dead, they feel or show no emotion
disembodied: a disembodied voice comes from someone who you cannot see
flat: spoken in a voice that does not go up and down. This word is often used for describing the speech of people from a particular region.
fruity: a fruity voice or laugh is deep and strong in a pleasant way
grating: a grating voice, laugh, or sound is unpleasant and annoying
gravelly: a gravelly voice sounds low and rough
gruff: a gruff voice has a rough low sound
guttural: a guttural sound is deep and made at the back of your throat
high-pitched: a high-pitched voice or sound is very high
hoarse: someone who is hoarse or has a hoarse voice speaks in a low rough voice, usually because their throat is sore
honeyed: honeyed words or a honeyed voice sound very nice but you cannot trust the person who is speaking
husky: a husky voice is deep and sounds hoarse (=as if you have a sore throat), often in an attractive way
low adjective: a low voice or sound is quiet and difficult to hear
low adverb: in a deep voice, or with a deep sound
matter-of-fact: used about someone’s behaviour or voice
modulated: a modulated voice is controlled and pleasant to listen to
monotonous: a monotonous sound or voice is boring and unpleasant because it does not change in loudness or become higher or lower
nasal: someone with a nasal voice sounds as if they are speaking through their nose
orotund: an orotund voice is loud and clear
penetrating: a penetrating voice or sound is so high or loud that it makes you slightly uncomfortable
plummy: a plummy voice or way of speaking is considered to be typical of an English person of a high social class. This word shows that you dislike people who speak like this.
quietly: in a quiet voice
raucous: a raucous voice or noise is loud and sounds rough
ringing: a ringing sound or voice is very loud and clear
rough: a rough voice is not soft and is unpleasant to listen to
shrill: a shrill noise or voice is very loud, high, and unpleasant
silvery: a silvery voice or sound is clear, light, and pleasant
singsong: if you speak in a singsong voice, your voice rises and falls in a musical way
small: a small voice or sound is quiet
smoky: a smoky voice or smoky eyes are sexually attractive in a slightly mysterious way
softly spoken: someone who is softly spoken has a quiet gentle voice
sotto voce adjective, adverb: in a very quiet voice
stentorian: a stentorian voice sounds very loud and severe
strangled: a strangled sound is one that someone stops before they finish making it
strangulated: strangled
strident: a strident voice or sound is loud and unpleasant
taut: used about something such as a voice or expression that shows someone is nervous or angry
thick: if your voice is thick with an emotion, it sounds less clear than usual because of the emotion
thickly: with a low voice that comes mostly from your throat
thin: a thin voice or sound is high and unpleasant to listen to
throaty: a throaty sound is low and seems to come from deep in your throat
tight: a tight voice or expression shows that you are nervous or annoyed
toneless: a toneless voice does not express any emotion
tremulous: if something such as your voice or smile is tremulous, it is not steady, for example because you are afraid or excited
wheezy: a wheezy noise sounds as if it is made by someone who has difficulty breathing
wobbly: if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry
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reblogged

Descriptive words for book reviews, essays and other things

“I liked it / it was nice”

  • lovely
  • delightful
  • pleasant
  • fair
  • pleasurable
  • approved
  • fine
  • satisfying
  • excellent
  • amazing
  • great
  • pleasing
  • sound
  • rad
  • worthy
  • superb

“It was complex in a good way/ it really grabbed my attention”

  • fascinating
  • intriguing
  • thought provoking
  • captivating
  • alluring
  • stimulating
  • intricate
  • sophisticated
  • labyrinthine
  • baroque

“It was complicated in a negative way / I didn’t quite understand it”

  • troublesome
  • inconvenient
  • difficult
  • vexing
  • tricky
  • puzzling
  • confusing
  • disorganised
  • obscure
  • far-fetched
  • strange

“It wasn’t very interesting / not very exciting”

  • boring
  • tedious
  • dull
  • unpleasant
  • mundane
  • stuffy
  • lifeless
  • repetitive
  • drudging
  • flat
  • tiresome
  • tame
  • depthless

“It made me a bit emotional/gave me the feels”

  • sentimental
  • emotional
  • moving
  • heartwarming
  • tear-jerking
  • affecting
  • heating
  • poignant
  • passionate
  • touching

“I’m not crazy about it / it was okay”

  • okay
  • passable
  • so-so
  • not bad
  • tolerable
  • adequate
  • middling
  • all-right
  • moderately pleasing

“Best thing ever”

  • fantastic
  • exceptional
  • marvelous
  • first-class
  • splendid
  • astounding
  • astonishing
  • extraordinary
  • phenomenal
  • wonderful

comparing things / “It was better than this other thing”

  • superior
  • favourable
  • preferable
  • more advanced
  • of higher rank
  • exceeding
  • distinguished
  • a cut above
  • more desirable
  • more valuable
  • improved
  • higher/better quality
  • more useful
  • surpassing
  • sharpened
  • more sophisticated

“It wasn’t good I didn’t like it”

  • bad
  • disagreeable
  • nasty
  • unrefined
  • horrible
  • unlikeable
  • coarse
  • imprecise
  • vexing
  • problematic
  • unimportant

“It was really bad”

  • terrible
  • repulsive
  • atrocious
  • disturbing
  • disastrous
  • revolting
  • rotten
  • loathsome
  • gruesome
  • appaling
  • abhorrent
  • dreadful
  • horrifying
  • poor
  • offensive
  • dire
  • awful
  • ghastly
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sunnydwrites

Complementary Character Traits

Anonymous said:

I know you are not back for a few days. But I’ll just leave this here. Could you please write up a list of character traits that compliment each other? Like for romantic relationships? Thank you.

Hey Nony! Before I start, thanks so much for your patience with me. I was out for about a week longer than I initially said and I really appreciate it.

So these are definitely a bit of a challenge to come up with someimtes; it’s hard to figure out which ones would go well together without creating too much conflict between your characters. 

The dictionary defines complementary as “combining in such a way as to enhance or emphasize the qualities of each other or another”, so that’s how I’m interpreting this. The qualities on the left side of the list were taken from The Positive Trait Thesarus by Angela Ackerman and Becca Puglisi (but that doesn’t mean that those on the right are definitively positive or negative).

You’ll find some tips for incorporating these qualities into your characters beneath the cut. But without further ado! Behold, the big ol’ list of complementary character traits:

  • Adaptable vs. Rigid
  • Affectionate vs. Withdrawn
  • Alert vs. Oblivious
  • Ambitious vs. Unmotivated
  • Appreciative vs. Ungrateful
  • Bold vs. Timid
  • Calm vs. Energetic
  • Cautious vs. Reckless
  • Centered vs. Scatterbrained
  • Charming vs. Antisocial
  • Cooperative vs. Independent
  • Creative vs. Unimaginative
  • Curious vs. Indifferent
  • Decisive vs. Indecisive
  • Diplomatic vs. Rude
  • Discreet vs. Inattentive
  • Easygoing vs. Strict
  • Efficient vs. Sluggish
  • Empathetic vs. Callous
  • Extroverted vs. Introverted
  • Flirtatious vs. Modest
  • Friendly vs. Antisocial
  • Funny vs. Serious
  • Generous vs. Stingy
  • Gentle vs. Rough
  • Honest vs. Dishonest
  • Honorable vs. Cowardly
  • Humble vs. Proud
  • Idealistic vs. Realistic
  • Industrious vs. Lazy
  • Innocent vs. Dirty-minded
  • Just vs. Partial
  • Kind vs. Cold
  • Loyal vs. Unreliable
  • Mature vs. Immature
  • Meticulous vs. Careless
  • Obedient vs. Rebellious
  • Optimistic vs. Pessimistic
  • Organized vs. Messy
  • Passionate vs. Indifferent
  • Perceptive vs. Ignorant
  • Philosophical vs. Shallow
  • Private vs. Sociable
  • Proactive vs. Stagnant
  • Professional vs. Inept
  • Protective vs. Negligent
  • Quirky vs. Conventional
  • Responsible vs. Irresponsible
  • Sensible vs. Foolish
  • Sentimental vs. Pragmatic
  • Sophisticated vs. Unrefined
  • Spiritual vs. Irreverent
  • Spontaneous vs. Deliberate
  • Spunky vs. Apathetic
  • Thrifty vs. Extravagant
  • Traditional vs. Modern
  • Trusting vs. Wary
  • Uninhibited vs. Careful
  • Whimsical vs. Serious
  • Wholesome vs. Indecent
  • Wise vs. Unaware

Choosing Traits

So, that’s a pretty long list of traits to choose from. As you’ve probably guessed, though, there are any more to choose from; what’s above is just a fraction of all the possibilities. But if there are so many, how do we know which ones to choose?

If you’re just starting off, choose two or three pairs to work with. Create your characters and develop these traits, building off the ways that would separate them. Then, find some traits that they would have in common, traits that would actually give them a reason to stay together. Maybe Character A is more perceptive while Character B is a bit more on the ignorant side, but they’re both extremely creative and loyal. In this case the reasons for these characters to stay together outweighs their differences, so that would be a good goal to start with.

A general guideline that’s worked well in the past for me has been to choose differences that you know can be balanced out by shared traits. I don’t want the characters in my pairing to have six complementary traits and only two shared ones; that could create a lot of conflict and would make the relationship more work than necessary. You want them to complement each other, but don’t overdo it.

Creating “Complementary Characters”

Well, my first response is this: You shouldn’t create a character based off of the traits of another. If you do this, there’s an extremely high chance that your readers will be able to tell. Another thing you’ll probably want to avoid is adding these traits into a character you’ve already created. If that character has already been rounded off, throwing more traits into the mix might mess with the balance.

Instead, I would advise choosing your traits and developing a character around them. If we’re using the character example from above, I know that I want A to be perceptive, creative, and loyal. These aren’t the only three traits they might have, but those are the three I want to start with. The same goes for B; they’re a little ignorant, really creative, and loyal, but those aren’t their only three traits. I find it easiest to start with things like these and develop the characters more from there, letting things evolve naturally to create the characters I want.

Something to Remember: These traits don’t all follow the same path, based on the character’s entire personality. Keep this in mind; chance are it’ll help you vary your characters’ personalities during development to really make them stand out.

Something to Remember 2.0: The above list and tips don’t apply only to romantic relationships! Complementary traits will play a huge role in (probably) every single one of your character’s releationships!

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wordsnstuff

Resources For Describing Characters

Physical Appearance

Character Traits

Talents & Skills

Miscellaneous

Support Wordsnstuff!

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gonetomybio

Insecure: Eleven

note: hewoooo ahe :3

Includes: fluff + innuendos + slow burn

Summary: Kleio meets Erik one day on a bus ride and falls for him the moment she sees him. Though their friendship grows into something more intimate, Kleio’s insecurities put a halt on Erik’s advances.

All my main characters will always be a darkskin black girl with weight on her so do what you will with that info. Reblog (!!) and give me feedback (!!), please! Thank you!

Today

Erik would do it today and absolutely nothing could stop him. 

Nothing. 

Fuck the interruptions, the distractions, all that shit. 

He had to get what he wanted to say out or he would combust. He had tried again on Tuesday when they stopped at the convenience store to grab some snacks and drinks. 

Kleio had on a simple outfit that night - a t-shirt along with some fitted baggy jeans and a fresh pair of sneakers. She wandered around the store like a child, index fingers locked with Erik’s.

It was the cutest sight anyone could see on a Tuesday evening. 

Erik let himself be dragged around while Kleio scanned the shelves for something to munch on, admiring her bubbly excitement and beaming smile all directed towards him. 

He felt blessed enough to be around a person who made him feel the way he did. 

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SB: Daddy’s Little Girl (AGU)

A/N: Well. As part of my new update schedule, here is a prompt suggested by my boo @desireatatyana wayyyy tooo long ago that’s Bunme: All Grown Up focused. Super sorry for the ridiculous wait, hun! 

Words: 2.2K

Warnings: Angst (kinda)

SB: Daddy’s Little Girl

“Where’s baba?”

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Waves: Main

A/N: This is long awaited, and I apologize. Ya’ll know me. I post and then proofread. Please don’t judge me lmaaooo

And just for those who don’t know, Siyanda is the OC from my fic Man Down, which is why certain details about her are only alluded to instead of outright stated. That doesn’t mean I don’t hit at things though…..

Words: 3.3K

Warnings: Fighting, ratchicity, etc. 

Also, sorry if I missed tagging you. A bitch is half sleep right nowwww.

Waves

Simon says put your hands on your hips, huh

Simon says put your hands on your knees, ay

Simon says put your hands on your feet, ay

Simon says bust it open like a freak, ay

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Can't Let Go ⏇ Thor

A/N: This is part 2 to Someone Like You. You were warned….

Again, wrote it in one sitting so it’s not proofread. I’ll do that tomorrow. 

Warnings: A N G S T

Words: 4K

Can’t Let Go

“Come on, mommy!”

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goldenfenxty

.......................How dare you?

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