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Idek anymore

@yipyipnohooray / yipyipnohooray.tumblr.com

Erica |US| Honestly this is just a mess.
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awed-frog

Okay, you need to make sure you play this game at some point. Maybe not today or anything, because you’ll need about thirty minutes and a serious willingness to understand how it works, but - it’s so worth it. It’s basically an answer to our occasional frustration - why do assholes always come out on top? - and the beautiful thing about it is that not only does it explain how that happens, but also how we can change it.

“In the short run, the game defines the players. But in the long run, it’s us players who define the game.”

This is fascinating if you’re into math or sociology or computer programming or all of the above.

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skeptictankj

Everyone, everywhere, without exception, should play this thing through.

Don’t check just this - check out all of Nicky Case’s work. They’re a brilliant creator and I heavily recommend checking out at least one of their projects.  Their website can be found here.

Parable of the Polygons - an interactive experiment that shows how tiny individual biases can collectively cause segregation on a massive scale.

To Build a Better Ballot - an interactive experiment that shows the alternatives to the voting systems we currently use and how they can be more representative and democratic, along with their faults.

Coming Out Simulator - a short interactive story/novel about coming out, based off of Case’s own experiences. Not one I’ve played myself but still one I can recommend.

Loopy - a very simple but useful tool to show how systems interact with each other and how things can self-propagate.

We Become What We Behold - “ a game about news cycles, vicious cycles, infinite cycles.“ A short five-minute game about news and media. Warnings for violence, blood, death and stress.

OH MY GOD THIS IS FRICKING AMAIZNG WOW WOW WOW WOW YESSSSSSSSSSSSSSSSSSS YES INTELLECT 

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reblogged

Congratulations JODIE COMER for winning Leading Actress Virgin Media BAFTA Award 2022 for the role of Sarah in Channel4′s drama HELP.

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The exceptional BAFTA Award 2022 winner Jodie Comer being the most adorable nervous mess while receiving her SECOND BAFTA award  🥺️

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maya-hawke

Andrew Garfield: “To heal the most traumatic moment of his own life through doing it for his younger brother. Making sure that he didn’t have the same fate, there’s something cosmically beautiful about that. It meant getting a second chance at saving Gwen.”

SPIDER-MAN: NO WAY HOME (2021) dir. Jon Watts Screenplay by Chris McKenna & Erik Sommers

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this movie is so fucking creepy jesus fuck

It’s by Tim Burton, what did you honestly expect?

Actually, it’s Henry Selick, who was the director of The Nightmare Before Christmas. The book was written by Neil Gaiman, though, and is far…far….worse.

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whatpunkin

Sorry, I’m about to geek the hell out.

The movie is captivating, but the book is twenty kinds of terrifying, even now, ten years after I first read it. As disturbing as the movie may have been to some, the things Selick added really serve to cushion just how horrific the story really is.

First of all, the character of Wybie does not exist in the book. Coraline is facing all of this nearly alone, with her only help coming from the sly comments of the cat, a warning from the circus mice, and the stone given to her by her neighbor, presented with no comment but that it “makes the unseen seen.”

Second, the Other Parents are never quite as warm (and, dare I say, normal) as they are in the gifs above. They’re described as having paper-white skin and the Other Mother’s hair is said to move on its own, and her long, red, claw-like nails don’t ease any uncertainty that she is absolutely, positively up to no good. The first time Coraline meets them, they (and the rest of the Others) seem to be playing roles (for whatever reason, Coraline does not seem to pick up on this), like they all know what to say and what to do and are simply waiting for Coraline to make her move in their terrifying play world. This is shown to be partly true when the Other Parents tell her they know she’ll be back soon after she refuses the buttons - this time, to stay.

Third, the Other Mother commits atrocities that really should not have been in a book for anyone not fully grown up. She physically deforms the world around Coraline to slow her progress in their game beyond any mild traps the movie portrays, and, instead of turning the Other Father into the wandering pumpkin-thing seen in the film, she simply ceases to use him and throws his body away in the cellar, leaving him to rot with whatever bit of sentience he has left. She begins to lose her touch, as Coraline gains the upper hand. Her world doesn’t just become a nightmare - it falls apart completely. No creepy but oddly cool bug furniture here, just the house that now appears to be a child’s drawing. Whatever the Other Mother is (a beldame, but something tells me she’s much more ancient and powerful than that), she does not give half a hump about what she has to do to ensnare Coraline. Destroy the supporting characters of her twisted creation? Done. Allow herself to be dismembered to ruin Coraline’s life in the normal world? Not even gonna bat an eyelash.

On a final, personal note, imagine eight year-old me, ignored by my parents, absorbed in the story and identifying with Coraline from the start. Imagine me finishing this bloodcurdling book and immediately thinking of my basement, where there is still a locked door that my grandmother swears up and down is nothing more than a storage room, but has not once in my (or my mother’s) lifetime unlocked.

Can you see why this book still scares me?

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hematite2

Fun fact I learned from seeing neil gaiman speak: when he first wanted the book published, his editor said it was too scary. He suggested she read it to her young daughter, and then decide. So she did, and her daughter wasn’t afraid, and it was published. Years later, Gaiman was sitting next to that daughter at an event and told her this story, and she said “oh I was terrified I just didn’t want to tell my mom”.

Coraline WAS too scary to be published, but exists anyway because a girl lied to her mother.

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feyariel

@neil-gaiman, is this true about the publisher’s daughter?

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neil-gaiman

It was my literary agent, Merrilee Heifetz who read it and said “you can’t seriously expect this to be published as a children’s book.” So I suggested she read it to her daughters. And she called me back a week later and said “They love it and they weren’t scared at all. I’ll take it to Harper Children’s.”

A decade later, at the Opening Night of the Coraline musical, I was sitting next to Morgan, Merilee’s youngest daughter, and told her how her not being scared had made the book happen. And she said “I was terrified. But I needed to find out what happened next. So nobody knew.”

So, yes.

This website can be toxic at times, but the fact that people can just tag Neil Gaiman to get his input, like a sorcerer invoking a benevolent spirit, is definitely a bright spot.

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