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JustWriteYouDummy

@justwriteyoudummy

=Writing tips tricks and advice   =She/Her   =Writing IG: CLVuncannon       =NOVEL IN PROGRESS: Fragments of Magic
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soulmvtes

i love you on purpose i love you ON PURPOSE

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ruhlare

i CHOOSE to love you

I am here of my own volition and to evidence against the Creeping Thoughts

I simply offer

Should you be so blasted and broken as That Acursed Thought would tell you

How good of an actor would you have to be in this, life’s great movie, to fool me,

for so long — and not when you are strong, no, no, no — but when you are tired, aggravated at the grocery store line length, and hungry?

Are you so great an actor that the world’s your stage, not a stage, but yours? Am I such a fool that, be there a mask, I do not see it slip, despite us in company constantly?

The Creeping Thoughts

Mighty as they be cannot compare to how much I love you and me

I am here.

With you.

On purpose.

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Anonymous asked:

I'm trying to improve my writing and feel confused and worry over my punctation. Especially when it comes to dialogue tags and the use of semi-colons. They've always confused me. Is it alright to use a simile after a diagloue tag? So for example: "Of course I like ice-cream," he replies, like the answer was obvious.

Worried About Punctuation

Don't stress too much about punctuation. The whole reason we edit, polish, and have proof readers and editors is because being a writer doesn't necessarily mean you have a flawless grasp on punctuation.

Things you can do to improve your punctuation as you write:

-- use built-in punctuation checker in your writing program -- stop and Google the rule you're not sure about -- highlight/note the rule you're not sure about and check later -- ask someone who might know

Things you can do to improve your punctuation after writing:

-- Google things you're not sure about as you self-edit -- Use Strunk & White's or other punctuation book for help -- Use program like Grammarly or Pro-Writing Aid to edit -- Ask an eagle-eyed/educated friend to proofread for you -- Hire a proofreader or editor

Things you can do to learn better punctuation:

-- Google rules you're not sure about and fix yourself -- Read a punctuation guide like the one at Grammarly -- Purchase a punctuation book or workbook -- Watch punctuation explanation videos on YouTube

One last thing... just so you know, "like the answer was obvious" is not a simile. A simile is not any sentence containing "like" but rather a sentence comparing two seemingly unalike things using the words "like" or "as."

In the sentence "like the answer was obvious," nothing is being compared to something else. Rather, the sentence is saying "as though the answer was obvious."

Examples of a simile:

-- Her cheeks were like red tomatoes. -- His gaze was cold as ice. -- He was like a king peering out at his waiting subjects. -- The tension was thick as Aunt Betty's day-old brownies.

Having said that, yes, you can absolutely follow a dialogue tag with a simile:

-- "Of course I like ice-cream," he replies, his gaze cold as the scoop of mint chocolate chip on his cone.

And, you can also follow a dialogue tag with anything relevant to the dialogue:

-- "Of course I like ice-cream," he replies, like the answer was obvious.

I hope that helps!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

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Describing Foods - A Masterlist

                As a broke university student, I love reading about food. It’s almost like eating a real meal myself <3.

I get a little angry when characters are eating a meal and I barely get to experience it with them. In that, I mean I don’t just want to know what it is, but what it’s like to eat that food—how it tastes, smells, sounds, and feels. Is a perfect croissant still a perfect croissant without the crack of the exterior, the airiness of the pastry inside, the smell of yeast?

                Probably not. When writing about a dish, the smell, texture, technique, taste, and how it looks are all important to painting the experience, so here’s some words to use when describing a meal:

Taste:

  • Acidic: Sharp tasting. Often used to describe tart or sour foods as well.
  • Aftertaste: A different taste that remains in the mouth after eating something
  • Bitter: Tart, sharp, and sometimes harsh flavour.
  • Bittersweet: Less harsh than bitterness. Tartness + sweetness.
  • Bland: Has no significant flavor or texture
  • Briny: Just means salty. Often describes pickled foods.
  • Citrusy: Bright flavour like… well citrus fruits—oranges, lemons, limes, etc.
  • Cooling: Mimics that cooling feel—like mint.
  • Earthy: Reminiscent of soil. Can be used to describe wines, root vegetables, and mushrooms.
  • Fiery: Another word for spicy.
  • Fresh: Light and crisp—describes produce or herbs.
  • Fruity: Sweet and reminiscent of fruit.
  • Full-bodied: Rich and ‘feels heavy’ in your mouth. Can describe wines or soups.
  • Herbal: Bright, fresh, sometimes earthy from the presence of herbs
  • Honeyed: Sweet or candied taste like honey.
  • Nutty: Taste similar to the flavors of nuts. Often used to describe certain cheeses.
  • Rich: Full, heavy flavour. Often dishes that contain cream taste rich.
  • Robust: Rich + Earthy. Used for lots of wines or aged liquor.
  • Savory: Describes meaty, earthy dishes and soups.
  • Sharp: Harsh, bitter, or tart taste. Used to describe acidic foods.
  • Smoky: Reminiscent of the smell of smoke.
  • Sour: Biting, tangy, tart flavor.
  • Spicy: Burning taste.
  • Sweet: Sugary.
  • Tangy: Tart, biting taste—feels tingly
  • Tart: Sharp, bitter, or sour flavour. Used to describe acidic foods.
  • Woody: Earthy, sometimes nutty taste. Describes some coffees or cheeses.
  • Yeasty: Earthy taste reminiscent of yeast. Describes beer and bread.
  • Zesty: Fresh, vivid, or invigorating flavour.

Sound/Texture:

Sound has a lot to do with texture, so I've combined them for this section!

  • Airy: Light, pillowy texture (think inside of croissant)
  • Brittle: Hard but easy to break
  • Bubbly: Usually during heating, when bubbles rise to the surface—low sound.
  • Buttery: Smooth, creamy texture (think certain pasta sauces)
  • Chewy: Food that needs to be chewed thoroughly. Can be light and bouncy (chewy bread) or heavy (steak) and sticky (candy)
  • Creamy: A smooth and rich texture, comes from dairy.
  • Crispy: Light texture with slight crunch.
  • Crumbly: Food with loose structure that falls apart into crumbs.
  • Crunchy: Firm, crisp texture with a sharp, loud noise.
  • Crusty (behave): Food with a hard outer layer and soft interior (many loaves and breads)
  • Delicate: Light and fine, feels like it can come apart easily.
  • Doughy: Soft and heavy, usually pale colouring.
  • Fizzy: Usually liquids—a hissing sound, feels like ‘static’
  • Flaky: Light, characterized by layers that come apart during eating.
  • Fluffy: light and airy.
  • Frothy/Foamy: Airy bubbles, usually in a drink like a latte.
  • Gamey: Usually refers to meats when they’re very “meaty”
  • Gooey: Viscous, sometimes sticky texture from moisture in a dense/solid food.
  • Hearty: Firm, robust texture.
  • Juicy: Tender and succulent texture from liquid in a solid food (steak)
  • Molten: Hot, gooey
  • Oily: Slick, heavy, lingers on the tongue.
  • Silky: Fine, smooth texture that feels sleek.
  • Smooth: Texture free of grit, lumps, or edges.
  • Snap: A quick, sharp, crackling sound when broken.
  • Squelch: A soft sucking sound when pressure is applied. Somewhat gross.
  • Sticky: Gluiness in the mouth.
  • Succulent: Tender and juicy
  • Tender: Soft and easy to break down
  • Velvety: Smooth and rich

Smell:

  • Acrid: Strong, bitter, unpleasant
  • Comforting: pleasant, probably calls back to a nice memory
  • Damp: Wet smelling—probably a bit earthy
  • Delicate: subtle, faint, not overpowering
  • Earthy: reminiscent of soil
  • Fetid: Caused by decay—unpleasant
  • Fishy: reminiscent of fish
  • Floral/flowery: Reminiscent of flowers
  • Fragrant: Sweet or pleasing
  • Fresh: Cool, crisp, refreshing—produce, probably not cooked
  • Funky: Something’s gone off
  • Heady: Strong smell, pungent, rich
  • Musty: Not fresh
  • Perfumed: Pleasant, reminiscent of something (can be perfumed with citrus, say)
  • Piquant: stinging, pungent—tickles the nose
  • Powerful: strong
  • Rancid: Definitely gone off, decomposing
  • Ripe: Strong, usually unpleasant smell
  • Savory: spicy, salty, no elements of sweetness
  • Sour: has gone off
  • Spicy: Sharp, tingles the nose
  • Tangy: Strong and bitter but in a good way
  • Tart: Sharp
  • Woody: earthy smell, reminiscent of wood

Sight:

Usually texture gives us a really good picture of what a food looks like, so here’s some non-texture sight additions:

  • Blistered: Bumpy exterior.
  • Caramelized: Usually golden brown
  • Cloudy: Splotched. Almost see through if not for a slight white or grey mist.
  • Colourful: Bright and vibrant
  • Glassy: Resembling glass
  • Glossy: Smooth, shiny
  • Marbled: Two colours intertwined
  • Opaque: Not transparent. Can’t see through.
  • Ripe: Colourful (can be to a fault). Nearing the end of its edible state.
  • Scaly: Covered in scales, fish.
  • Shiny: Appears wet or glossy
  • Sparkling: Glimmers under the light
  • Stuffed: An ingredient placed inside a larger part with no additional space.
  • Translucent: Allows light through
  • Vibrant: Striking, bright

Food Prep:

How the food is prepared gives it these other attributes. If your character is familiar with cooking (or is the cook themselves!) they may describe food this way.

  • Baked: Cooked in an oven. Results in browned or crispy outer layer.
  • Blackened: When food is dipped in butter and coated with spices then cooked in a hot pan—spices darken, making it appear ‘blackened’
  • Blanched: Food scalded in boiling water and moved to cold water so it stops cooking. Texture comes out soft.
  • Braised: Food that is briefly fried in fat and then stewed in a pot. Results in seared, crispy exterior with a tender interior.
  • Breaded: Coated with breadcrumbs/batter then baked or fried so it turns crispy
  • Broiled: Food cooked with intense radiant heat in an oven or on the grill. Results in a darkened appearance and crispy texture.
  • Caramelized: Food slow-cooked until it’s browned, nutty, and has a bit of sweetness.
  • Charred: Grilled, roasted, or broiled and gains a blackened exterior and smoky flavor.
  • Fermented: Food that’s sat with bacteria, yeast, or another microorganism and has produced acids, alcohols, or gases. Results in a biting, pungent flavor. (Kimchi is fermented)
  • Fried: Food cooked by submerging in hot oil. Creates crispy, crunchy texture and golden colour.
  • Glazed: Food with a coating brushed onto its surface. Appears glossy with a thin, flavorful, and crisp outer layer.
  • Infused: Food steeped in liquid with another ingredient so it carries the essence of that ingredient. Used with herbs usually.
  • Marinated: Usually meat soaked in liquid containing flavourful herbs, spices, vinegar, or oil.
  • Poached: Food cooked in near boiling water. Results in tender, moist texture.
  • Roasted: Food cooked with dry heat in an oven or over the fire. Results in browned exterior and crisp coating.
  • Sautéed: Food cooked quickly in small amount of fat.
  • Seared: Food cooked in small amount of fat until caramelized. Finished by roasting or grilling. Results in crisp exterior and tender interior.
  • Smoked: Food exposed to smoke from smoldering wood for a long time. Results in that distinctive smoky flavor.
  • Whipped: Food beaten to incorporate air. Light and fluffy.

What did I miss?

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All throughout childhood, while my peers were socializing and making friends, I studied the blade read so many books that I am now almost legally blind, which left me with vast and deeply instinctual understanding of English grammar - and next to no ability to explain how it actually works. Friends will often ask me to proofread their writing and then get very mad when I say things like, "You need to completely reverse this sentence and cut this clause entirely; no, I'm sorry, i don't know why, I just know that the way it is now ITCHES 😭"

Now, what I want to see is a fantasy story where this plays out with MAGICAL grammar. Someone from a backwater town deeply steeped in folk magic arrives at Wizard Uni where all their fellow students are like "What do you mean, we should add another '𝞯∘⋇𝞿' to the incancation because it 'sounds better'? What do you mean, 'it could just be a regional thing'?? WHAT DO YOU MEAN, 'THIS SPELL JUST FEELS LIKE IT NEEDS A LIVE RAT'????"

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elucubrare

saw a poll about whether you prefer corruption or redemption arcs and i realized that for me it's not really either, it's a distillation arc: when a character becomes the most intense version of what they could be, everything inessential falling away or being discarded so that only the core remains.

great tags by @neuxue #'while you were busy being doomed by the narrative I used it as a whetstone and became the blade'

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dailydragons

I am not immune to this propaganda…

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Do you like long fantasy series, but are tired of authors never finishing them?

Do you like interesting magic systems?

Do you like when characters form intense even psychic bonds with animal companions?

Do you like your heart getting ripped out of your chest and then stuffed back in full to bursting and but then ripped out again to get stomped on but it turns out you like that too uhhh let's call it... intense yearning

Do you like dragons? Of course you do, why else would you be on this blog!

WELL DO I HAVE THE BOOK SERIES FOR YOU!

The Realm of the Elderlings is a 16-book series is comprised of four trilogies and a quartet. All of which have been finished. Yes that's right, Robin Hobb saw other authors who can't seem to finish their multi-book fantasy epics and said "I will finish mine 4 different times to show you it's incredibly easy actually." She also has written multiple other series (some under the pen name Megan Lindholm), set in different universes.

So, where to start?

The components of RotE are:

  • The Farseer Trilogy
  • The Liveship Traders Trilogy
  • The Tawny Man Trilogy
  • The Rain Wild Chronicles
  • Fitz and the Fool Trilogy

The three bolded trilogies above are told from the perspective of FitzChivalry Farseer, one of the main/major characters in this universe and my eternal blorbo. The Liveship Traders trilogy and Rain Wild Chronicles are told from several points of view, and happen in chronological order between the series above and flesh out the worldbuilding, lore, history, etc.

For the most complete look at the universe, you can of course read everything. However if you want to stick with just one character, you can read the three bolded trilogies only. And of course, if you don't want to commit to a metric ton of words either way, you can just read the first trilogy and see what you think. Though I do think the levels of joy/pain/adoration increase with each work as you get more invested in the characters, of course.

OR. You can in fact read the Liveship Traders trilogy or the Rain Wild Chronicles quartet completely independently of the others. I actually started with Rain Wild Chronicles because those books have the highest concentration of dragons--it was actually a follower of this blog who recommended them to me, and I decided to jump into those rather than commit to The Whole Series (which at the time was only 13 books not 16). But I loved the writing style and wanted to learn more about the world, so got into the rest, and now I actually think the Rainwilds books are the weakest of the bunch (though I still enjoyed them initially)!

But You're Following This Blog, DailyDragons, So Here's The Part Of The Pitch You're Actually Invested In

Now I will be up front that you don't get many dragons in the first trilogy. There are a kind of dragons that appear at the end but dragons are not the main focus of this one. However Hobb learns from her mistakes about not including tons of dragons in her fantasy world and you get more in the next parts of the series.

The Liveship books deal with sea serpents and dragons in very interesting ways I don't want to spoil, though it's a slow build. But VERY fascinating reveals into the dragon's biology, life history, and magic.

The plot of the later half of the Tawny Man Trilogy revolves around dealing with how the world of this story used to have dragons but they have practically gone extinct. Less direct contact with dragons but still a dragon-centric last book.

Rainwilds is chock full of dragons. Including as POV characters. Can't complain about lack of dragons here at all.

Fitz & The Fool Trilogy is lighter on the dragons at first and then they show up en force at the end. Ta da!

anyway please read these books and join me in my eternal suffering. wait, suffering? nevermind who said that. shhh. it's fine. you will love fitzchivalry farseer. you will love the fool. you will never be the same again.

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What's the trope name for when someone finds out they're the Chosen One(tm) and is like "No, thank you" and goes and does something else

Refusal Of The Call is the actual trope name.  Usually followed by the tropes of The Call Knows Where You Live and You Can’t Fight Fate.

The Call is Trying to Contact you about your Destiny's Extended Warranty.

I Blocked The Call's Number, and The Call Got A New Phone And Called Again

Please Help The Call is Stalking Me

I Told The Call To Take Me Off The Call List And Got Laughed At

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