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where i had a family, i will have a garden

@mangledmouth / mangledmouth.tumblr.com

Poetry sideblog of gloriousmonsters.
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SEVEN YEARS OF POETRY IN A BOOK

HELLO ALL! I've been working on this project for a while; copying a lot of poems from my blog that had broken formatting from the old days, collecting the ones that I was the proudest of, adding in a number of poems from the archives that never saw the light before; and the result is this, DETRANSFORMATION, an extremely transgender anthology of forty-nine poems, which is 7x7, which I literally only realized now. What can I say, I went for quality over quantity over the years.

Do you like horror movies? Fairy tales? Complicated feelings about Lovecraft? Do you have familial trauma? Depression? Long slow years of regaining life? Do you like it when poems are about a specific ass situation? Do I ever have the loosely grouped into five sections that create an arc that's about 7x as clear in real life poetry ebook for you!

Gumroad was the easiest platform to upload to, and set a 'pay what you want' price of $1 and up; I wanted to prioritize people being able to read it if they want, with room to be more generous if you feel like it and can afford it. If you don't/don't want to use Gumroad, or want me to get the money without Gumroad fees, I've done my best to make the thank-you email for my Ko-fi a link to download the epub; the base price of a 'coffee' is 1$, so you can set your own price from there on up. This is my first attempt at both making and distributing an epub, so if anything is broken or inaccessible you can get in touch with me on here. If all else fails I will literally email it to you. I will convert it as needed. We will make this work.

that's it! I wrote a lot of poems and put them together (and made the cover! look at it it turned out so good!) and I hope you check them out. 🪦💚

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mangledmouth

SEVEN YEARS OF POETRY IN A BOOK

HELLO ALL! I've been working on this project for a while; copying a lot of poems from my blog that had broken formatting from the old days, collecting the ones that I was the proudest of, adding in a number of poems from the archives that never saw the light before; and the result is this, DETRANSFORMATION, an extremely transgender anthology of forty-nine poems, which is 7x7, which I literally only realized now. What can I say, I went for quality over quantity over the years.

Do you like horror movies? Fairy tales? Complicated feelings about Lovecraft? Do you have familial trauma? Depression? Long slow years of regaining life? Do you like it when poems are about a specific ass situation? Do I ever have the loosely grouped into five sections that create an arc that's about 7x as clear in real life poetry ebook for you!

Gumroad was the easiest platform to upload to, and set a 'pay what you want' price of $1 and up; I wanted to prioritize people being able to read it if they want, with room to be more generous if you feel like it and can afford it. If you don't/don't want to use Gumroad, or want me to get the money without Gumroad fees, I've done my best to make the thank-you email for my Ko-fi a link to download the epub; the base price of a 'coffee' is 1$, so you can set your own price from there on up. This is my first attempt at both making and distributing an epub, so if anything is broken or inaccessible you can get in touch with me on here. If all else fails I will literally email it to you. I will convert it as needed. We will make this work.

that's it! I wrote a lot of poems and put them together (and made the cover! look at it it turned out so good!) and I hope you check them out. 🪦💚

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as the kids say these days, is this anything

the contortionist, employed in horror movies, is getting old  allen, look, i can’t crawl out of the vent today didn’t want to say it, but something’s slipped from place and won’t come back. i could crawl regular, that’d just be pain pain’s nothing. still. for now. but if you wanted someone  hands and knees, head down, you’d just’ve hired a man.  you wanted monster, wanted the glued jumble of limbs  i used to scuttle in like it was nothing. but not today i know, schedule, i know, i called the doctor, twelve ringing into nothing i’ll get him later. first thing tomorrow. i’ll be back on it. come on-- how long have we been friends? i know, we got the basement let’s shoot the, you know, the scene with the leading lady  where i whisper unheard horrors in her ear. just a splayed hand  a minute of popped jaw. hope she doesn’t jump this time  i saw her earlier, reading ligotti in the shade, fresh from makeup nursing her sprained wrist, doctor’s note torn up in her pocket.  clenched jaw. i told her, take some ibuprofen, we’re all going to die anyway. she flinched and smiled  like she thought she was going to die right now. she’s nervous, sweet in the way of the nameless, eager to please the named she won’t mind the change. say, allen-- i go on shows, now and again, and i just sit there these days have to save up my body. so i get invited less but for now--i’m rambling on. i walk off, sometimes  people see me leaving, and they get angry, people with kids with old movie t-shirts, with girlfriends, with normal things.  they say, you used to roll up into a ball, you used to  turn your head around like the damned, do the exorcist-walk off  you used to pack yourself in a cabinet and disappear.  i tell them, i’m sorry, i know it’s like a building kit,  the toy that comes together perfect, that suffers reassemblng  snarling face and perfect claws, that does this again and again but worn, it loses a little shape, it won’t go back in its packaging. i’m sorry i can’t put myself away when you’re done, not anymore.  what’s this story about? just that-- i think i’ll whisper it in the leading lady’s ear.
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i got a gig, telling stories to a gang of witches they sit semicircle round me, cross legged and i tell them every mundane detail of my day, draw out my fears and shakes and angers and small, desolate disappointments like strings of sugared candy. recount momentary crushes on strangers in alleyways, on buses, in half-open coats they're all like---500 years old, give or take a decade they don't get these things anymore. some part of you dries up so they just listen, and then they take me to the door and they put eighty dollars in my hand, from a chest in the corner piled high with cash, in layers of color, some older, some foreign and i think about breaking in. but they could kill me so easily, and they pay me over minimum wage, so i just smile and cry on the bus, and feel odd thinking about telling them next week, about crying on the bus.

i've got this girl, a couple weeks now, and i didn't even mean to swore i wouldn't date when i got into this part of town it's like being a chip in a hurricane, marveling at the massive unable to get your feet on the ground. but i got this girl she's got teeth made to pierce the important veins, but she swears she's seven years dry and she has bags of red stuff in her fridge so I believe her. but, you know, they say vampires can do that put thoughts in your head, so maybe i don't believe her.

i think a lot about love how it gets in your veins, parasitic how it fucks up your brain i think a lot about how it comes on you about how it pulls the rug out how it blows foundations open for the marrow i think a lot about how i don't want it i think about that while she puts me on the floor and puts her mouth on my neck, but doesn't bite

love's always coming for you. it's an invisible force sure and utter as the divine right of kings as the bus charging fifty cents more every year

against my will, i am sent to bring you to dinner against my will, i am in love with you against my will, i am opening, i am opening against my will i am opening the door

- urban fantasy; r.m.s

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you know all the reasons that you're in pain, but not how to fix it; in this way, you have kinship with a doctor in a small town running out of vital supplies, nothing but a mind full of solutions and no practical answers, no materials in hand. you both take a smoke break, him out by the split pine you on your rotting balcony, holding the morning carefully between the leaves of your dying rosemary bush. everything is going to be dying, in the world and in that small town and in this poem, until somebody comes through with the right raw materials, and finally your idle hands will unfold in capable relief you lie to yourself about the prospects of the future. in this way you are a young man watching the rising bloodied water a preacher of a dying faith, reviving it with every word and knowing that your breath will run out, not knowing if another tongue will take up the task, but you say---it will. someone will. and you say: the train will come. and you say, we will know what to do when it comes. and you say, nothing truly dies. and: nobody has to die. and: we'll make it and: the rising water shall, eventually, run clear again. you consider endless dramatic situations you keep yourself close to the chest you taste pain as nearly sweet in your dreams you yearn for the clean cut of a knife in this, you are not alone sometimes you want to be held, even if you are pinned down, sometimes you want the black train to arrive late, so you can weep at the railroad crossing. sometimes the water isn't coming fast enough sometimes you want to be a front-line soldier as long as it's any other war sometimes, you want the bad ending. the miss-the-train-and-forget ending. the water-over-the-rooftops ending, the come-to-Innsmouth ending. the quiet-world ending, the no-applause-in-the-theater ending, the endless sitting on the park bench ending, waiting-for-the-things-to-come-that-won't-come ending. the long, unedited one-shot-one-camera ending, where you look into the middle distance, and the inevitability sinks in and through the fields your body comes toward you, arms out and open.

i was pretending i did not speak their language; r.m.s

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these are the days of the wary and wise carrier balanced on my knees like a prayer emaciated white rabbit, on sale from the petshop breathing its last sighs of semi-free air one has a car and the other had the money so i'm the one stuck with holding the knife we're the last three people not sick in our town Goodness knows it's time to do something right sharpened the kitchen knife all damn morning want to be as kind about this as I can my religion preaches a judicious lack of cruelty they only specified to not harm man brave scent of pines in the air of the morning wearing the jeans I dyed my hair in, just in case abby keeps a lookout for the cops at the copse edge almost wish I could take her place don't draw a pentagram, cause that's not our style but we are the people they'll tell stories about skin to the open air, I complete my work in one very small place, I turn back the drought run like scared sons of bitches for the car wipe the blood off with an old grease rag on the news they'll say the doctors cured the crisis but it was all us, baby, giving all we had

small animal sacrifice; r.m.s 

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burn things if you have to burn things be the better man if only so your mother will never by known by her works let her die let her die down in the quiet words you spin saying she never did much of anything saying to open the windows and let a little light in wait for the bus in the cold blow summer air into your fingers tell yourself you'll only be sick a little while longer lie and lie and lie and lie and lie until you get around to something real eat enough to make your starving ancestors a little more proud of you find the gray battlefield between feast and famine build something there live until something comes and kills you live until something comes and kills you live until something comes and kills you--- at least until next year.

new year 2020, rms

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there's a cold tired in the October air tonight, it says the places we live are just where you can sink a blade home there's a wind in the October air tonight, it says we who are not like God, what will become of us? there's a rain in the October night, it seeks with small fingers saying here, here is every crack in your house's roof here are the places we can find our way in. all hallow's eve, it walks up the drive in slow bones, it says all times are terrible this one merely pierces closest to your heart ah, if that only helped—that's the trick, isn't it? knowledge doesn't soften pain, it just mouths it over makes it something familiar and close. the lantern tells a story, but only so far as the light falls. Beyond it— sit by the fire with me, while it still burns, and tell me a different story make the light last for a thousand years even as it dies between my hands.

weird autumn, cold october - r.m.s

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mangledmouth

when you put your hands in the earth, wrist-deep, you’re saying eat me and spit me out as something incredible. you don’t know this you only know when the first flowers bloomed out of the dry stalks in your mother’s garden you put your cheek to the damp ground and breathed on the petals, thinking something you’d heard in science class about what green things eat, about what you breathe, about what they give back to you; and you think maybe if you share air with something this brave— six years is not sufficient to express the desires tumbling like fire through your mind.

when you sketch the air, you’re saying: my bones are full, my heart overripe my lungs expanding, this thing is too much for my body. your hands move like leaves and shadows do. they talk to you in a language you, their technical owner, cannot understand. they flutter impatiently waiting for your slow head to catch up. the townspeople watch across your garden wall full of the primal urge to sharpen pitchforks.

(when the townspeople come, they say many things)

when you pulled yourself out of your shallow grave, with your unquiet hands your beloved roots entwined with every fiber nerve and splinter bone, you said: I am more than worthy of breathing this air. you said here I am, something incredible. and the garden breathes, & down somewhere all your enemies shiver in their beds.

i am not there, i do not sleep; m.t

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mangledmouth
says the ghost: this bitter glass for the unwanted. as you know they have drained the sweet from us drop by drop. our blood runs fitfully. the newspaper flaunts guesses at  the coming soon and the last ones leaving. watch it, shed a prayer for the inconvenient, like a coat on the church floor. light some hundred candles and pin some roadside crosses full of flowers. the flowers don’t care if we’ve been wicked says the necromancer: get up, boy, get up out of your grave and flash us that million-dollar smile. dig up our dear dead our blameless, our King Arthurs pinned too soon by marble shamble them back home tonight, don’t care if they’re due or if we were the last fated fallen, the tragedy play on at nine every night in some hundred years. i will be the god to my creations, the devil to my enemies, to my friends an idiot who needs to answer his goddamn texts i will never be your cautionary tale says the demon lover: we need doctors, i think, in an age like this, the kind that drag a century bawling into new life, people who can teach us how to suck out the poison, stitch a thousand opening wounds. sweetheart, i can only try to kiss you better every time you catch me under the streetlights. skin burnt from the sunlight, i linger in your apartment, feeling your breath measuring your medication, counting your bones like days i’ve tried to be sober and responsible. for you, but i’m still not the kind to make it through medical school. just put my hands on your body— holy christ, you’re all here. says the witch: the cold dead; our task is to bring them home that’s all. the cleaning of their wounds, the counting of their minutes, the buying time the biting your tongue when the bitter overflows the shape of their grief, and the candle you light against it. this tedious love, like simple meals in wartime, the apples warmed at the back of the oven, coffee watered thin. take home your dead, your monsters your hollow children crying for the firelight— says the monster: i pin my jack-o-lantern grin wide to my cheeks. i pace the door and guard my kin. be blessed tonight, wrap your fear up pretty and leave it at the doors of your enemies.

annual survey of those who cannot speak or choose not to

R.M.S

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1. that the rotten tree still give shelter and in spring may put out a leaf 2. in the end, we will come home to the dead even if they never come home to us 3. your haunted goddamn body will find a tenant to call it home 4. and that everyone we love will, miraculously, live through the war

what we’ll pray for in september; r.m.s

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mangledmouth
if you’re going to be, say, burned to death—age twenty-eight aren’t you already and always walking toward that fire aren’t you practicing, when you lay down at night, for the grave? we who walk like ones already dead, we who have picked out our own gravestones, aren’t we just pragmatic, anyway? lines break across your palm, and say, you will have a robust and troubled love life. stars spin in their courses, and say, you will triumph in the world of business. i move silently through the back rooms and count my steps, and smell smoke we are all just waiting for the future to happen, you know for somebody to immortalize this in a history book, for the final take on twitter, for the right celebrity reaction that will tell us what all this means. but if no newspaper covers your death (when you burn to death at age twenty-eight) how can you know what you mean, now? scorpio rising and life line curling chained and broken, into the scarred corner of your palm.

june 24; r.m.s (via mangledmouth)

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if you're going to be, say, burned to death---age twenty-eight aren't you already and always walking toward that fire aren't you practicing, when you lay down at night, for the grave? we who walk like ones already dead, we who have picked out our own gravestones, aren't we just pragmatic, anyway? lines break across your palm, and say, you will have a robust and troubled love life. stars spin in their courses, and say, you will triumph in the world of business. i move silently through the back rooms and count my steps, and smell smoke we are all just waiting for the future to happen, you know for somebody to immortalize this in a history book, for the final take on twitter, for the right celebrity reaction that will tell us what all this means. but if no newspaper covers your death (when you burn to death at age twenty-eight) how can you know what you mean, now? scorpio rising and life line curling chained and broken, into the scarred corner of your palm.

june 24; r.m.s

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mangledmouth
i continually return to selfish poetry in pieces, seeking something, like the blind hungry mind of a moth hurling itself against a light. as if the words, when arranged in the proper order, will free me, will bust the seams of my slick human skin will let me become something that will not read the news or take the bus, or crave human connection in a way that leaves me clutching at the empty sleeves of coats, like the hands of lovely strangers. there are things I’m not allowed to say to myself, these days there is coffee on the windowsill in the morning, and two spoonfuls of sugar for a god i pray to like i’m talking to a neighbor. specifically, a neighbor that reminds me of the father I wish I’d had. I think to myself, your parents were cowards. I pull the curtains. I hear someone crying outside at night, in screaming desperate sobs I make change when I have it, for the people on the bus and I tell myself in a therapeutic way: you are a human being. seems useless, at the end of the day, but i keep doing it in the hopes that eventually something will bloom. my family’s ancestors were, on the whole, colonists and devils the kind of monsters that I want nothing to do with evangelists and abusers, men and women alike, or broken birds that died while locked away. (I never knew of my cousin until she died.) the movies reflect the protagonist running home, feet bringing up dust of histories that everyone prefers, where a mother unbends with the relentless surety of a final sunset-soaked kiss scene. the teenager is never quite right, and is always re-enfolded as a line on the tree while I sleep in my snapped branches, and wake up wanting selfishly, to be a father. I think about the mess of me, my endless capacity for cruel and careless actions, and my half-made mind, and return to sleep, and don’t stop wanting. the world is breaking at the seams. I tell myself, you are a human being. in a casual way, i’d like to stop existing. you are a human being. and what good have I made of it? my mother never even tried to call me. a human being. and the news isn’t even five things every day, it’s more. human. and I can’t stop crying every now and then, violent and pathetic as the public shattering of a bottle on the sidewalk. human, being and the cards i deal can’t help. I write, we’re the children that they forgot to raise, and I mean I am.

how to build an identity and career when you have no past and no future: a lament, not a manual; r.m.s

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i continually return to selfish poetry in pieces, seeking something, like the blind hungry mind of a moth hurling itself against a light. as if the words, when arranged in the proper order, will free me, will bust the seams of my slick human skin will let me become something that will not read the news or take the bus, or crave human connection in a way that leaves me clutching at the empty sleeves of coats, like the hands of lovely strangers. there are things I'm not allowed to say to myself, these days there is coffee on the windowsill in the morning, and two spoonfuls of sugar for a god i pray to like i'm talking to a neighbor. specifically, a neighbor that reminds me of the father I wish I'd had. I think to myself, your parents were cowards. I pull the curtains. I hear someone crying outside at night, in screaming desperate sobs I make change when I have it, for the people on the bus and I tell myself in a therapeutic way: you are a human being. seems useless, at the end of the day, but i keep doing it in the hopes that eventually something will bloom. my family's ancestors were, on the whole, colonists and devils the kind of monsters that I want nothing to do with evangelists and abusers, men and women alike, or broken birds that died while locked away. (I never knew of my cousin until she died.) the movies reflect the protagonist running home, feet bringing up dust of histories that everyone prefers, where a mother unbends with the relentless surety of a final sunset-soaked kiss scene. the teenager is never quite right, and is always re-enfolded as a line on the tree while I sleep in my snapped branches, and wake up wanting selfishly, to be a father. I think about the mess of me, my endless capacity for cruel and careless actions, and my half-made mind, and return to sleep, and don't stop wanting. the world is breaking at the seams. I tell myself, you are a human being. in a casual way, i'd like to stop existing. you are a human being. and what good have I made of it? my mother never even tried to call me. a human being. and the news isn't even five things every day, it's more. human. and I can't stop crying every now and then, violent and pathetic as the public shattering of a bottle on the sidewalk. human, being and the cards i deal can't help. I write, we're the children that they forgot to raise, and I mean I am.

how to build an identity and career when you have no past and no future: a lament, not a manual; r.m.s

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i cannot breathe this dust without choking, so hear me i cannot keep packing my lungs in, my heart down i cannot spit out the anger that made me, that made me i say, come woods, come rivers, tell me my mother's maiden name so i can burn it in my fireplace, and be forever free god or not i will keep walking, i will keep biting my tongue until the blood runs sweet and i will not get lost again i will mark the trees and blink away my nightmares, and follow follow, follow the rules, and break them until they remember how to stay just as broken as me i have measured my life in fires and bite marks and choking breaths i have measured it in periods of sickness, in failed tests, failing grades i have measured me in black-blood weeks and scraped-knee months and the bruises that never manage to disappear, and the shadow the shadow of my mother's maiden name i will not be lost again, i will set my traps and wait i will find the door that leads to the realer world i will burn what may and go, down to the end of the wood where i will leave the shadows, and all of a bright sudden recall my real name and turn, and walk the forest once again.

i will see you safe to the end of the wood or die trying (r.m.s)

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